14 ideas
| 4020 | The modern self has disengaged reason, self-exploration, and personal commitment [Taylor,C] |
| Full Idea: The modern notion of the self is defined by disengaged reason (with its associated freedom and dignity), by self-exploration, and by personal commitment. | |
| From: Charles Taylor (Sources of the Self [1989], §13.1) | |
| A reaction: Taylor makes a good case that this broader view of how the self is seen is as important as narrow debates about personal identity. |
| 4002 | My aim is to map the connections between our sense of self and our moral understanding [Taylor,C] |
| Full Idea: My entire way of proceeding involves mapping connections between the sense of the self and moral visions, between identity and the good. | |
| From: Charles Taylor (Sources of the Self [1989], Pref) | |
| A reaction: An interesting project. Modern brain research supports the idea that emotions and values are tightly integrated into al thought. |
| 4006 | I can only be aware of myself as a person who changes by means of my personal history [Taylor,C] |
| Full Idea: As a being who grows and becomes I can only know myself through the history of my maturations and regressions, overcomings and defeats. | |
| From: Charles Taylor (Sources of the Self [1989], §2.3) | |
| A reaction: An important insight. My immediate sense of self makes my personal history central, not an extra. But a history must be a history OF something. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 4003 | Selfhood and moral values are inextricably intertwined [Taylor,C] |
| Full Idea: Selfhood and the good, or in another way selfhood and morality, turn out to be inextricably intertwined. | |
| From: Charles Taylor (Sources of the Self [1989], §1.1) | |
| A reaction: This seems an inevitable convergence of three centuries of thought about personal identity and morality. |
| 4021 | Willingness to risk life was the constitutive quality of the man of honour [Taylor,C] |
| Full Idea: Willingness to risk life was the constitutive quality of the man of honour. | |
| From: Charles Taylor (Sources of the Self [1989], §13.1) | |
| A reaction: Which is why war is required. The growth of civil society meant the inevitable rise of other virtues. |
| 4005 | To have respect for people, you must feel their claims, or their injustices, or hold them in awe [Taylor,C] |
| Full Idea: If you want to discriminate more finely what makes humans worthy of respect, you must call to mind the claim of human suffering, or what is repugnant about justice, or the awe you feel about human life. | |
| From: Charles Taylor (Sources of the Self [1989], §1.1) | |
| A reaction: A persuasive part of the claim that such feelings are inseparable from thinking about people in any way at all. |
| 4004 | Consistency presupposes intrinsic description [Taylor,C] |
| Full Idea: The issue of consistency presupposes intrinsic description. | |
| From: Charles Taylor (Sources of the Self [1989], §1.1) | |
| A reaction: This may be the key criticism of Kant. The so-called 'maxim' of an action can be almost infinitely re-expressed to suit the agent. |
| 4010 | In later utilitarianism the modern stress on freedom leads to the rejection of paternalism [Taylor,C] |
| Full Idea: In mature utilitarianism , the stress on modern freedom emerges in the rejection of paternalism. | |
| From: Charles Taylor (Sources of the Self [1989], §3.3) | |
| A reaction: This seems good; it is the beginnings of a rejection of paternalism. What is better, happiness or freedom? What is the value of freedom? |
| 4677 | If suicide is wrong because only God disposes of our lives, it must also be wrong to save lives [Hume] |
| Full Idea: Were the disposal of human life so much the peculiar province of the Almighty that it were an encroachment on His right, for men to dispose of their own lives; it would be equally criminal to act for the preservation of life as for its destruction. | |
| From: David Hume (On suicide [1775]), quoted by Jonathan Glover - Causing Death and Saving Lives §13 | |
| A reaction: A characteristically wicked and neat point. Maybe we can intervene in the environment (diverting a falling stone), but not directly in a life? Life is sacred, but stones are not? |
| 4009 | Nominalists defended the sovereignty of God against the idea of natural existing good and evil [Taylor,C] |
| Full Idea: Late medieval nominalism defended the sovereignty of God as incompatible with there being an order in nature which by itself defined good and bad. | |
| From: Charles Taylor (Sources of the Self [1989], §3.3) | |
| A reaction: Part of their attack on Platonism. But what made them place such a high value on the sovereignty of God? |