4 ideas
| 23900 | Chance is compatible with necessity, and the two occur together [Weil] |
| Full Idea: Chance is not the contrary of necessity; it is not incompatible with necessity. On the contrary, it never appears except at the same time as necessity. | |
| From: Simone Weil (The Scientific Image [1941], p.175) | |
| A reaction: She illustrates it with the six terminating results of a die throw, and the innumerabe ways the throw can occur. This thought strikes me as relevant to discussions of free will. …But I'm not sure I fully understand it. |
| 3400 | Things must have parts to intermingle [Gassendi] |
| Full Idea: If you are no larger than a point, how are you joined to the whole body, which is so large? …and there can be no intermingling between things unless the parts of them can be intermingled. | |
| From: Pierre Gassendi (Objections to 'Meditations' (Fifth) [1641]), quoted by Jaegwon Kim - Philosophy of Mind p.131 | |
| A reaction: As Descartes says that mind is distinct from body because it is non-spatial, it doesn't seem quite right to describe it as a 'point', but the second half is a real problem. Being non-spatial is a real impediment to intermingling with spatial objects. |
| 23899 | The secret of art is that beauty is a just blend of unity and its opposite [Weil] |
| Full Idea: A just blend of unity and that which opposes it is the condition of the beautiful, and it is the secret of art. | |
| From: Simone Weil (The Scientific Image [1941], p.169) | |
| A reaction: Rather sweeping, but the observation strikes me as fairly accurate. It seems to work for most novels, paintings and music, though more recent art may provide counterexamples. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |