6 ideas
| 20062 | If a desire leads to a satisfactory result by an odd route, the causal theory looks wrong [Chisholm] |
| Full Idea: If someone wants to kill his uncle to inherit a fortune, and having this desire makes him so agitated that he loses control of his car and kills a pedestrian, who turns out to be his uncle, the conditions of the causal theory seem to be satisfied. | |
| From: Roderick Chisholm (Freedom and Action [1966]), quoted by Rowland Stout - Action 6 'Deviant' | |
| A reaction: This line of argument has undermined all sorts of causal theories that were fashionable in the 1960s and 70s. Explanation should lead to understanding, but a deviant causal chain doesn't explain the outcome. The causal theory can be tightened. |
| 20054 | There has to be a brain event which is not caused by another event, but by the agent [Chisholm] |
| Full Idea: There must be some event A, presumably some cerebral event, which is not caused by any other event, but by the agent. | |
| From: Roderick Chisholm (Freedom and Action [1966], p.20), quoted by Rowland Stout - Action 4 'Agent' | |
| A reaction: I'm afraid this thought strikes me as quaintly ridiculous. What kind of metaphysics can allow causation outside the natural nexus, yet occuring within the physical brain? This is a relic of religious dualism. Let it go. |
| 12167 | Reference without predication is the characteristic of expression [Scruton] |
| Full Idea: Characteristic of expression is the presence of 'reference' without predication. | |
| From: Roger Scruton (Representation in Music [1976], p.71) | |
| A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting. |
| 12166 | If music refers to love, it contains no predication, so it is expression, not language [Scruton] |
| Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression. | |
| From: Roger Scruton (Representation in Music [1976], p.63-4) | |
| A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure. |
| 12168 | Music is not representational, since thoughts about a subject are never essential to it [Scruton] |
| Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music. | |
| From: Roger Scruton (Representation in Music [1976], p.74) | |
| A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells? |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |