Combining Texts

All the ideas for 'Sweet Dreams', 'Truly Understood' and 'The Nature of Musical Expression'

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13 ideas

15. Nature of Minds / B. Features of Minds / 5. Qualia / c. Explaining qualia
Obviously there can't be a functional anaylsis of qualia if they are defined by intrinsic properties [Dennett]
     Full Idea: If you define qualia as intrinsic properties of experiences considered in isolation from all their causes and effects, logically independent of all dispositional properties, then they are logically guaranteed to elude all broad functional analysis.
     From: Daniel C. Dennett (Sweet Dreams [2005], Ch.8)
     A reaction: This is a good point - it seems daft to reify qualia and imagine them dangling in mid-air with all their vibrant qualities - but that is a long way from saying there is nothing more to qualia than functional roles. Functions must be exlained too.
16. Persons / E. Rejecting the Self / 4. Denial of the Self
The work done by the 'homunculus in the theatre' must be spread amongst non-conscious agencies [Dennett]
     Full Idea: All the work done by the imagined homunculus in the Cartesian Theater must be distributed among various lesser agencies in the brain, none of which is conscious.
     From: Daniel C. Dennett (Sweet Dreams [2005], Ch.3)
     A reaction: Dennett's account crucially depends on consciousness being much more fragmentary than most philosophers claim it to be. It is actually full of joints, which can come apart. He may be right.
17. Mind and Body / E. Mind as Physical / 2. Reduction of Mind
Intelligent agents are composed of nested homunculi, of decreasing intelligence, ending in machines [Dennett]
     Full Idea: As long as your homunculi are more stupid and ignorant than the intelligent agent they compose, the nesting of homunculi within homunculi can be finite, bottoming out, eventually, with agents so unimpressive they can be replaced by machines.
     From: Daniel C. Dennett (Sweet Dreams [2005], Ch.6)
     A reaction: [Dennett first proposed this in 'Brainstorms' 1978]. This view was developed well by Lycan. I rate it as one of the most illuminating ideas in the modern philosophy of mind. All complex systems (like aeroplanes) have this structure.
17. Mind and Body / E. Mind as Physical / 3. Eliminativism
I don't deny consciousness; it just isn't what people think it is [Dennett]
     Full Idea: I don't maintain, of course, that human consciousness does not exist; I maintain that it is not what people often think it is.
     From: Daniel C. Dennett (Sweet Dreams [2005], Ch.3)
     A reaction: I consider Dennett to be as near as you can get to an eliminativist, but he is not stupid. As far as I can see, the modern philosopher's bogey-man, the true total eliminativist, simply doesn't exist. Eliminativists usually deny propositional attitudes.
18. Thought / A. Modes of Thought / 6. Judgement / a. Nature of Judgement
Concepts are distinguished by roles in judgement, and are thus tied to rationality [Peacocke]
     Full Idea: 'Concept' is a notion tied, in the classical Fregean manner, to cognitive significance. Concepts are distinct if we can judge rationally of one, without the other. Concepts are constitutively and definitionally tied to rationality in this way.
     From: Christopher Peacocke (Truly Understood [2008], 2.2)
     A reaction: It seems to a bit optimistic to say, more or less, that thinking is impossible if it isn't rational. Rational beings have been selected for. As Quine nicely observed, duffers at induction have all been weeded out - but they may have existed, briefly.
18. Thought / B. Mechanics of Thought / 6. Artificial Thought / a. Artificial Intelligence
What matters about neuro-science is the discovery of the functional role of the chemistry [Dennett]
     Full Idea: Neuro-science matters because - and only because - we have discovered that the many different neuromodulators and other chemical messengers that diffuse throughout the brain have functional roles that make important differences.
     From: Daniel C. Dennett (Sweet Dreams [2005], Ch.1)
     A reaction: I agree with Dennett that this is the true ground for pessimism about spectacular breakthroughs in artificial intelligence, rather than abstract concerns about irreducible features of the mind like 'qualia' and 'rationality'.
18. Thought / D. Concepts / 3. Ontology of Concepts / c. Fregean concepts
A sense is individuated by the conditions for reference [Peacocke]
     Full Idea: My basic Fregean idea is that a sense is individuated by the fundamental condition for something to be its reference.
     From: Christopher Peacocke (Truly Understood [2008], Intro)
     A reaction: For something to actually be its reference (as opposed to imagined reference), truth must be involved. This needs the post-1891 Frege view of such things, and not just the view of concepts as functions which he started with.
Fregean concepts have their essence fixed by reference-conditions [Peacocke]
     Full Idea: The Fregean view is that the essence of a concept is given by the fundamental condition for something to be its reference.
     From: Christopher Peacocke (Truly Understood [2008], 2.1)
     A reaction: Peacocke is a supporter of the Fregean view. How does this work for concepts of odd creatures in a fantasy novel? Or for mistaken or confused concepts? For Burge's 'arthritis in my thigh'? I don't reject the Fregean view.
18. Thought / D. Concepts / 4. Structure of Concepts / a. Conceptual structure
Concepts have distinctive reasons and norms [Peacocke]
     Full Idea: For each concept, there will be some reasons or norms distinctive of that concept.
     From: Christopher Peacocke (Truly Understood [2008], 2.3)
     A reaction: This is Peacocke's bold Fregean thesis (and it sounds rather Kantian to me). I dislike the word 'norms' (long story), but reasons are interesting. The trouble is the distinction between being a reason for something (its cause) and being a reason for me.
18. Thought / D. Concepts / 4. Structure of Concepts / b. Analysis of concepts
Any explanation of a concept must involve reference and truth [Peacocke]
     Full Idea: For some particular concept, we can argue that some of its distinctive features are adequately explained only by a possession-condition that involves reference and truth essentially.
     From: Christopher Peacocke (Truly Understood [2008], Intro)
     A reaction: He reached this view via the earlier assertion that it is the role in judgement which key to understanding concepts. I like any view of such things which says that truth plays a role.
19. Language / C. Assigning Meanings / 4. Compositionality
Encountering novel sentences shows conclusively that meaning must be compositional [Peacocke]
     Full Idea: The phenomenon of understanding sentences one has never encountered before is decisive against theories of meaning which do not proceed compositionally.
     From: Christopher Peacocke (Truly Understood [2008], 4.3)
     A reaction: I agree entirely. It seems obvious, as soon as you begin to slowly construct a long and unusual sentence, and follow the mental processes of the listener.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Romantics say music expresses ideas, or the Will, or intuitions, or feelings [Scruton]
     Full Idea: According to the Romantic theory music was an expression of something, of an idea (Hegel), of the Will (Schopenhauer), of 'intuitions' (Croce), or of feelings (Collingwood).
     From: Roger Scruton (The Nature of Musical Expression [1981], p.54)
     A reaction: Deryck Cooke was the culmination of music as expression of feeling, and Stravinsky was the greatest rebel against the whole idea of expression in music. You can set out to create interesting music which does or does not grab the emotions.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Expressing melancholy is a good thing, but arousing it is a bad thing [Scruton]
     Full Idea: To describe a piece of music as expressive of melancholy is to give a reason for listening to it; to describe it as arousing or evoking melancholy is to give a reason for avoiding it.
     From: Roger Scruton (The Nature of Musical Expression [1981], p.49)
     A reaction: Expressing sexual desire, while avoiding arousing it, is the nice challenge for a particular type of art. Would Scruton say that expressing joy is a good thing, but arousing it is bad? It is a nice observation, though.