13 ideas
| 20455 | Philosophy really got started as the rival mode of discourse to tragedy [Critchley] |
| Full Idea: The pre-Socratics are interesting, but philosophy really begins in drama; it's a competitive discourse to tragedy. Which is why Plato's 'Republic' excludes the poets: they're the competition; gotta get rid of them. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 6) | |
| A reaction: That's an interesting and novel perspective. So what was the 'discourse' of tragedy saying, and why did that provoke the new rival? Was it too fatalistic? |
| 20446 | Philosophy begins in disappointment, notably in religion and politics [Critchley] |
| Full Idea: I claim that philosophy begins in disappointment, and there are two forms of disappointment that interest me: religious and political disappointment | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 2) | |
| A reaction: You are only disappointed by reality if you expected something better. To be disappointed by the failures of religion strikes me as rather old-fashioned, which Critchley sort of admits. Given the size and tumult of modern states, politics isn't promising. |
| 20449 | Science gives us an excessively theoretical view of life [Critchley] |
| Full Idea: One of the problems with the scientific worldview is that it leads human beings to have an overwhelmingly theoretical relationship to the world. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 2) | |
| A reaction: Critchley is defending phenomenology, but this also supports its cousin, existentialism. I keep meeting bright elderly men who have immersed themselves in the study of science, and they seem very remote from the humanist culture I love. |
| 20448 | Phenomenology uncovers and redescribes the pre-theoretical layer of life [Critchley] |
| Full Idea: Phenomenology is a philosophical method that tries to uncover the pre-theoretical layer of human experience and redescribe it. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 2) | |
| A reaction: I would be delighted if someone could tell me what this means in practice. I have the impression of lots of talk about phenomenology, but not much doing of it. Clearly I must enquire further. |
| 13128 | 'Ultimate sortals' cannot explain ontological categories [Westerhoff on Wiggins] |
| Full Idea: 'Ultimate sortals' are said to be non-subordinated, disjoint from one another, and uniquely paired with each object. Because of this, the ultimate sortal cannot be a satisfactory explication of the notion of an ontological category. | |
| From: comment on David Wiggins (Identity and Spatio-Temporal Continuity [1971], p.75) by Jan Westerhoff - Ontological Categories §26 | |
| A reaction: My strong intuitions are that Wiggins is plain wrong, and Westerhoff gives the most promising reasons for my intuition. The simplest point is that objects can obviously belong to more than one category. |
| 7082 | Nature requires causal explanations, but society requires clarification by reasons and motives [Weber, by Critchley] |
| Full Idea: Weber coined the distinction between explanation and clarification, saying that natural phenomena require causal explanation, while social phenomena require clarification by giving reasons or offering possible motives for how things are. | |
| From: report of Max Weber (works [1905]) by Simon Critchley - Continental Philosophy - V. Short Intro Ch.7 | |
| A reaction: This is music to the ears of property dualists and other non-reductivists, but if you go midway in the hierarchy of animals (a mouse, say) the distinction blurs. Weber probably hadn't digested Darwin, whose big impact came around 1905. |
| 20454 | Wallace Stevens is the greatest philosophical poet of the twentieth century in English [Critchley] |
| Full Idea: Wallace Stevens is the greatest philosophical poet of the twentieth century in the English language - full stop - in my humble opinion. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 6) | |
| A reaction: I include this because I tend to agree, and love Stevens. Hear recordings of him reading. I once mentioned Stevens in a conversation with Ted Hughes, and he just shrugged and said Stevens 'wasn't much of a poet'. Wrong. |
| 20456 | Interesting art is always organised around ethical demands [Critchley] |
| Full Idea: I don't think that art can be unethical. I think that interesting art is always ethical. It is organised around ethical demands. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 8) | |
| A reaction: It is a struggle to make this fit instrumental music. Critchley likes punk rock, so he might not see the problem. How to compare Bachian, Mozart, Beethovenian and Debussyian ethics? Not impossible. |
| 20447 | The problems is not justifying ethics, but motivating it. Why should a self seek its good? [Critchley] |
| Full Idea: The issue is not so much justification as motivation, that in virtue of which the self can be motivated to act on some conception of the good. ...How does a self bind itself to whatever it determines as its good? | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 2) | |
| A reaction: That is a bold and interesting idea about the starting point for ethics. It is always a problem for Aristotle, that he can offer no motivation for the quest for virtue. Contractarians start from existing motivations, but that isn't impressive. |
| 22155 | We are disenchanted because we rely on science, which ignores values [Weber, by Boulter] |
| Full Idea: Weber contends that modern western civilisation is 'disenchanted' because our society's method of arriving at beliefs about the world, that is, the sciences, is unable to address questions of value. | |
| From: report of Max Weber (works [1905]) by Stephen Boulter - Why Medieval Philosophy Matters 6 | |
| A reaction: This idea, made explicit by Hume's empirical attitude to values, is obviously of major importance. For we Aristotelians values are a self-evident aspect of nature. Boulter says philosophy has added to the disenchantment. I agree. |
| 20452 | Anarchism used to be libertarian (especially for sexuality), but now concerns responsibility [Critchley] |
| Full Idea: Anarchism in the 1960s was libertarian and organised around issues of sexual liberation. That moment has passed. People are and should be organising around responsibility. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 3) | |
| A reaction: So there are two types of anarchism, focused on freedom or on responsibility. An organisation like Greenpeace might represent the latter. |
| 20450 | The state, law, bureaucracy and capital are limitations on life, so I prefer federalist anarchism [Critchley] |
| Full Idea: I begin with the ontological premise that the state is a limitation on human existence. I am against the state, law, bureaucracy, and capital. I see anarchism as the only desirable way of organising, politically. ...Its political form is federalist. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 3) | |
| A reaction: Hm. Some sympathy, but caution. All systems, even federalist anarchism, are limitations on our lives, so which limitations do we prefer? The law aspires to a calm egalitarian neutrality, which seems promising to me. |
| 20451 | Belief that humans are wicked leads to authoritarian politics [Critchley] |
| Full Idea: If you think human beings are wicked, you turn to an authoritarian conception of politics, the Hobbesian-Machiavellian-Straussian lie. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 3) | |
| A reaction: Right-wingers also tend to believe in free will, so they can blame and punish. Good people are more inspired by a great leader than bad people are? (Later, Critchley says authoritarians usually believe in original sin). |