Combining Texts

All the ideas for 'works', 'Identity in Substances and True Propositions' and 'Space, Time and Deity (2 vols)'

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3 ideas

7. Existence / C. Structure of Existence / 6. Fundamentals / c. Monads
Substances are in harmony, because they each express the one reality in themselves [Leibniz]
     Full Idea: Every substance expresses the whole sequence of the universe in accordance with its own viewpoint or relationship to the rest, so that all are in perfect correspondence with one another.
     From: Gottfried Leibniz (Identity in Substances and True Propositions [1686], p.98)
     A reaction: Thus 'expression' (something like mapping what is exterior) is the mechanism through which God achieves harmony in the universe. Instants of time are said to be successive moments of perfect harmony.
17. Mind and Body / A. Mind-Body Dualism / 6. Epiphenomenalism
Epiphenomenalism is like a pointless nobleman, kept for show, but soon to be abolished [Alexander,S]
     Full Idea: Epiphenomenalism supposes something to exist in nature which has nothing to do, no purpose to serve, a species of noblesse which depends on the work of its inferiors, but is kept for show and might as well, and undoubtedly would in time be abolished.
     From: Samuel Alexander (Space, Time and Deity (2 vols) [1927], 2:8), quoted by Jaegwon Kim - Nonreductivist troubles with ment.causation IV
     A reaction: Wonderful! Kim quotes this, and labels the implicit slogan (to be real is to have causal powers) 'Alexander's Dictum'. All the examples given of epiphenomena are only causally inert within a defined system, but they act causally outside the system.
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / e. Human nature
There are two sides to men - the pleasantly social, and the violent and creative [Diderot, by Berlin]
     Full Idea: Diderot is among the first to preach that there are two men: the artificial man, who belongs in society and seeks to please, and the violent, bold, criminal instinct of a man who wishes to break out (and, if controlled, is responsible for works of genius.
     From: report of Denis Diderot (works [1769], Ch.3) by Isaiah Berlin - The Roots of Romanticism
     A reaction: This has an obvious ancestor in Plato's picture (esp. in 'Phaedrus') of the two conflicting sides to the psuché, which seem to be reason and emotion. In Diderot, though, the suppressed man has virtues, which Plato would deny.