12 ideas
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help. | |
| From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3 | |
| A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work. |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys). |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point. |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft. |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| Full Idea: The intentional fallacy is a romantic one. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II) | |
| A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour. |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV) | |
| A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |
| 23061 | Free atheism should start by questioning its faith in humanity [Gray] |
| Full Idea: A free-thinking atheism would begin by questioning the prevailing faith in humanity. But there is little prospect of contemporary atheists giving up their reverence for this phantom. | |
| From: John Gray (Seven Types of Atheism [2018], Conc) | |
| A reaction: He seems to be referring to 'humanism', which I take to be quite different from atheism. I take it as obvious that simple atheism is entirely neutral on the question of whether we should have 'faith' in humanity (which presumably mean optimism). |
| 23057 | Gnosticism has a supreme creator God, giving way to a possibly hostile Demiurge [Gray] |
| Full Idea: Gnostic traditions envisage a supreme God that created the universe and then withdrew into itself, leaving the world to be ruled by a lesser god, or Demiurge, which might be indifferent or hostile to mankind. | |
| From: John Gray (Seven Types of Atheism [2018], Intro) | |
| A reaction: It doesn't seem to solve any problems, given that the first God is 'supreme', and is therefore responsible for the introduction and actions of the later Demiurge. |
| 23056 | Judaism only became monotheistic around 550 BCE [Gray] |
| Full Idea: It was only sometime around the sixth century BC, during the period when the Israelites returned to Jerusalem, that the idea that there is only one God emerged in Jewish religion. | |
| From: John Gray (Seven Types of Atheism [2018], Intro) | |
| A reaction: There seems to be a parallel move among the Greeks to elevate Zeus to special status. |
| 23055 | Christians introduced the idea that a religion needs a creed [Gray] |
| Full Idea: The notion that religions are creeds - lists of propositions or doctrines that everyone must accept or reject - emerged only with Christianity. | |
| From: John Gray (Seven Types of Atheism [2018], Intro) | |
| A reaction: With a creed comes the possibility of heresy. I''m not happy with children being taught to recite something which begins 'I believe…', but which they have never thought about and barely understand. |
| 23058 | Buddhism has no divinity or souls, and the aim is to lose the illusion of a self [Gray] |
| Full Idea: Buddhism says nothing of any divine mind and rejects any idea of the soul. The world consists of processes and events. The human sense of self is an illusion; freedom is found in ridding oneself of this illusion. | |
| From: John Gray (Seven Types of Atheism [2018], Intro) | |
| A reaction: I'm not clear why shaking off the illusion of a self is a superior state. Freedom to do what? Presumably nothing at all, since there is no self to desire anything. |