16 ideas
| 18543 | Do aesthetic reasons count as reasons, if they are rejectable without contradiction? [Scruton] |
| Full Idea: The judgement of beauty makes a claim about its object, and can be supported by reasons. But the reasons do not compel the judgement and can be rejected without contradiction. So are they reasons or aren't they? | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: I suspect that what he is really referring to is evidence rather than reasons. |
| 18542 | Defining truth presupposes that there can be a true definition [Scruton] |
| Full Idea: How can you define truth, without already assuming the distinction between a true definition and a false one? | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: Don't say we have to accept truth as yet another primitive! Philosophers are out of business if all the basic concepts are primitive. The axiomatic approach to truth is an alternative - by specifying how the primitive should be used. |
| 8526 | We might treat both tropes and substances as fundamental, so we can't presume it is just tropes [Daly] |
| Full Idea: Since C.B. Martin accepts both tropes and substances as fundamental, the claim that tropes are the only fundamental constituents is a further, independent claim. | |
| From: Chris Daly (Tropes [1995], §4) | |
| A reaction: A dubious mode of argument. Martin may only make the claim because he is ignorant, of facts or of language. Why are some tropes perfectly similar? Is it the result of something more fundamental? |
| 8527 | More than one trope (even identical ones!) can occupy the same location [Daly] |
| Full Idea: More than one trope can occupy the same spatio-temporal location, and it even seems possible for a pair of exactly resembling tropes to occupy the same spatio-temporal location. | |
| From: Chris Daly (Tropes [1995], §6) | |
| A reaction: This may be the strongest objection to tropes. Being disc-shaped and red would occupy the same location. Aristotle's example of mixing white with white (Idea 557) would be the second case. Individuation of these 'particulars' is the problem. |
| 8528 | If tropes are linked by the existence of concurrence, a special relation is needed to link them all [Daly] |
| Full Idea: To explain how tropes form bundles, concurrence relations are invoked. But tropes F and G and a concurrence relation C don't ensure that F stands in C to G. So trope theory needs 'instantiation' relations (special relational tropes) after all. | |
| From: Chris Daly (Tropes [1995], §7) | |
| A reaction: Campbell presents relations as 'second-order' items dependent on tropes (Idea 8525), but that seems unclear. Daly's argument resembles Russell's (which he likes), that some sort of universal is inescapable. It also resembles Bradley's regress (7966). |
| 3158 | Theories of intentionality presuppose rationality, so can't explain it [Dennett] |
| Full Idea: Intentional theory is vacuous as psychology because it presupposes and does not explain rationality or intelligence. | |
| From: Daniel C. Dennett (Brainstorms:Essays on Mind and Psychology [1978], p.15?) | |
| A reaction: Virtually every philosophical theory seems to founder because it presupposes something like the thing it is meant to explain. I agree that 'intentionality' is a slightly airy concept that would probably reduce to something better. |
| 3159 | Beliefs and desires aren't real; they are prediction techniques [Dennett] |
| Full Idea: Intentional systems don't really have beliefs and desires, but one can explain and predict their behaviour by ascribing beliefs and desires to them. This strategy is pragmatic, not right or wrong. | |
| From: Daniel C. Dennett (Brainstorms:Essays on Mind and Psychology [1978], p.7?) | |
| A reaction: If the ascription of beliefs and desires explains behaviour, then that is good grounds for thinking they might be real features of the brain, and even if that is not so, they are real enough as abstractions from brain events, like the 'economic climate'. |
| 18546 | The pleasure taken in beauty also aims at understanding and valuing [Scruton] |
| Full Idea: Like the pleasure in friendship, the pleasure in beauty is curious: it aims to understand its object, and to value what it finds. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: At least he is trying to pin down the way in which aesthetic pleasure is phenomenologically different from other kinds of pleasure. |
| 18550 | Art gives us imaginary worlds which we can view impartially [Scruton] |
| Full Idea: One aim of art is to present imaginary worlds, towards which we can adopt, as part of the integral aesthetic attitude, a posture of impartial concern. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 5) | |
| A reaction: It connects to the pleasure of watching people when they don't know they are being watched (such as watching the street from a restaurant window). Scruton's suggestion makes art resemble examples in philosophy. Cf the Frege-Geach problem in ethics. |
| 18544 | Maybe 'beauty' is too loaded, and we should talk of fittingness or harmony [Scruton] |
| Full Idea: Maybe we can understand the 'beauty' of a building better if we describe it in another and less loaded way, as a form of fittingness or harmony. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: Almost everyone accepts the word 'beauty' for some things, such as a beautiful face, or goal, or steak. I remember a female interviewer writing that, reluctantly, the only appropriate word she could find for Nureyev's face was 'beautiful'. |
| 18553 | Beauty shows us what we should want in order to achieve human fulfilment [Scruton] |
| Full Idea: Beauty speaks to us of human fulfilment: not of things that we want, but of things that we ought to want, because human nature requires them. Such, at least, is my belief. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 7) | |
| A reaction: I'm not sure how this works with a beautiful natural landscape. And what should I see that I ought to desire after viewing a great Rembrandt self-portrait? That I don't want to end up looking as bleak as that? Hm. Lofty words. |
| 18556 | Beauty is rationally founded, inviting meaning, comparison and self-reflection [Scruton] |
| Full Idea: Beauty is rationally founded; it challenges us to find meaning in its object, to make critical comparisons, and to examine our own lives and emotions in the light of what we find. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 9) | |
| A reaction: This is the Kantian tradition, and I'm not finding it very persuasive. It seems to place the value of beauty in what we do with it afterwards, and he seems to make beauty a necessary stepping stone to virtue. I see beauty as more sui generis. |
| 18548 | Natural beauty reassures us that the world is where we belong [Scruton] |
| Full Idea: The experience of natural beauty is not a sense of 'how nice!' or 'how pleasant!' It contains a reassurance that this world is a right and fitting place to be - a home in which our human powers and prospects find confirmation. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 2) | |
| A reaction: To call it a 'reassurance' and 'confirmation' sounds like theism, anthropomorphism, or the pathetic fallacy. That said, this is certainly a heart-warming idea, and hence must contain a grain of truth. |
| 18551 | Croce says art makes inarticulate intuitions conscious; rival views say the audience is the main concern [Scruton] |
| Full Idea: The Croce model is of an inarticulate inner state (an 'intuition') becoming articulate and conscious through artistic expression. The rival model is fitting thing together so as to create links which resonate in the audience's feelings. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 5) | |
| A reaction: The first model tells you nothing about how the artist imagines the audience reacting. The second model tells you nothing about what matters personally to the artist. A good theory must do both! |
| 18541 | Beauty (unlike truth and goodness) is questionable as an ultimate value [Scruton] |
| Full Idea: The status of beauty as an ultimate value is questionable, in the way that the status of truth and goodness are not. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: We suspect that a love of beauty may be a bit parochial, where it is hard to conceive of living creatures anywhere in the cosmos who don't value the other two. |
| 18554 | Prostitution is wrong because it hardens the soul, since soul and body are one [Scruton] |
| Full Idea: The condemnation of prostitution was not just puritan bigotry; it was a recognition of a profound truth, that you and your body are not two things but one, and by selling the body you harden your soul. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 7) | |
| A reaction: No one, I imagine, who condones or even enthuses about prostitution would hope that their own daughter followed the profession, so there is something wrong with it. But must an enthusiastic and cheerful prostitute necessarily have a hard soul? |