16 ideas
| 11976 | Aristotelian essentialism says essences are not relative to specification [Lewis] |
| Full Idea: So-called 'Aristotelian essentialism' is the doctrine of essences not relative to specifications. | |
| From: David Lewis (Counterpart theory and Quant. Modal Logic [1968], III) | |
| A reaction: In other words, they are so-called 'real essences', understood as de re. Quine says essences are all de dicto, and relative to some specification. I vote for Aristotle. |
| 11978 | Causal necessities hold in all worlds compatible with the laws of nature [Lewis] |
| Full Idea: Just as a sentence is necessary if it holds in all worlds, so it is causally necessary if it holds in all worlds compatible with the laws of nature. | |
| From: David Lewis (Counterpart theory and Quant. Modal Logic [1968], V) | |
| A reaction: I don't believe in the so-called 'laws of nature', so I'm not buying that. Is there no distinction in Lewis's view between those sentences which must hold, and those which happen to hold universally? |
| 11979 | It doesn't take the whole of a possible Humphrey to win the election [Lewis] |
| Full Idea: Even if Humphrey is a modal continuant, it doesn't take the whole of him to do such things as winning. | |
| From: David Lewis (Counterpart theory and Quant. Modal Logic [1968], Post B) | |
| A reaction: This responds to Kripke's famous example, that people only care about what happens to themselves, and not to some 'counterpart' of themselves. |
| 16994 | Counterpart theory is bizarre, as no one cares what happens to a mere counterpart [Kripke on Lewis] |
| Full Idea: Probably Humphrey could not care less whether someone else, no matter how much resembling him, would have been victorious in another possible world. Thus Lewis's view seems even more bizarre that the usual transworld identification it replaces. | |
| From: comment on David Lewis (Counterpart theory and Quant. Modal Logic [1968]) by Saul A. Kripke - Naming and Necessity notes and addenda note 13 | |
| A reaction: I begin to see this as a devastating reply to a theory I previously found quite congenial. |
| 11974 | Counterparts are not the original thing, but resemble it more than other things do [Lewis] |
| Full Idea: Your counterparts resemble you closely in content and context in important respects. They resemble you more closely than do the other things in their worlds. But they are not really you. | |
| From: David Lewis (Counterpart theory and Quant. Modal Logic [1968], I) | |
| A reaction: It is a dilemma. If my counterpart were exactly me, I couldn't contemplate possibly losing a leg, or my sanity. But if my counterpart isn't exactly me, then I don't have much interest in its fate. Only essences can save us here. Cf. me tomorrow. |
| 11975 | If the closest resembler to you is in fact quite unlike you, then you have no counterpart [Lewis] |
| Full Idea: If whatever thing in world w6 it is that resembles you more closely than anything else in w6 is nevertheless quite unlike you; nothing in w6 resembles you at all closely. If so, you have no counterpart in w6. | |
| From: David Lewis (Counterpart theory and Quant. Modal Logic [1968], I) | |
| A reaction: This is the nub, because the whole theory rests on deciding whether two things resemble sufficiently 'closely'. But then we need a criterion of closeness, so we must start talking about which properties matter. Essences loom. |
| 11977 | Essential attributes are those shared with all the counterparts [Lewis] |
| Full Idea: An essential attribute of something is an attribute it shares with all its counterparts. | |
| From: David Lewis (Counterpart theory and Quant. Modal Logic [1968], III) | |
| A reaction: I don't like this. It ties essence entirely to identity, but I think essence precedes identity. Essence is a nexus of causal and explanatory powers which bestows an identity on each thing. But essence might be unstable, and identity with it. |
| 9312 | Consciousness is reductively explained either by how it represents, or how it is represented [Kriegel/Williford] |
| Full Idea: The two main competitors for reductive theories of consciousness are the representational theory (conscious if it represents in the right way), and higher-order monitoring (conscious if it is represented in the right way). | |
| From: U Kriegel / K Williford (Intro to 'Self-Representational Consciousness' [2006], Intro) | |
| A reaction: Presumably there are also neuroscientists hunting for physical functions which might generate consciousness. The two mentioned here are rivals at one level of discourse. Both views may be simplistic, if complex teams of activities are involved. |
| 9313 | Experiences can be represented consciously or unconsciously, so representation won't explain consciousness [Kriegel/Williford] |
| Full Idea: On the assumption that any environmental feature can be represented either consciously or unconsciously, it is unclear how the mere representation of such a feature can render the representing state conscious. | |
| From: U Kriegel / K Williford (Intro to 'Self-Representational Consciousness' [2006], §1) | |
| A reaction: The authors are rejecting simple representation as the key, in favour of a distinctive sort of self-representation. I'm inclined to think that consciousness results from multiple co-ordinated layers of representation etc., which has no simple account. |
| 9315 | Red tomato experiences are conscious if the state represents the tomato and itself [Kriegel/Williford] |
| Full Idea: The self-representational theory of consciousness says that when one has a conscious experience as of a red tomato, one is in an internal state that represents both a red tomato and itself. | |
| From: U Kriegel / K Williford (Intro to 'Self-Representational Consciousness' [2006], §1) | |
| A reaction: This seems to be avoiding the concept of 'higher-order', and yet that seems the only way to describe it - thought steps outside of itself, generating a level of meta-thought. I think that's the way to go. Philosophy is about-fifth level. |
| 9316 | How is self-representation possible, does it produce a regress, and is experience like that? [Kriegel/Williford] |
| Full Idea: The difficulties with a self-representational view of consciousness are how self-representation of mental states could be possible, whether it leads to an infinite regress, and whether it can capture the actual phenomenology of experience. | |
| From: U Kriegel / K Williford (Intro to 'Self-Representational Consciousness' [2006], §3) | |
| A reaction: [compressed] All of these objections strike me as persuasive, especially the first one. I'm not sure I know what self-representation is. Mirrors externally represent, and they can't represent themselves. Two mirrors together achieve something.. |
| 9314 | Unfortunately, higher-order representations could involve error [Kriegel/Williford] |
| Full Idea: A problem for explaining consciousness by higher-order representations is that, like their first-order counterparts, they can misrepresent; there could be a subjective impression of being in a conscious state without actually being in any conscious state. | |
| From: U Kriegel / K Williford (Intro to 'Self-Representational Consciousness' [2006], §1) | |
| A reaction: It sounds plausible that this is a logical possibility, but how do you assess whether it is an actual or natural possibility? Are we saying that higher-order representations are judgments, which could be true or false? Hm. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |