5 ideas
| 6602 | Philosophy is like a statue which is worshipped but never advances [Bacon] |
| Full Idea: Philosophy and the intellectual sciences stand like statues, worshipped and celebrated, but not moved or advanced. | |
| From: Francis Bacon (Preface to Great Instauration (Renewal) [1620], Vol.4.14), quoted by Robert Fogelin - Walking the Tightrope of Reason Ch.5 | |
| A reaction: Still the view of most scientists, I suspect. Personally I disagree, because I think philosophy has made enormous advances, in accurate analysis of arguments. The trouble is there is so much of it that it is hard to discern, and we don't live long enough. |
| 16724 | The senses deceive, but also show their own errors [Bacon] |
| Full Idea: It is certain that the senses deceive, but they also testify to their own errors. | |
| From: Francis Bacon (Preface to Great Instauration (Renewal) [1620], p.32), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 22.1 | |
| A reaction: Nice. This is the empiricist view, rather than the rationalist line that reason sorts out the mess created by the senses. Most people know things if you just show them. |
| 6603 | Nature is revealed when we put it under pressure rather than observe it [Bacon] |
| Full Idea: The secrets of nature reveal themselves more readily under the vexations of art than when they go their own way. | |
| From: Francis Bacon (Preface to Great Instauration (Renewal) [1620], Vol.4.95), quoted by Robert Fogelin - Walking the Tightrope of Reason Ch.5 | |
| A reaction: This is a splendid slogan for the dawn of the age of science, and pinpoints the reason why we have advanced so much further than the Greeks. You can, of course, overdo the 'vexations of art'. It also justifies the critical approach to philosophy. |
| 7667 | There are two sides to men - the pleasantly social, and the violent and creative [Diderot, by Berlin] |
| Full Idea: Diderot is among the first to preach that there are two men: the artificial man, who belongs in society and seeks to please, and the violent, bold, criminal instinct of a man who wishes to break out (and, if controlled, is responsible for works of genius. | |
| From: report of Denis Diderot (works [1769], Ch.3) by Isaiah Berlin - The Roots of Romanticism | |
| A reaction: This has an obvious ancestor in Plato's picture (esp. in 'Phaedrus') of the two conflicting sides to the psuché, which seem to be reason and emotion. In Diderot, though, the suppressed man has virtues, which Plato would deny. |
| 651 | Eurytus showed that numbers underlie things by making pictures of creatures out of pebbles [Eurytus, by Aristotle] |
| Full Idea: Eurytus assigned numbers to things by taking some pebbles and using them to create likeness of the shapes of living things, such as a man or a horse. | |
| From: report of Eurytus (fragments/reports [c.400 BCE]) by Aristotle - Metaphysics 1092b | |
| A reaction: Pythagorean. Digitising reality. |