4 ideas
| 13128 | 'Ultimate sortals' cannot explain ontological categories [Westerhoff on Wiggins] |
| Full Idea: 'Ultimate sortals' are said to be non-subordinated, disjoint from one another, and uniquely paired with each object. Because of this, the ultimate sortal cannot be a satisfactory explication of the notion of an ontological category. | |
| From: comment on David Wiggins (Identity and Spatio-Temporal Continuity [1971], p.75) by Jan Westerhoff - Ontological Categories §26 | |
| A reaction: My strong intuitions are that Wiggins is plain wrong, and Westerhoff gives the most promising reasons for my intuition. The simplest point is that objects can obviously belong to more than one category. |
| 13965 | Semantics as theory of meaning and semantics as truth-based logical consequence are very different [Soames] |
| Full Idea: There are two senses of 'semantic' - as theory of meaning or as truth-based theory of logical consequence, and they are very different. | |
| From: Scott Soames (Why Propositions Aren't Truth-Supporting Circumstance [2008], p.78) | |
| A reaction: This subtle point is significant in considering the role of logic in philosophy. The logicians' semantics (based on logical consequence) is in danger of ousting the broader and more elusive notion of meaning in natural language. |
| 13964 | Semantic content is a proposition made of sentence constituents (not some set of circumstances) [Soames] |
| Full Idea: The semantic content of a sentence is not the set of circumstances supporting its truth. It is rather the semantic content of a structured proposition the constituents of which are the semantic contents of the constituents of the sentence. | |
| From: Scott Soames (Why Propositions Aren't Truth-Supporting Circumstance [2008], p.74) | |
| A reaction: I'm not sure I get this, but while I like the truth-conditions view, I am suspicious of any proposal that the semantic content of something is some actual physical ingredients of the world. Meanings aren't sticks and stones. |
| 20329 | A work of art is an artifact created for the artworld [Dickie] |
| Full Idea: A work of art is an artifact of a kind created to be presented to an artworld public. | |
| From: George Dickie (The New Institutional Theory of Art [1983], p.53) | |
| A reaction: This is the culminating definition in his paper, deriving originally from Danto, and an improvement of his earlier more complex definition. Since this definition amounts to 'this is art if I say it is art', it doesn't seem to reveal much. |