3 ideas
| 14494 | Epiphenomenalism is like a pointless nobleman, kept for show, but soon to be abolished [Alexander,S] |
| Full Idea: Epiphenomenalism supposes something to exist in nature which has nothing to do, no purpose to serve, a species of noblesse which depends on the work of its inferiors, but is kept for show and might as well, and undoubtedly would in time be abolished. | |
| From: Samuel Alexander (Space, Time and Deity (2 vols) [1927], 2:8), quoted by Jaegwon Kim - Nonreductivist troubles with ment.causation IV | |
| A reaction: Wonderful! Kim quotes this, and labels the implicit slogan (to be real is to have causal powers) 'Alexander's Dictum'. All the examples given of epiphenomena are only causally inert within a defined system, but they act causally outside the system. |
| 23801 | Biosemantics says content is useful mapping from a producer to a consumer system [Millikan, by Schulte] |
| Full Idea: Millikan's 'biosemantic' view is that representations stand midway between producer and consumer systems. The represented states of affairs (the content) maps onto the second system, and thus enable its proper function. | |
| From: report of Ruth Garrett Millikan (Varieties of Meaning [2002]) by Peter Schulte - Mental Content 4.4 | |
| A reaction: These meets my standard objection to all functional theories (e.g. of mind), that observing relations and functions tells you nothing about what it actually is. Millikan seems to explain the role of content, but says nothing about its actual nature. |
| 7667 | There are two sides to men - the pleasantly social, and the violent and creative [Diderot, by Berlin] |
| Full Idea: Diderot is among the first to preach that there are two men: the artificial man, who belongs in society and seeks to please, and the violent, bold, criminal instinct of a man who wishes to break out (and, if controlled, is responsible for works of genius. | |
| From: report of Denis Diderot (works [1769], Ch.3) by Isaiah Berlin - The Roots of Romanticism | |
| A reaction: This has an obvious ancestor in Plato's picture (esp. in 'Phaedrus') of the two conflicting sides to the psuché, which seem to be reason and emotion. In Diderot, though, the suppressed man has virtues, which Plato would deny. |