25 ideas
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 21544 | It seems that when a proposition is false, something must fail to subsist [Russell] |
| Full Idea: It seems that when a proposition is false, something does not subsist which would subsist if the proposition were true. | |
| From: Bertrand Russell (Meinong on Complexes and Assumptions [1904], p.76) | |
| A reaction: This looks to me like a commitment by Russell to the truthmaker principle. The negations of false propositions are made true by some failure of existence in the world. |
| 21539 | Excluded middle can be stated psychologically, as denial of p implies assertion of not-p [Russell] |
| Full Idea: The law of excluded middle may be stated in the form: If p is denied, not-p must be asserted; this form is too psychological to be ultimate, but the point is that it is significant and not a mere tautology. | |
| From: Bertrand Russell (Meinong on Complexes and Assumptions [1904], p.41) | |
| A reaction: 'Psychology' is, of course, taboo, post-Frege, though I think it is interesting. Stated in this form the law looks more false than usual. I can be quite clear than p is unacceptable, but unclear about its contrary. |
| 21538 | If two people perceive the same object, the object of perception can't be in the mind [Russell] |
| Full Idea: If two people can perceive the same object, as the possibility of any common world requires, then the object of an external perception is not in the mind of the percipient. | |
| From: Bertrand Russell (Meinong on Complexes and Assumptions [1904], p.33) | |
| A reaction: This is merely an assertion of the realist view, rather than an argument. I take representative realism to tell a perfectly good story that permits two subjective representations of the same object. |
| 21534 | The only thing we can say about relations is that they relate [Russell] |
| Full Idea: It may be doubted whether relations can be adequately characterised by anything except the fact that they relate. | |
| From: Bertrand Russell (Meinong on Complexes and Assumptions [1904], p.27) | |
| A reaction: We can characterise a rope that ties things together. If I say 'stand to his left', do I assume the existence of one of the relata and the relation, but without the second relata? How about 'you two stand over there, with him on the left'? |
| 21540 | Relational propositions seem to be 'about' their terms, rather than about the relation [Russell] |
| Full Idea: In some sense which it would be very desirable to define, a relational proposition seems to be 'about' its terms, in a way in which it is not about the relation. | |
| From: Bertrand Russell (Meinong on Complexes and Assumptions [1904], p.53) | |
| A reaction: Identifying how best to specify what a proposition is actually 'about' is a very illuminating mode of enquiry. You can't define 'underneath' without invoking a pair of objects to illustrate it. A proposition can still focus on the relation. |
| 21536 | When I perceive a melody, I do not perceive the notes as existing [Russell] |
| Full Idea: When, after hearing the notes of a melody, I perceive the melody, the notes are not presented as still existing. | |
| From: Bertrand Russell (Meinong on Complexes and Assumptions [1904], p.31) | |
| A reaction: This is a good example, supporting Meinong's idea that we focus on 'intentional objects', rather than actual objects. |
| 21535 | Objects only exist if they 'occupy' space and time [Russell] |
| Full Idea: Only those objects exist which have to particular parts of space and time the special relation of 'occupying' them. | |
| From: Bertrand Russell (Meinong on Complexes and Assumptions [1904], p.29) | |
| A reaction: He excepts space and time themselves. Clearly this doesn't advance our understanding much, but it points to a priority in our normal conceptual scheme. Is Russell assuming absolute space and time? |
| 21533 | Contingency arises from tensed verbs changing the propositions to which they refer [Russell] |
| Full Idea: Contingency derives from the fact that a sentence containing a verb in the present tense - or sometimes in the past or the future - changes its meaning continually as the present changes, and stands for different propositions at different times. | |
| From: Bertrand Russell (Meinong on Complexes and Assumptions [1904], p.26) | |
| A reaction: This immediately strikes me as a bad example of the linguistic approach to philosophy. As if we (like any animal) didn't have an apprehension prior to any language that most parts of experience are capable of change. |
