8 ideas
| 20955 | Art can make reason more all-inclusive, by articulating what seemed inexpressible [Bowie] |
| Full Idea: The early German Romantics argued that art pointed to a more all-inclusive conception of reason, which can offer ways of articulating what is not conceptually accessible. | |
| From: Andrew Bowie (Introduction to German Philosophy [2003], 5 'Reason') | |
| A reaction: [This is Novalis, F.Schlegel, Schleiermacher, and Hölderlin] I'm in favour of expanding reason, to include assessment of situations and coherence, rather than just stepwise reasoning. Not sure that art 'articulates' something new. |
| 20950 | German Idealism says our thinking and nature have the same rational structure [Bowie] |
| Full Idea: German Idealism aims to demonstrate that our thinking relates to a nature which is intelligibly structured in the same way as our thinking is structured. | |
| From: Andrew Bowie (Introduction to German Philosophy [2003], 3 'Limits') | |
| A reaction: Now that's an idealism I might buy into. Frege thought his logic was mapping rational reality. My angle is that we are a product of this 'reality', so we should expect our thinking to be similarly structured. Reason is derived from nature. |
| 20942 | Nazis think race predetermines the self [Bowie] |
| Full Idea: The Nazi idea is that the self is predetermined primarily by its race. | |
| From: Andrew Bowie (Introduction to German Philosophy [2003], Intro) | |
| A reaction: I suspect that I occasionally encounter this view, in very patriotic people. But then you meet people who feeling that their self is mainly determined by support of a football team. Note, though, 'pre-'determined. Hegel makes this idea possible? |
| 20946 | Rhetoric is built into language, so it cannot be stripped from philosophy [Bowie] |
| Full Idea: The attempt to rid philosophy of rhetoric falls prey precisely to that fact that what is involved in rhetoric is inherent in what is built into all natural languages by their genesis in the real historical world. | |
| From: Andrew Bowie (Introduction to German Philosophy [2003], 2 'Hamann') | |
| A reaction: Rhetoric can range from charming to bullying, and it is the latter which is the problem. The underlying issue is dogma versus dialectic. Some analytic philosophers have a good shot at being non-rhetorical. |
| 20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
| Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased. | |
| From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1 | |
| A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling. |
| 20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
| Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available. | |
| From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2 | |
| A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong). |
| 20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
| Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge. | |
| From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4 | |
| A reaction: I might believe this of writing novels, but not much else. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |