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8714
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Fictionalists say 2+2=4 is true in the way that 'Oliver Twist lived in London' is true [Field,H]
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Full Idea:
The fictionalist can say that the sense in which '2+2=4' is true is pretty much the same as the sense in which 'Oliver Twist lived in London' is true. They are true 'according to a well-known story', or 'according to standard mathematics'.
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From:
Hartry Field (Realism, Mathematics and Modality [1989], 1.1.1), quoted by Michèle Friend - Introducing the Philosophy of Mathematics 6.3
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A reaction:
The roots of this idea are in Carnap. Fictionalism strikes me as brilliant, but poisonous in large doses. Novels can aspire to artistic truth, or to documentary truth. We invent a fiction, and nudge it slowly towards reality.
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13165
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Geometrical proofs do not show causes, as when we prove a triangle contains two right angles [Proclus]
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Full Idea:
Geometry does not ask 'why?' ..When from the exterior angle equalling two opposite interior angles it is shown that the interior angles make two right angles, this is not a causal demonstration. With no exterior angle they still equal two right angles.
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From:
Proclus (Commentary on Euclid's 'Elements' [c.452], p.161-2), quoted by Paolo Mancosu - Explanation in Mathematics §5
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A reaction:
A very nice example. It is hard to imagine how one might demonstrate the cause of the angles making two right angles. If you walk, turn left x°, then turn left y°, then turn left z°, and x+y+z=180°, you end up going in the original direction.
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9569
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The origin of geometry started in sensation, then moved to calculation, and then to reason [Proclus]
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Full Idea:
It is unsurprising that geometry was discovered in the necessity of Nile land measurement, since everything in the world of generation goes from imperfection to perfection. They would naturally pass from sense-perception to calculation, and so to reason.
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From:
Proclus (Commentary on Euclid's 'Elements' [c.452]), quoted by Charles Chihara - A Structural Account of Mathematics 9.12 n55
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A reaction:
The last sentence is the core of my view on abstraction, that it proceeds by moving through levels of abstraction, approaching more and more general truths.
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