| 21537 | I assume we perceive the actual objects, and not their 'presentations' [Russell] |
| Full Idea: I prefer to advocate ...that the object of a presentation is the actual external object itself, and not any part of the presentation at all. | |
| From: Bertrand Russell (Meinong on Complexes and Assumptions [1904], p.33) | |
| A reaction: Although I am a fan of the robust realism usually favoured by Russell, I think he is wrong. I take Russell to be frightened that once you take perception to be of 'presentations' rather than things, there is a slippery slope to anti-realism. Not so. |
| 21532 | Full empiricism is not tenable, but empirical investigation is always essential [Russell] |
| Full Idea: Although empiricism as a philosophy does not appear to be tenable, there is an empirical manner of investigating, which should be applied in every subject-matter | |
| From: Bertrand Russell (Meinong on Complexes and Assumptions [1904], p.22) | |
| A reaction: Given that early Russell loads his ontology with properties and propositions, this should come as no surprise, even if J.S. Mill was his godfather. |
| 21542 | Do incorrect judgements have non-existent, or mental, or external objects? [Russell] |
| Full Idea: Correct judgements have a transcendent object; but with regard to incorrect judgements, it remains to examine whether 1) the object is immanent, 2) there is no object, or 3) the object is transcendent. | |
| From: Bertrand Russell (Meinong on Complexes and Assumptions [1904], p.67) | |
| A reaction: Why is it that only Russell seems to have taken this problem seriously? Its solution gives the clearest possible indicator of how the mind relates to the world. |
| 21541 | The complexity of the content correlates with the complexity of the object [Russell] |
| Full Idea: Every property of the object seems to demand a strictly correlative property of the content, and the content, therefore, must have every complexity belonging to the object. | |
| From: Bertrand Russell (Meinong on Complexes and Assumptions [1904], p.55) | |
| A reaction: This claim gives a basis for his 'congruence' account of the correspondence theory of truth. It strikes me as false. If I talk of the 'red red robin', I don't mention the robin's feet. He ignores the psychological selection we make in abstraction. |
| 21543 | If p is false, then believing not-p is knowing a truth, so negative propositions must exist [Russell] |
| Full Idea: If p is a false affirmative proposition ...then it seems obvious that if we believe not-p we do know something true, so belief in not-p must be something which is not mere disbelief. This proves that there are negative propositions. | |
| From: Bertrand Russell (Meinong on Complexes and Assumptions [1904], p.75) | |
| A reaction: This evidently assumes excluded middle, but is none the worse for that. But it sounds suspiciously like believing there is no rhinoceros in the room. Does such a belief require a fact? |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 6000 | The goal is rationality in the selection of things according to nature [Diogenes of Babylon, by Blank] |
| Full Idea: Diogenes of Babylon defined the goal to be rationality in the selection and rejection of the things according to nature. | |
| From: report of Diogenes (Bab) (fragments/reports [c.180 BCE]) by D.L. Blank - Diogenes of Babylon | |
| A reaction: This captures the central Stoic idea quite nicely. 'Live according to nature', but this always meant 'live according to reason', because that is (as Aristotle had taught) the essence of our nature. This only makes sense if reason and nature coincide. |
| 5999 | The good is what is perfect by nature [Diogenes of Babylon, by Blank] |
| Full Idea: Diogenes of Babylon defined the good as what is perfect by nature. | |
| From: report of Diogenes (Bab) (fragments/reports [c.180 BCE]) by D.L. Blank - Diogenes of Babylon | |
| A reaction: This might come close to G.E. Moore's Ideal Utilitarianism, but its dependence on the rather uneasy of concept of 'perfection' makes it questionable. Personally I find it appealing. I wish we had Diogenes' explanation. |
| 6001 | Justice is a disposition to distribute according to desert [Diogenes of Babylon, by Blank] |
| Full Idea: Diogenes of Babylon defined justice as the disposition which distributes to everyone what he deserves. | |
| From: report of Diogenes (Bab) (fragments/reports [c.180 BCE]) by D.L. Blank - Diogenes of Babylon | |
| A reaction: The questions that arise would be 'what does a new-born baby deserve?', and 'what do animals deserve?', and 'does the lowest and worst of criminals deserve anything at all?' |