21 ideas
| 18543 | Do aesthetic reasons count as reasons, if they are rejectable without contradiction? [Scruton] |
| Full Idea: The judgement of beauty makes a claim about its object, and can be supported by reasons. But the reasons do not compel the judgement and can be rejected without contradiction. So are they reasons or aren't they? | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: I suspect that what he is really referring to is evidence rather than reasons. |
| 15118 | A successful Aristotelian 'definition' is what sciences produces after an investigation [Koslicki] |
| Full Idea: My current use of the Aristotelian term 'definition' is intended to correspond to what is typically accessible to a scientist only at the end of a successful investigation into the nature of a particular phenomenon. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.3.1) | |
| A reaction: It is crucial to understand that Aristotle's definitions could be several hundred pages long. It has nothing to do with dictionary definitions. He proposes 'nominal' and 'real' definitions. |
| 15116 | Essences cause necessary features, and definitions describe those necessary features [Koslicki] |
| Full Idea: Since essences cause the other necessary features of a thing, so definitions, as the linguistic correlates of essences, explain, together with other axioms, the propositions describing those necessary features. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.3.1) | |
| A reaction: This is nice and clear. Definitions are NOT essences - they are the linguistic correlates of essences, and mirror those essences. The necessary features are not the only things needing explanation. That picture is too passive. |
| 18542 | Defining truth presupposes that there can be a true definition [Scruton] |
| Full Idea: How can you define truth, without already assuming the distinction between a true definition and a false one? | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: Don't say we have to accept truth as yet another primitive! Philosophers are out of business if all the basic concepts are primitive. The axiomatic approach to truth is an alternative - by specifying how the primitive should be used. |
| 13128 | 'Ultimate sortals' cannot explain ontological categories [Westerhoff on Wiggins] |
| Full Idea: 'Ultimate sortals' are said to be non-subordinated, disjoint from one another, and uniquely paired with each object. Because of this, the ultimate sortal cannot be a satisfactory explication of the notion of an ontological category. | |
| From: comment on David Wiggins (Identity and Spatio-Temporal Continuity [1971], p.75) by Jan Westerhoff - Ontological Categories §26 | |
| A reaction: My strong intuitions are that Wiggins is plain wrong, and Westerhoff gives the most promising reasons for my intuition. The simplest point is that objects can obviously belong to more than one category. |
| 15110 | An essence and what merely follow from it are distinct [Koslicki] |
| Full Idea: We can distinguish (as Aristotle and Fine do) between what belongs to the essence of an object, and what merely follows from the essence of an object. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.1) | |
| A reaction: This can help to clarify the confusions that result from treating necessary properties as if they were essential. |
| 15113 | Individuals are perceived, but demonstration and definition require universals [Koslicki] |
| Full Idea: Individual instances of a kind of phenomenon, in Aristotle's view, can only be perceived through sense-perception; but they are not the proper subject-matter of scientific demonstration and definition. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.3.1) | |
| A reaction: A footnote (11) explains that this is because they involve syllogisms, which require universals. I take Aristotle, and anyone sensible, to rest on individual essences, but inevitably turn to generic essences when language becomes involved. |
| 15112 | If an object exists, then its essential properties are necessary [Koslicki] |
| Full Idea: If an object has a certain property essentially, then it follows that the object has the property necessarily (if it exists). | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.2) | |
| A reaction: She is citing Fine, who says that the converse (necessity implying essence) is false. I agree with that. I also willing to challenge the first bit. I suspect an object can retain identity and lose essence. Coma patient; broken clock; aged athlete. |
| 15111 | In demonstration, the explanatory order must mirror the causal order of the phenomena [Koslicki] |
| Full Idea: Demonstration encompasses more than deductive entailment, in that the explanatory order of priority represented in a successful demonstration must mirror precisely the causal order of priority present in the phenomena in question. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.1) | |
| A reaction: She is referring to Aristotle's 'Posterior Analytics'. Put so clearly this sounds like an incredibly useful concept in discussing how we present good modern scientific explanations. Reinstating Aristotle is a major priority for philosophy! |
| 15115 | In a demonstration the middle term explains, by being part of the definition [Koslicki] |
| Full Idea: In a proper demonstrative argument, the middle term must be explanatory of the conclusion, in a very specific sense: the middle term must state what properly belongs to the definition of the kind of phenomenon in question. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.3.1) | |
| A reaction: So 'All men are mortal, S is a man, so S is mortal'. The middle term is 'man', which gives a generic explanation for why S is mortal. Explanation as categorisation? I don't think this is the whole story of Aristotelian explanation. |
| 15117 | Greek uses the same word for 'cause' and 'explanation' [Koslicki] |
