3 ideas
7667 | There are two sides to men - the pleasantly social, and the violent and creative [Diderot, by Berlin] |
Full Idea: Diderot is among the first to preach that there are two men: the artificial man, who belongs in society and seeks to please, and the violent, bold, criminal instinct of a man who wishes to break out (and, if controlled, is responsible for works of genius. | |
From: report of Denis Diderot (works [1769], Ch.3) by Isaiah Berlin - The Roots of Romanticism | |
A reaction: This has an obvious ancestor in Plato's picture (esp. in 'Phaedrus') of the two conflicting sides to the psuché, which seem to be reason and emotion. In Diderot, though, the suppressed man has virtues, which Plato would deny. |
7073 | I am a creative nothing, out of which I myself create everything [Stirner] |
Full Idea: I am not nothing in the sense of emptiness, but I am the creative nothing, the nothing out of which I myself as creator create everything. | |
From: Max Stirner (The Ego and Its Own [1844]), quoted by Simon Critchley - Continental Philosophy - V. Short Intro Ch.2 | |
A reaction: This appears to be the germ of the entire existentialist view, which gives a helpful gloss on the concept of 'nothing' - as the motivation for human creation, the vacuum in the mind that has to be filled. Call it 'creative boredom'. |
5994 | Is the cosmos open or closed, mechanical or teleological, alive or inanimate, and created or eternal? [Robinson,TM, by PG] |
Full Idea: The four major disputes in classical cosmology were whether the cosmos is 'open' or 'closed', whether it is explained mechanistically or teleologically, whether it is alive or mere matter, and whether or not it has a beginning. | |
From: report of T.M. Robinson (Classical Cosmology (frags) [1997]) by PG - Db (ideas) | |
A reaction: A nice summary. The standard modern view is closed, mechanistic, inanimate and non-eternal. But philosophers can ask deeper questions than physicists, and I say we are entitled to speculate when the evidence runs out. |