Combining Texts

All the ideas for 'Counterpart theory and Quant. Modal Logic', 'History of Ancient Art' and 'Matter and Memory'

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10 ideas

7. Existence / A. Nature of Existence / 3. Being / c. Becoming
Bergson was a rallying point, because he emphasised becomings and multiplicities [Bergson, by Deleuze]
     Full Idea: Bergson was a rallying point for all the opposition, …not so much because of the theme of duration, as of the theory and practice of becoming of all kinds, of coexistent multiplicities.
     From: report of Henri Bergson (Matter and Memory [1896]) by Gilles Deleuze - A Conversation: what is it? What is it for? I
     A reaction: The three heroes of Deleuze are Spinoza, Nietzsche and Bergson. All philosophers are either of Being, or of Becoming, I suggest.
9. Objects / D. Essence of Objects / 1. Essences of Objects
Aristotelian essentialism says essences are not relative to specification [Lewis]
     Full Idea: So-called 'Aristotelian essentialism' is the doctrine of essences not relative to specifications.
     From: David Lewis (Counterpart theory and Quant. Modal Logic [1968], III)
     A reaction: In other words, they are so-called 'real essences', understood as de re. Quine says essences are all de dicto, and relative to some specification. I vote for Aristotle.
10. Modality / A. Necessity / 7. Natural Necessity
Causal necessities hold in all worlds compatible with the laws of nature [Lewis]
     Full Idea: Just as a sentence is necessary if it holds in all worlds, so it is causally necessary if it holds in all worlds compatible with the laws of nature.
     From: David Lewis (Counterpart theory and Quant. Modal Logic [1968], V)
     A reaction: I don't believe in the so-called 'laws of nature', so I'm not buying that. Is there no distinction in Lewis's view between those sentences which must hold, and those which happen to hold universally?
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
It doesn't take the whole of a possible Humphrey to win the election [Lewis]
     Full Idea: Even if Humphrey is a modal continuant, it doesn't take the whole of him to do such things as winning.
     From: David Lewis (Counterpart theory and Quant. Modal Logic [1968], Post B)
     A reaction: This responds to Kripke's famous example, that people only care about what happens to themselves, and not to some 'counterpart' of themselves.
10. Modality / E. Possible worlds / 3. Transworld Objects / c. Counterparts
Counterpart theory is bizarre, as no one cares what happens to a mere counterpart [Kripke on Lewis]
     Full Idea: Probably Humphrey could not care less whether someone else, no matter how much resembling him, would have been victorious in another possible world. Thus Lewis's view seems even more bizarre that the usual transworld identification it replaces.
     From: comment on David Lewis (Counterpart theory and Quant. Modal Logic [1968]) by Saul A. Kripke - Naming and Necessity notes and addenda note 13
     A reaction: I begin to see this as a devastating reply to a theory I previously found quite congenial.
Counterparts are not the original thing, but resemble it more than other things do [Lewis]
     Full Idea: Your counterparts resemble you closely in content and context in important respects. They resemble you more closely than do the other things in their worlds. But they are not really you.
     From: David Lewis (Counterpart theory and Quant. Modal Logic [1968], I)
     A reaction: It is a dilemma. If my counterpart were exactly me, I couldn't contemplate possibly losing a leg, or my sanity. But if my counterpart isn't exactly me, then I don't have much interest in its fate. Only essences can save us here. Cf. me tomorrow.
If the closest resembler to you is in fact quite unlike you, then you have no counterpart [Lewis]
     Full Idea: If whatever thing in world w6 it is that resembles you more closely than anything else in w6 is nevertheless quite unlike you; nothing in w6 resembles you at all closely. If so, you have no counterpart in w6.
     From: David Lewis (Counterpart theory and Quant. Modal Logic [1968], I)
     A reaction: This is the nub, because the whole theory rests on deciding whether two things resemble sufficiently 'closely'. But then we need a criterion of closeness, so we must start talking about which properties matter. Essences loom.
Essential attributes are those shared with all the counterparts [Lewis]
     Full Idea: An essential attribute of something is an attribute it shares with all its counterparts.
     From: David Lewis (Counterpart theory and Quant. Modal Logic [1968], III)
     A reaction: I don't like this. It ties essence entirely to identity, but I think essence precedes identity. Essence is a nexus of causal and explanatory powers which bestows an identity on each thing. But essence might be unstable, and identity with it.
12. Knowledge Sources / E. Direct Knowledge / 4. Memory
Bergson showed that memory is not after the event, but coexists with it [Bergson, by Deleuze]
     Full Idea: Bergson has shown that memory is not an actual image which forms after the object has been perceived, but a virtual image coexisting with the actual perception of the object.
     From: report of Henri Bergson (Matter and Memory [1896]) by Gilles Deleuze - The Actual and the Virtual p.114
     A reaction: It strikes me as plausible to say that all conscious life is memory. Perceiving the present instant is only possible because it endures for a tiny moment.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Art aims only at beauty, of form, of idea, and (above all) of expression [Winckelmann, by Tolstoy]
     Full Idea: According to Winckelmann, the law and aim of all art is beauty, independent of goodness. The three kinds of beauty are of form, of idea, and of expression (the highest aim, attainable only when the other two are present).
     From: report of Johann Winckelmann (History of Ancient Art [1764]) by Leo Tolstoy - What is Art? Ch.3
     A reaction: This sounds very like 'art for art's sake', but a hundred years earlier. This is quite a good distinction, and I particularly like the 'beauty of idea', which is often overlooked.