| Full Idea: The Greek does not disambiguate between 'cause' and 'explanation', since the same terms ('aitia' and 'aition') can be translated in both ways. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.3.1 n15) | |
| A reaction: This is essential information if we are to understand Aristotle's Four Causes, which are quite baffling if we take 'causes' in the modern way. The are the Four Modes of Explanation. |
| 15114 | Discovering the Aristotelian essence of thunder will tell us why thunder occurs [Koslicki] |
| Full Idea: Both the question 'what is thunder?', and the question 'why does thunder occur?', for Aristotle, are answered simultaneously, once it has been discovered what the essence of thunder it, i.e. what it is to be thunder. | |
| From: Kathrin Koslicki (Essence, Necessity and Explanation [2012], 13.3.1 n10) | |
| A reaction: I take this idea to be pretty much the whole story about essences. |
| 18546 | The pleasure taken in beauty also aims at understanding and valuing [Scruton] |
| Full Idea: Like the pleasure in friendship, the pleasure in beauty is curious: it aims to understand its object, and to value what it finds. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: At least he is trying to pin down the way in which aesthetic pleasure is phenomenologically different from other kinds of pleasure. |
| 18550 | Art gives us imaginary worlds which we can view impartially [Scruton] |
| Full Idea: One aim of art is to present imaginary worlds, towards which we can adopt, as part of the integral aesthetic attitude, a posture of impartial concern. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 5) | |
| A reaction: It connects to the pleasure of watching people when they don't know they are being watched (such as watching the street from a restaurant window). Scruton's suggestion makes art resemble examples in philosophy. Cf the Frege-Geach problem in ethics. |
| 18544 | Maybe 'beauty' is too loaded, and we should talk of fittingness or harmony [Scruton] |
| Full Idea: Maybe we can understand the 'beauty' of a building better if we describe it in another and less loaded way, as a form of fittingness or harmony. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: Almost everyone accepts the word 'beauty' for some things, such as a beautiful face, or goal, or steak. I remember a female interviewer writing that, reluctantly, the only appropriate word she could find for Nureyev's face was 'beautiful'. |
| 18553 | Beauty shows us what we should want in order to achieve human fulfilment [Scruton] |
| Full Idea: Beauty speaks to us of human fulfilment: not of things that we want, but of things that we ought to want, because human nature requires them. Such, at least, is my belief. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 7) | |
| A reaction: I'm not sure how this works with a beautiful natural landscape. And what should I see that I ought to desire after viewing a great Rembrandt self-portrait? That I don't want to end up looking as bleak as that? Hm. Lofty words. |
| 18556 | Beauty is rationally founded, inviting meaning, comparison and self-reflection [Scruton] |
| Full Idea: Beauty is rationally founded; it challenges us to find meaning in its object, to make critical comparisons, and to examine our own lives and emotions in the light of what we find. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 9) | |
| A reaction: This is the Kantian tradition, and I'm not finding it very persuasive. It seems to place the value of beauty in what we do with it afterwards, and he seems to make beauty a necessary stepping stone to virtue. I see beauty as more sui generis. |
| 18548 | Natural beauty reassures us that the world is where we belong [Scruton] |
| Full Idea: The experience of natural beauty is not a sense of 'how nice!' or 'how pleasant!' It contains a reassurance that this world is a right and fitting place to be - a home in which our human powers and prospects find confirmation. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 2) | |
| A reaction: To call it a 'reassurance' and 'confirmation' sounds like theism, anthropomorphism, or the pathetic fallacy. That said, this is certainly a heart-warming idea, and hence must contain a grain of truth. |
| 18551 | Croce says art makes inarticulate intuitions conscious; rival views say the audience is the main concern [Scruton] |
| Full Idea: The Croce model is of an inarticulate inner state (an 'intuition') becoming articulate and conscious through artistic expression. The rival model is fitting thing together so as to create links which resonate in the audience's feelings. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 5) | |
| A reaction: The first model tells you nothing about how the artist imagines the audience reacting. The second model tells you nothing about what matters personally to the artist. A good theory must do both! |
| 18541 | Beauty (unlike truth and goodness) is questionable as an ultimate value [Scruton] |
| Full Idea: The status of beauty as an ultimate value is questionable, in the way that the status of truth and goodness are not. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: We suspect that a love of beauty may be a bit parochial, where it is hard to conceive of living creatures anywhere in the cosmos who don't value the other two. |
| 18554 | Prostitution is wrong because it hardens the soul, since soul and body are one [Scruton] |
| Full Idea: The condemnation of prostitution was not just puritan bigotry; it was a recognition of a profound truth, that you and your body are not two things but one, and by selling the body you harden your soul. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 7) | |
| A reaction: No one, I imagine, who condones or even enthuses about prostitution would hope that their own daughter followed the profession, so there is something wrong with it. But must an enthusiastic and cheerful prostitute necessarily have a hard soul? |