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All the ideas for 'Dthat', 'The Beautiful in Music' and 'works'

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5 ideas

19. Language / A. Nature of Meaning / 6. Meaning as Use

20949	Study the use of words, not their origins [Herder]
	Full Idea: Not how an expression can be etymologically derived and determined analytically, but how it is used is the question. Origin and use are often very different.
	From: Johann Gottfried Herder (works [1784], p.153), quoted by Andrew Bowie - Introduction to German Philosophy 2 'Herder'
	A reaction: This doesn't quite say that meaning is use, and is basically an attack on the Etymological Fallacy (that origin gives meaning), but it is a strikingly modern view of language.

19. Language / B. Reference / 3. Direct Reference / b. Causal reference

14080	Are causal descriptions part of the causal theory of reference, or are they just metasemantic? [Kaplan, by Schaffer,J]
	Full Idea: Kaplan notes that the causal theory of reference can be understood in two quite different ways, as part of the semantics (involving descriptions of causal processes), or as metasemantics, explaining why a term has the referent it does.
	From: report of David Kaplan (Dthat [1970]) by Jonathan Schaffer - Deflationary Metaontology of Thomasson 1
	A reaction: [Kaplan 'Afterthought' 1989] The theory tends to be labelled as 'direct' rather than as 'causal' these days, but causal chains are still at the heart of the story (even if more diffused socially). Nice question. Kaplan takes the meta- version as orthodox.

21. Aesthetics / C. Artistic Issues / 4. Emotion in Art

20344	Music is not an expressive art, because it expresses no familiar emotions [Hanslick, by Wollheim]
	Full Idea: Hanslick concluded from the fact that music doesn't express definite feelings like piety, love, joy, or sadness, that it isn't an art of expression.
	From: report of Eduard Hanslick (The Beautiful in Music [1854]) by Richard Wollheim - Art and Its Objects 48
	A reaction: Whether music is 'expressive' (which it may not be) should not be confused with whether it is emotional, which it clearly is, even in its coolest examples. Hanslick viewed music as a code, not a language.

22. Metaethics / B. Value / 1. Nature of Value / f. Ultimate value

7669	We cannot attain all the ideals of every culture, so there cannot be a perfect life [Herder, by Berlin]
	Full Idea: For Herder, we cannot attain to the highest ideals of all the centuries and all the places at once, and since we cannot do that, the whole notion of the perfect life collapses.
	From: report of Johann Gottfried Herder (works [1784]) by Isaiah Berlin - The Roots of Romanticism Ch.3
	A reaction: Herder seems to be the father of modern cultural relativism. The idea is hard to challenge, but the ideals of some cultures should be ignored, if they diminish rather than enhance the good life for all.

24. Political Theory / D. Ideologies / 7. Communitarianism / a. Communitarianism

7668	Herder invented the idea of being rooted in (or cut off from) a home or a group [Herder, by Berlin]
	Full Idea: The whole notion of being at home, or being cut off from one's natural roots, the whole idea of roots, the whole idea of belonging to a group, a sect, a movement, was largely invented by Herder.
	From: report of Johann Gottfried Herder (works [1784], Ch.3) by Isaiah Berlin - The Roots of Romanticism
	A reaction: Hm. Broad generalisations are an awful temptation in the history of ideas. As a corrective to this, trying reading the two Anglo-Saxon poems 'The Wanderer' and 'The Seafarer'. Very Germanic, I suppose. Interesting, though. Leads to Hegel's politics.