7 ideas
| 9052 | Vague predicates lack application; there are no borderline cases; vague F is not F [Unger, by Keefe/Smith] |
| Full Idea: In a slogan, Unger's thesis is that all vague predicates lack application ('nihilism', says Williamson). Classical logic can be retained in its entirety. There are no borderline cases: for vague F, everything is not F; nothing is either F or borderline F. | |
| From: report of Peter Unger (There are no ordinary things [1979]) by R Keefe / P Smith - Intro: Theories of Vagueness §1 | |
| A reaction: Vague F could be translated as 'I'm quite tempted to apply F', in which case Unger is right. This would go with Russell's view. Logic and reason need precise concepts. The only strategy with vagueness is to reason hypothetically. |
| 16070 | There are no objects with proper parts; there are only mereological simples [Unger, by Wasserman] |
| Full Idea: Eliminativism is often associated with Unger, who defends 'mereological nihilism', that there are no composite objects (objects with proper parts); there are only mereological simples (with no proper parts). The nihilist denies statues and ships. | |
| From: report of Peter Unger (There are no ordinary things [1979]) by Ryan Wasserman - Material Constitution 4 | |
| A reaction: The puzzle here is that he has a very clear notion of identity for the simples, but somehow bars combinations from having identity. So identity is simplicity? 'Complex identity' doesn't sound like an oxymoron. We're stuck if there are no simples. |
| 8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
| Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity. | |
| From: Sebastian Gardner (Aesthetics [1995], Intro) | |
| A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts. |
| 8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
| Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object. | |
| From: Sebastian Gardner (Aesthetics [1995], 2.2) | |
| A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing. |
| 8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
| Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.2.3) | |
| A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |
| 8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |
| Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.1) | |
| A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples. |