22 ideas
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 10017 | Truth in a model is more tractable than the general notion of truth [Hodes] |
| Full Idea: Truth in a model is interesting because it provides a transparent and mathematically tractable model - in the 'ordinary' rather than formal sense of the term 'model' - of the less tractable notion of truth. | |
| From: Harold Hodes (Logicism and Ontological Commits. of Arithmetic [1984], p.131) | |
| A reaction: This is an important warning to those who wish to build their entire account of truth on Tarski's rigorously formal account of the term. Personally I think we should start by deciding whether 'true' can refer to the mental state of a dog. I say it can. |
| 10018 | Truth is quite different in interpreted set theory and in the skeleton of its language [Hodes] |
| Full Idea: There is an enormous difference between the truth of sentences in the interpreted language of set theory and truth in some model for the disinterpreted skeleton of that language. | |
| From: Harold Hodes (Logicism and Ontological Commits. of Arithmetic [1984], p.132) | |
| A reaction: This is a warning to me, because I thought truth and semantics only entered theories at the stage of 'interpretation'. I must go back and get the hang of 'skeletal' truth, which sounds rather charming. [He refers to set theory, not to logic.] |
| 10015 | Higher-order logic may be unintelligible, but it isn't set theory [Hodes] |
| Full Idea: Brand higher-order logic as unintelligible if you will, but don't conflate it with set theory. | |
| From: Harold Hodes (Logicism and Ontological Commits. of Arithmetic [1984], p.131) | |
| A reaction: [he gives Boolos 1975 as a further reference] This is simply a corrective, because the conflation of second-order logic with set theory is an idea floating around in the literature. |
| 10011 | Identity is a level one relation with a second-order definition [Hodes] |
| Full Idea: Identity should he considered a logical notion only because it is the tip of a second-order iceberg - a level 1 relation with a pure second-order definition. | |
| From: Harold Hodes (Logicism and Ontological Commits. of Arithmetic [1984]) |
| 10016 | When an 'interpretation' creates a model based on truth, this doesn't include Fregean 'sense' [Hodes] |
| Full Idea: A model is created when a language is 'interpreted', by assigning non-logical terms to objects in a set, according to a 'true-in' relation, but we must bear in mind that this 'interpretation' does not associate anything like Fregean senses with terms. | |
| From: Harold Hodes (Logicism and Ontological Commits. of Arithmetic [1984], p.131) | |
| A reaction: This seems like a key point (also made by Hofweber) that formal accounts of numbers, as required by logic, will not give an adequate account of the semantics of number-terms in natural languages. |
| 10027 | Mathematics is higher-order modal logic [Hodes] |
| Full Idea: I take the view that (agreeing with Aristotle) mathematics only requires the notion of a potential infinity, ...and that mathematics is higher-order modal logic. | |
| From: Harold Hodes (Logicism and Ontological Commits. of Arithmetic [1984]) | |
| A reaction: Modern 'modal' accounts of mathematics I take to be heirs of 'if-thenism', which seems to have been Russell's development of Frege's original logicism. I'm beginning to think it is right. But what is the subject-matter of arithmetic? |
| 10026 | Arithmetic must allow for the possibility of only a finite total of objects [Hodes] |
| Full Idea: Arithmetic should be able to face boldly the dreadful chance that in the actual world there are only finitely many objects. | |
| From: Harold Hodes (Logicism and Ontological Commits. of Arithmetic [1984], p.148) | |
| A reaction: This seems to be a basic requirement for any account of arithmetic, but it was famously a difficulty for early logicism, evaded by making the existence of an infinity of objects into an axiom of the system. |
| 10021 | It is claimed that numbers are objects which essentially represent cardinality quantifiers [Hodes] |
| Full Idea: The mathematical object-theorist says a number is an object that represents a cardinality quantifier, with the representation relation as the entire essence of the nature of such objects as cardinal numbers like 4. | |
| From: Harold Hodes (Logicism and Ontological Commits. of Arithmetic [1984]) | |
| A reaction: [compressed] This a classic case of a theory beginning to look dubious once you spell it our precisely. The obvious thought is to make do with the numerical quantifiers, and dispense with the objects. Do other quantifiers need objects to support them? |
| 10022 | Numerical terms can't really stand for quantifiers, because that would make them first-level [Hodes] |
| Full Idea: The dogmatic Frege is more right than wrong in denying that numerical terms can stand for numerical quantifiers, for there cannot be a language in which object-quantifiers and objects are simultaneously viewed as level zero. | |
| From: Harold Hodes (Logicism and Ontological Commits. of Arithmetic [1984], p.142) | |
| A reaction: Subtle. We see why Frege goes on to say that numbers are level zero (i.e. they are objects). We are free, it seems, to rewrite sentences containing number terms to suit whatever logical form appeals. Numbers are just quantifiers? |
| 10023 | Talk of mirror images is 'encoded fictions' about real facts [Hodes] |
| Full Idea: Talk about mirror images is a sort of fictional discourse. Statements 'about' such fictions are not made true or false by our whims; rather they 'encode' facts about the things reflected in mirrors. | |
| From: Harold Hodes (Logicism and Ontological Commits. of Arithmetic [1984], p.146) | |
| A reaction: Hodes's proposal for how we should view abstract objects (c.f. Frege and Dummett on 'the equator'). The facts involved are concrete, but Hodes is offering 'encoding fictionalism' as a linguistic account of such abstractions. He applies it to numbers. |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 6000 | The goal is rationality in the selection of things according to nature [Diogenes of Babylon, by Blank] |
| Full Idea: Diogenes of Babylon defined the goal to be rationality in the selection and rejection of the things according to nature. | |
| From: report of Diogenes (Bab) (fragments/reports [c.180 BCE]) by D.L. Blank - Diogenes of Babylon | |
| A reaction: This captures the central Stoic idea quite nicely. 'Live according to nature', but this always meant 'live according to reason', because that is (as Aristotle had taught) the essence of our nature. This only makes sense if reason and nature coincide. |
| 5999 | The good is what is perfect by nature [Diogenes of Babylon, by Blank] |
| Full Idea: Diogenes of Babylon defined the good as what is perfect by nature. | |
| From: report of Diogenes (Bab) (fragments/reports [c.180 BCE]) by D.L. Blank - Diogenes of Babylon | |
| A reaction: This might come close to G.E. Moore's Ideal Utilitarianism, but its dependence on the rather uneasy of concept of 'perfection' makes it questionable. Personally I find it appealing. I wish we had Diogenes' explanation. |
| 6001 | Justice is a disposition to distribute according to desert [Diogenes of Babylon, by Blank] |
| Full Idea: Diogenes of Babylon defined justice as the disposition which distributes to everyone what he deserves. | |
| From: report of Diogenes (Bab) (fragments/reports [c.180 BCE]) by D.L. Blank - Diogenes of Babylon | |
| A reaction: The questions that arise would be 'what does a new-born baby deserve?', and 'what do animals deserve?', and 'does the lowest and worst of criminals deserve anything at all?' |