4 ideas
| 16640 | Form is the principle that connects a thing's constitution (rather than being operative) [Hill,N] |
| Full Idea: Form is the state and condition of a thing, a result of the connection among its material principles; it is a constituting principle, not an operative one. | |
| From: Nicholas Hill (Philosophia Epicurea [1610], n 35) | |
| A reaction: Pasnau presents this as a denial of form, but it looks to me like someone fishing for what form could be in a more scientific context. Aristotle would have approved of 'principles'. Hill seems to defend the categorical against the dispositional. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |
| 23812 | Force is what turns man into a thing, and ultimately into a corpse [Weil] |
| Full Idea: To define 'force' - it is that x that turns anybody who is subjected to it into a thing. Exercised to the limit, it turns man into a thing in the most literal sense: it makes a corpse out of him. | |
| From: Simone Weil (The Iliad or the Poem of Force [1940], p.183) | |
| A reaction: She celebrates The Iliad as the great examination of force in human affairs. I have felt that sense of reduction to a thing whenever anyone above me in the hierarchy has arbitrarily exerted their power over me. |
| 23813 | Only people who understand force, and don't respect it, are capable of justice [Weil] |
| Full Idea: Only he who has measured the dominion of force, and knows how not to respect it, is capable of love and justice. | |
| From: Simone Weil (The Iliad or the Poem of Force [1940], p.212) | |
| A reaction: There are, of course, occasions when we are grateful to people who exercise appropriate force on our behalf. I think she was concerned with what is inappropriate. |