9 ideas
| 8988 | Two marxist ideas have dominated in France: base and superstructure, and ideology [Scruton] |
| Full Idea: Two tenets of classical Marxism have played a decisive role in French culture during our century: the theory of base and superstructure, and the concept of ideology. | |
| From: Roger Scruton (Upon Nothing: Swansea lecture [1993], p.7) | |
| A reaction: It is striking how marxist attitudes permeate even the least political of French philosophical writings, to the point where you wonder if they are even aware of it any more. They largely have marxism and reaction, with liberalism passing them by. |
| 8987 | On the surface of deconstructive writing, technicalities float and then drift away [Scruton] |
| Full Idea: Deconstructive writing has a peculiar surface, in which technicalities float on the syntactic flood and vanish unexplained downstream. | |
| From: Roger Scruton (Upon Nothing: Swansea lecture [1993], p.2) | |
| A reaction: Not even the greatest fans of deconstruction can deny this, and Derrida more or less admits it. At first glance it certainly looks more like the ancient idea of rhetoric than it looks anything like dialectic. |
| 8992 | Deconstruction is the last spasm of romanticism, now become hopeless and destructive [Scruton] |
| Full Idea: The subversive patterns of thought in deconstruction are a last spasm of romanticism: one that has given up hope of an otherworldly redemption, and set out instead to destroy the illusions in which other still believe, the source of their power. | |
| From: Roger Scruton (Upon Nothing: Swansea lecture [1993], p.29) | |
| A reaction: It seems to be strongly connected with the failure of marxism in Europe, but it also seems to inherit all the values of the Dada movement. |
| 8063 | Baumgarten founded aesthetics in 1750 [Baumgarten, by Tolstoy] |
| Full Idea: Baumgarten founded aesthetics in the year 1750. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.2 | |
| A reaction: He gave it a label, separated it off from the rest of philosophy, and made taste the main focus. The philosophy of art goes back to at least Plato's 'Republic' and 'Symposium'. |
| 8118 | Beauty is an order between parts, and in relation to the whole [Baumgarten, by Tolstoy] |
| Full Idea: Beauty is defined by Baumgarten as a correspondence, that is, an order of parts in their mutual relations to each other and in their relation to the whole. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: This may be one aspect of what is beautiful, but rather more than a nice arrangement is probably needed for art. We must distinguish flower arranging from poetic drama. Some masterpieces are rather messily arranged. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |
| 8117 | Perfection comes through the senses (Beauty), through reason (Truth), and through moral will (Good) [Baumgarten, by Tolstoy] |
| Full Idea: For Baumgarten, Beauty is the Perfect (the Absolute), recognised through the senses; Truth is the Perfect perceived through reason; Goodness is the Perfect reached by moral will. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: At last, after many years of searching, I have found the origin of that great trio of ideals: Beauty, Goodness and Truth. Tolstoy sneers at them, but a person could do a lot worse than spending their lives trying to promote them. |
| 8989 | The benefits of social freedom outweigh the loneliness, doubt and alienation it brings [Scruton] |
| Full Idea: While the goods of freedom, such as rights, property, education and prosperity, can be obtained only at a price - the price of loneliness, doubt and alienation - it is a price worth paying. | |
| From: Roger Scruton (Upon Nothing: Swansea lecture [1993]) | |
| A reaction: A striking way for a liberal-conservative to confront the accusations of the marxists - by conceding a lot of their criticisms, but living with them. I still don't see why we shouldn't aspire to have both. |
| 8990 | So-called 'liberation' is the enemy of freedom, destroying the very structures that are needed [Scruton] |
| Full Idea: The promise of 'liberation' has always been the enemy of freedom - in 1968 as much as in 1789 and 1917. Its first desire, and its only policy, is to destroy the institutions and traditions (the 'structures') which make freedom durable. | |
| From: Roger Scruton (Upon Nothing: Swansea lecture [1993], p.9) | |
| A reaction: There is a dilemma, though, if your legal system is corrupt. Far too many political attitudes are formed because of high-profile spectacular cases, instead of looking at daily routines. The latter might make a corrupt legal system still worth saving. |