Combining Texts

All the ideas for 'works', 'Some Judgements of Perception' and 'Nietzsche: a philosophical biography'

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3 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / d. Nineteenth century philosophy
Hegel, Fichte and Schelling wanted to know Kant's thing-in-itself, as ego, or nature, or spirit [Safranski]
     Full Idea: The 'thing in iself' acted on Kant's successors like a hole in the closed world of knowledge...Hegel, Fichte and Schelling wanted to penetrate into what they presumed to be the heart of things, by the invention of means of 'ego', or 'nature', or 'spirit.,
     From: Rüdiger Safranski (Nietzsche: a philosophical biography [2000], 07)
     A reaction: [a bit compressed] Although no scientist claims to know the ultimate essence of matter, the authority of science largely comes from persuasively moving us several steps closer to the thing in itself (more persuasively than these three).
11. Knowledge Aims / B. Certain Knowledge / 2. Common Sense Certainty
Arguments that my finger does not exist are less certain than your seeing my finger [Moore,GE]
     Full Idea: This really is a finger ...and you all know it. ...I can safely challenge anyone to give an argument that it is not true, which does not rest upon some premise which is less certain than is the proposition which it is designed to attack.
     From: G.E. Moore (Some Judgements of Perception [1922], p.228), quoted by John Kekes - The Human Condition 01.3
     A reaction: [In Moore's 'Philosophical Studies'] This is a particularly clear statement from Moore of his famous claim. I'm not sure what to make of an attempt to compare a sceptical argument (dreams, demons) with the sight of a finger.
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / e. Human nature
There are two sides to men - the pleasantly social, and the violent and creative [Diderot, by Berlin]
     Full Idea: Diderot is among the first to preach that there are two men: the artificial man, who belongs in society and seeks to please, and the violent, bold, criminal instinct of a man who wishes to break out (and, if controlled, is responsible for works of genius.
     From: report of Denis Diderot (works [1769], Ch.3) by Isaiah Berlin - The Roots of Romanticism
     A reaction: This has an obvious ancestor in Plato's picture (esp. in 'Phaedrus') of the two conflicting sides to the psuché, which seem to be reason and emotion. In Diderot, though, the suppressed man has virtues, which Plato would deny.