4 ideas
| 20795 | Some things are their own criterion, such as straightness, a set of scales, or light [Sext.Empiricus] |
| Full Idea: Dogmatists say something can be its own criterion. The straight is the standard of itself, and a set of scales establishes the equality of other things and of itself, and light seems to reveal not just other things but also itself. | |
| From: Sextus Empiricus (Against the Mathematicians [c.180], 442) | |
| A reaction: Each of these may be a bit dubious, but deserves careful discussion. |
| 20794 | How can sceptics show there is no criterion? Weak without, contradiction with [Sext.Empiricus] |
| Full Idea: The dogmatists ask how the sceptic can show there is no criterion. If without a criterion, he is untrustworthy; with a criterion he is turned upside down. He says there is no criterion, but accepts a criterion to establish this. | |
| From: Sextus Empiricus (Against the Mathematicians [c.180], 440) | |
| A reaction: This is also the classic difficulty for foundationalist views of knowledge. Is the foundation justified, or not? |
| 3102 | Why don't we experience or remember going to sleep at night? [Magee] |
| Full Idea: As a child it was incomprehensible to me that I did not experience going to sleep, and never remembered it. When my sister said 'Nobody remembers that', I just thought 'How does she know?' | |
| From: Bryan Magee (Confessions of a Philosopher [1997], Ch.I) | |
| A reaction: This is actually evidence for something - that we do not have some sort of personal identity which is separate from consciousness, so that "I am conscious" would literally mean that an item has a property, which it can lose. |
| 7667 | There are two sides to men - the pleasantly social, and the violent and creative [Diderot, by Berlin] |
| Full Idea: Diderot is among the first to preach that there are two men: the artificial man, who belongs in society and seeks to please, and the violent, bold, criminal instinct of a man who wishes to break out (and, if controlled, is responsible for works of genius. | |
| From: report of Denis Diderot (works [1769], Ch.3) by Isaiah Berlin - The Roots of Romanticism | |
| A reaction: This has an obvious ancestor in Plato's picture (esp. in 'Phaedrus') of the two conflicting sides to the psuché, which seem to be reason and emotion. In Diderot, though, the suppressed man has virtues, which Plato would deny. |