8 ideas
| 19489 | For me, fictions are internally true, without a significant internal or external truth-value [Yablo] |
| Full Idea: A 'myth' or fiction for me is a true internal statement (a statement endorsed by the rules) whose external truth value is as may be, the point being that that truth value is from an internal standpoint quite irrelevant. | |
| From: Stephen Yablo (Does Ontology Rest on a Mistake? [1998], IX) | |
| A reaction: This contrasts with Carnap, for whom talk of 'ghosts' is false in an internal thing-framework. Yablo seems here to say a statement can be true while having no truth value. Presumably he is relaxing the internal rules. |
| 19490 | Make-believe can help us to reason about facts and scientific procedures [Yablo] |
| Full Idea: Make-believe games can make it easier to reason about facts, to systematize them, to visualize them, to spot connections with other facts, and to evaluate potential lines of research. | |
| From: Stephen Yablo (Does Ontology Rest on a Mistake? [1998], XI) | |
| A reaction: This is the key pragmatic defence of the fictionalist view of abstract objects. Fictions are devices to help us think better. I think a lot of ontology turns out that way. |
| 19491 | 'The clouds are angry' can only mean '...if one were attributing emotions to clouds' [Yablo] |
| Full Idea: It is an open question whether the clouds that we call 'angry' are literally F, for any F other than 'such that it would be natural and proper to regard them as angry if one were going to attribute emotions to clouds'. | |
| From: Stephen Yablo (Does Ontology Rest on a Mistake? [1998], XII) | |
| A reaction: His point is that it is TRUE, in those circumstances, that the clouds are angry. Thus fictions are a valid and useful part of ordinary sensible course, giving real information. I like it. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |