6 ideas
| 23900 | Chance is compatible with necessity, and the two occur together [Weil] |
| Full Idea: Chance is not the contrary of necessity; it is not incompatible with necessity. On the contrary, it never appears except at the same time as necessity. | |
| From: Simone Weil (The Scientific Image [1941], p.175) | |
| A reaction: She illustrates it with the six terminating results of a die throw, and the innumerabe ways the throw can occur. This thought strikes me as relevant to discussions of free will. …But I'm not sure I fully understand it. |
| 2602 | What experience could prove 'If a=c and b=c then a=b'? [Descartes] |
| Full Idea: Please tell me what the corporeal motion is that is capable of forming some common notion to the effect that 'things which are equal to a third thing are equal to each other'. | |
| From: René Descartes (Comments on a Certain Broadsheet [1644], p.366) |
| 2600 | The mind's innate ideas are part of its capacity for thought [Descartes] |
| Full Idea: I have never written or taken the view that the mind requires innate ideas which are something distinct from its own faculty of thinking. | |
| From: René Descartes (Comments on a Certain Broadsheet [1644], p.365) |
| 2601 | Qualia must be innate, because physical motions do not contain them [Descartes] |
| Full Idea: The ideas of pains, colours, sounds etc. must be all the more innate if, on the occasion of certain corporeal motions, our mind is to be capable of representing them to itself, for there is no similarity between these ideas and the corporeal motions. | |
| From: René Descartes (Comments on a Certain Broadsheet [1644], p.365) | |
| A reaction: Simple and brilliant! We know perfectly well that there is no redness zooming through the air from a tomato (or the air would be pink!). Redness occurs when the light arrives, so we add the redness, so it is innate. |
| 23899 | The secret of art is that beauty is a just blend of unity and its opposite [Weil] |
| Full Idea: A just blend of unity and that which opposes it is the condition of the beautiful, and it is the secret of art. | |
| From: Simone Weil (The Scientific Image [1941], p.169) | |
| A reaction: Rather sweeping, but the observation strikes me as fairly accurate. It seems to work for most novels, paintings and music, though more recent art may provide counterexamples. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |