14 ideas
| 12036 | Xenophanes began the concern with knowledge [Annas] |
| Full Idea: Xenophanes begins a long concern with knowledge and its grounds. | |
| From: Julia Annas (Ancient Philosophy: very short introduction [2000], Intro) | |
| A reaction: Having that on his cv ought to make Xenophanes more famous than he is. |
| 12046 | Plato was the first philosopher who was concerned to systematize his ideas [Annas] |
| Full Idea: In the ancient world Plato was seen as a pivotal figure, the first philosopher who was concerned to systematize his ideas. | |
| From: Julia Annas (Ancient Philosophy: very short introduction [2000], Ch.6) |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |
| 12037 | Euripides's Medea is a key case of reason versus the passions [Annas] |
| Full Idea: Euripides's Medea has remained a key case for discussion of reason and the passions. | |
| From: Julia Annas (Ancient Philosophy: very short introduction [2000], Ch.1) |
| 12040 | Virtue is a kind of understanding of moral value [Annas] |
| Full Idea: There is a widespread view in ancient ethics that virtue is a kind of understanding of moral value. | |
| From: Julia Annas (Ancient Philosophy: very short introduction [2000], Ch.3) | |
| A reaction: In Aristotle's case, this coincides with his apparent view that 'understanding' is the aim of all areas of human thought. See Idea 12038. |
| 21093 | Friendship without community spirit misses out on the main part of virtue [Hume] |
| Full Idea: A man who is only susceptible of friendship, without public spirit or a regard to the community, is deficient in the most material part of virtue. | |
| From: David Hume (That Politics may be reduced to a Science [1750], p.21) | |
| A reaction: I think this is aimed at the epicureans. If the highest virtues are focused on one's friends that can easily lead to injustice, because it can tolerate prejudice against people who are very unlike one's friends. |
| 21091 | It would be absurd if even a free constitution did not impose restraints, for the public good [Hume] |
| Full Idea: A republican and free form of government would be an obvious absurdity, if the particular checks and controls, provided by the constitution, had really no influence, and made it not the interest, even of bad men, to act for the public good. | |
| From: David Hume (That Politics may be reduced to a Science [1750], p.14) | |
| A reaction: Presumably if you attain absolute power you can write any old constitution you like (Clause 1: the presidency is for life). But there does seem much point in doing it - unless it is to facilitate the use of the law for persecutions. |
| 21092 | Nobility either share in the power of the whole, or they compose the power of the whole [Hume] |
| Full Idea: A nobility may possess power in two different ways. Either every nobleman shares the power as part of the whole body, or the whole body enjoys the power as composed of parts, which each have a distinct power and authority. | |
| From: David Hume (That Politics may be reduced to a Science [1750], p.15) | |
| A reaction: He says the first type is found in Venice, and is preferable to the second type, which is found in Poland. Presumably in the shared version there is some restraint on depraved nobles. The danger is each noble being an autocrat. |