10 ideas
| 22070 | Irony is consciousness of abundant chaos [Schlegel,F] |
| Full Idea: Irony is the clear conscousness of eternal agility, of an infinitely abundant chaos. | |
| From: Friedrich Schlegel (works [1798], Vol 2 p.263), quoted by Ernst Behler - Early German Romanticism p.81 | |
| A reaction: [1800, in Athenaum] The interest here is irony as a reaction to chaos, which has made systematic thought impossible. Do romantics necessarily see reality as beyond our grasp, even if not chaotic? This must be situational, not verbal irony. |
| 22069 | Plato has no system. Philosophy is the progression of a mind and development of thoughts [Schlegel,F] |
| Full Idea: Plato had no system, but only a philosophy. The philosophy of a human being is the history, the becoming, the progression of his mind, the gradual formation and development of his thoughts. | |
| From: Friedrich Schlegel (works [1798], Vol.11 p.118), quoted by Ernst Behler - Early German Romanticism | |
| A reaction: [1804] Looks like the first sign of rebellion against the idea of having a 'system' in philosophy, making it a key idea of romanticism. Systems are classical? This looks like an early opposition of a historical dimension to static systems. Big idea. |
| 19701 | Fallibilism is consistent with dogmatism or scepticism, and is not alternative to them [Dougherty] |
| Full Idea: There has been a tendency to treat fallibilism as an alternative to either dogmatism or scepticism. ...But it is much better to think of fallibilism as consistent with either dogmatism or skepticism. | |
| From: Trent Dougherty (Fallibilism [2011], 'Closure') | |
| A reaction: It seems perfectly reasonably to describe oneself as a 'fallibilist dogmatist' (perhaps from the Pope?), or a 'fallibilist sceptic' (perhaps from Peter Unger?), so this idea sounds correct. |
| 19700 | It is best to see the fallibility in the reasons, rather than in the agents or the knowledge [Dougherty] |
| Full Idea: It seems best to take fallible reasons as the basic notion of fallibilism. So fallible knowers are agents who know what they know on the basis of fallible reasons. Fallible knowledge will be knowledge on basis of fallible reasons. | |
| From: Trent Dougherty (Fallibilism [2011], 'Cognates') | |
| A reaction: This is because an ideal knower would be compelled by the evidence, so if fallibilism is universal it must reside in the evidence and not in the knower (bottom p.131). |
| 19702 | We can't normally say that we know something 'but it might be false' [Dougherty] |
| Full Idea: It will ordinarily be conversationally inappropriate to say 'I know that p, but p might be false' even if it is true, since this would mislead an interlocutor to infer that that possibility was an epistemically significant one. | |
| From: Trent Dougherty (Fallibilism [2011], 'Epistemic') | |
| A reaction: This seems to imply hypocrisy when a fallibilist philosopher claims (in non-philosophical company) to know something. Fair enough. Philosophers are in a permanent state of hypocrisy about what they are really thinking. That's the fun of it. |
| 22068 | Poetry is transcendental when it connects the ideal to the real [Schlegel,F] |
| Full Idea: There is a kind of poetry whose essence lies in the relation between the ideal and the real, and which therefore, by analogy with philosophical jargon, should be called transcendental poetry. | |
| From: Friedrich Schlegel (works [1798], Vol 2 p.204), quoted by Ernst Behler - Early German Romanticism p.78 | |
| A reaction: I think the basic idea is that the imaginative creation of poetry has the power to bridge the gap between the transcendental (presupposed) ideal in Fichte, and nature (which Fichte seems to have excluded from his system). |
| 22030 | For poets free choice is supreme [Schlegel,F] |
| Full Idea: Romantic poetry recognises as its first commandment that the free choice [Wilkür] of the poet can tolerate no law above itself. | |
| From: Friedrich Schlegel (works [1798], Frag 116 p.32), quoted by Terry Pinkard - German Philosophy 1760-1860 06 | |
| A reaction: This leads to Shelley's 'poets are the unacknowledged legislators of the race'. We should also take it as a response to Kant's categorical imperative, which leads to the Gauguin Problem (wickedness justified by the art it leads to). |
| 7667 | There are two sides to men - the pleasantly social, and the violent and creative [Diderot, by Berlin] |
| Full Idea: Diderot is among the first to preach that there are two men: the artificial man, who belongs in society and seeks to please, and the violent, bold, criminal instinct of a man who wishes to break out (and, if controlled, is responsible for works of genius. | |
| From: report of Denis Diderot (works [1769], Ch.3) by Isaiah Berlin - The Roots of Romanticism | |
| A reaction: This has an obvious ancestor in Plato's picture (esp. in 'Phaedrus') of the two conflicting sides to the psuché, which seem to be reason and emotion. In Diderot, though, the suppressed man has virtues, which Plato would deny. |
| 22071 | True love is ironic, in the contrast between finite limitations and the infinity of love [Schlegel,F] |
| Full Idea: True irony is the irony of love. It arises from the feeling of finitude and one's own limitation, and the apparent contradiction of these feelings with the concept of infinity inherent in all true love. | |
| From: Friedrich Schlegel (works [1798], Vol.10 p.357), quoted by Ernst Behler - Early German Romanticism | |
| A reaction: [c.1827] This is more about idealist philosophy and its yearning for the Absolute than it is about the actual nature of love. Love is the door to the Absolute. The irony is our inability to pass through it. |
| 22029 | Irony is the response to conflicts of involvement and attachment [Schlegel,F, by Pinkard] |
| Full Idea: Irony is thus the appropriate stance to feeling that is both inescapably committed and inescapably detached at the same time. | |
| From: report of Friedrich Schlegel (works [1798]) by Terry Pinkard - German Philosophy 1760-1860 06 | |
| A reaction: This is the epitome of romanticism, which carries over into the dilemmas of existentialism. Striking the right balance between caring and not caring seems to me to be the main focus of modern British people. |