11 ideas
| 12149 | Indexicals are a problem for beliefs being just subject-proposition relations [Perry] |
| Full Idea: The essential indexical is a problem for the view that belief is a relation between subjects and propositions conceived as bearers of truth and falsity. | |
| From: John Perry (The Problem of the Essential Indexical [1979], 'Intro') | |
| A reaction: My immediate reaction would be that it depends on how you conceive of 'propositions'. If they are objective, you have a problem. I take them to be subjective events in brains, and the indexical meaning to be evident within the proposition. |
| 12151 | If we replace 'I' in sentences about me, they are different beliefs and explanations of behaviour [Perry] |
| Full Idea: If I leave a trail of sugar, and realise 'that I am making a mess', ...when we replace the word 'I' with other designations of me, we no longer have an explanation of my behaviour, or an attribution of the same belief, so it is an 'essential indexical'. | |
| From: John Perry (The Problem of the Essential Indexical [1979], 'Intro') | |
| A reaction: [compressed] A famous observation of Perry's, which leads him to challenge traditional accounts of belief and of propositions. I don't think I see a problem, if we have a thoroughly non-linguistic account of essentially unambiguous propositions. |
| 18412 | Indexicals individuate certain belief states, helping in explanation and prediction [Perry] |
| Full Idea: We use sentences with indexicals or relativized propositions to individuate belief states, for the purposes of classifying believers in ways useful for explanation and prediction. | |
| From: John Perry (The Problem of the Essential Indexical [1979], 'Obvious') | |
| A reaction: He goes on to apparently connect this with some sort of moral integrity involved in 'owning up' to the fact that the person in question is you (who has spilled the sugar etc.). |
| 12150 | Indexicals reveal big problems with the traditional idea of a proposition [Perry] |
| Full Idea: The problem of the essential indexical reveals that something is badly wrong with the traditional doctrine of propositions. | |
| From: John Perry (The Problem of the Essential Indexical [1979], 'Prob') | |
| A reaction: See the reaction to 12149. The traditional view of propositions, or at least Russell's view, seems to be that they are same as facts, which strikes me as daft. I take propositions to be brain events, probably expressed in mentalese. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 21097 | Modern monarchies are (like republics) rule by law, rather than by men [Hume] |
| Full Idea: In modern times monarchical government seems to have made the greatest advances towards perfection. It may now be affirmed of civilized monarchies, what was formerly said in praise of republics alone, that they are a government of laws, not of men. | |
| From: David Hume (Of Civil Liberty [1750], p.54) | |
| A reaction: Dreams of simple 'government by law' disappeared with the rise of modern media, which can be controlled by wealth. |
| 15203 | Tense is essential for thought and action [Perry, by Le Poidevin] |
| Full Idea: Tense plays a crucial role in thought and action. | |
| From: report of John Perry (The Problem of the Essential Indexical [1979]) by Robin Le Poidevin - Past, Present and Future of Debate about Tense 3 a | |
| A reaction: This is important, because much of our metaphysics is dominated by a detached 'scientific' description of reality, which is given a rather passive character. If processes take centre stage, which they should, then our own processes are part of it. |
| 15204 | Actual tensed sentences cannot be tenseless, because they can cite their own context [Perry, by Le Poidevin] |
| Full Idea: In the new tenseless theory, no tensed token sentence can be equivalent to a tenseless token, because the former, unlike the latter, draws attention to the context in which it is tokened. | |
| From: report of John Perry (The Problem of the Essential Indexical [1979]) by Robin Le Poidevin - Past, Present and Future of Debate about Tense 3 a | |
| A reaction: So the problem about indexicals was worrying fans of the tenseless B-series view of time (and so it should). I'm inclined to translate sentences containing indexicals into their actual propositions, which tend to avoid them. 'Time/person of utterance'. |