11 ideas
| 16740 | A power is not a cause, but an aptitude for a cause [Zabarella] |
| Full Idea: A power is not the cause of an operation, but only the cause's aptitude for operating. | |
| From: Jacob Zabarella (De rebus naturalibus [1590], De fac anim 4:col 692), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 23.5 | |
| A reaction: His example is the power of running, which is actually caused by the soul (or whatever), which generates the power. A power is a very superficial thing. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 22252 | Capitalism may actually be the best way to foster community [Conway,D] |
| Full Idea: Not only is there no good reason for supposing capitalism inimical to community, but there is reason to think it more conducive to community than the feasible alternatives to it. | |
| From: David Conway (Capitalism and Community [1996], I) | |
| A reaction: Conway is defending an obviously unorthodox view, while attacking the hopes of communitarians. |
| 22253 | Capitalism is just the market, with optional limited government, and perhaps democracy [Conway,D] |
| Full Idea: There are three types of capitalism: 1) the market - private ownership, labor contracts and profit, 2) limited government - the state provides goods the market cannot do, 3) limited government with democracy - with political freedom and elections. | |
| From: David Conway (Capitalism and Community [1996], II) | |
| A reaction: [compressed] I would have thought that capitalism is compatible with a fair degree of workplace democracy, which would make a fourth type. |
| 22256 | Capitalism prefers representative democracy, which avoids community decision-making [Conway,D] |
| Full Idea: By opting for representative rather than direct democracy, capitalism is said to preclude political community, for which the citizens of a state must possess a common will, which needs their direct participation in decisions. | |
| From: David Conway (Capitalism and Community [1996], V) | |
| A reaction: Conway does not accept this claim. I'm beginning to wonder whether the famous British electoral system is actually a capitalist conspiracy against the people. |
| 22255 | Capitalism breaks up extended families, and must then provide welfare for the lonely people [Conway,D] |
| Full Idea: It is said that capitalism encourages the breakup of extended families, which creates the need for extensive state welfare for those indigent members of society who can no longer rely on their own family to take care of them. | |
| From: David Conway (Capitalism and Community [1996], V) | |
| A reaction: Conway does not accept this claim. It seems to simplistic to say that capitalism is the sole culprit. Any rise of mechanisation in agriculture would break up rural extended families. |
| 22257 | Capitalism is anti-community, by only valuing individuals, and breaking up families [Conway,D] |
| Full Idea: Communitarns say capitalism is inimical to family community, because it encourages an individualistic mentality which only values self-fulfilment, and because it demands labour mobility which is disruptive of families. | |
| From: David Conway (Capitalism and Community [1996], VI) | |
| A reaction: Chicken-and-egg with the first one. Small entrepreneurs are individualists who seek their own gain. It is big capitalism that sucks in the others. Traditional community is based on labour-intensive agriculture. |
| 16571 | Prime matter is exceptionally obscure [Zabarella] |
| Full Idea: Nothing in the natural world seems to be more obscure and difficult to grasp than the prime matter of things. | |
| From: Jacob Zabarella (De rebus naturalibus [1590], I.1 col 133), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 2.1 | |
| A reaction: This spells the beginning of the end for 'prime matter', since a late scholastic is doubting it, even before the scientists got to work. Most modern Aristotelians slide quietly past prime matter, as unhelpful. |