5 ideas
| 17093 | Causation produces productive mechanisms; to understand the world, understand these mechanisms [Salmon] |
| Full Idea: Causal processes, causal interactions, and causal laws provide the mechanisms by which the world works; to understand why certain things happen, we need to see how they are produced by these mechanisms. | |
| From: Wesley Salmon (Scientific Explanation and the Causal Structure of the World [1984]), quoted by David-Hillel Ruben - Explaining Explanation Ch 7 | |
| A reaction: I don't think I've ever found a better quotation on explanation. That strikes me as correct, and (basically) there is nothing more to be said. I'm not sure about the 'laws'. This is later Wesley Salmon. |
| 17492 | Salmon's interaction mechanisms needn't be regular, or involving any systems [Glennan on Salmon] |
| Full Idea: While Salmon's mechanisms are processes involving interactions, the interactions are not necessarily regular, and they do not involve the operation of systems. | |
| From: comment on Wesley Salmon (Scientific Explanation and the Causal Structure of the World [1984]) by Stuart Glennan - Mechanisms 'hierarchical' | |
| A reaction: This is why modern mechanistic philosophy only began in 2000, despite Wesley Salmon's championing of the roughly mechanistic approach. |
| 12165 | Romantics say music expresses ideas, or the Will, or intuitions, or feelings [Scruton] |
| Full Idea: According to the Romantic theory music was an expression of something, of an idea (Hegel), of the Will (Schopenhauer), of 'intuitions' (Croce), or of feelings (Collingwood). | |
| From: Roger Scruton (The Nature of Musical Expression [1981], p.54) | |
| A reaction: Deryck Cooke was the culmination of music as expression of feeling, and Stravinsky was the greatest rebel against the whole idea of expression in music. You can set out to create interesting music which does or does not grab the emotions. |
| 12164 | Expressing melancholy is a good thing, but arousing it is a bad thing [Scruton] |
| Full Idea: To describe a piece of music as expressive of melancholy is to give a reason for listening to it; to describe it as arousing or evoking melancholy is to give a reason for avoiding it. | |
| From: Roger Scruton (The Nature of Musical Expression [1981], p.49) | |
| A reaction: Expressing sexual desire, while avoiding arousing it, is the nice challenge for a particular type of art. Would Scruton say that expressing joy is a good thing, but arousing it is bad? It is a nice observation, though. |
| 4375 | Evaluations are not disguised emotions; instead, emotion is a type of evaluation [Achtenberg] |
| Full Idea: The emotivist gets things backwards: evaluations are not disguised emotions; instead, emotions are types of evaluation. | |
| From: Deborah Achtenberg (Cognition of Value in Aristotle's Ethics [2002], 6.1) | |
| A reaction: A nice comment, though a bit optimistic. It is certainly a valuable corrective to emotivist to pin down the cognitive and evaluative aspects of emotion, rather than regarding them as 'raw' feelings. |