26 ideas
| 10170 | While true-in-a-model seems relative, true-in-all-models seems not to be [Reck/Price] |
| Full Idea: While truth can be defined in a relative way, as truth in one particular model, a non-relative notion of truth is implied, as truth in all models. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §4) | |
| A reaction: [The article is actually discussing arithmetic] This idea strikes me as extremely important. True-in-all-models is usually taken to be tautological, but it does seem to give a more universal notion of truth. See semantic truth, Tarski, Davidson etc etc. |
| 10166 | ZFC set theory has only 'pure' sets, without 'urelements' [Reck/Price] |
| Full Idea: In standard ZFC ('Zermelo-Fraenkel with Choice') set theory we deal merely with pure sets, not with additional urelements. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §2) | |
| A reaction: The 'urelements' would the actual objects that are members of the sets, be they physical or abstract. This idea is crucial to understanding philosophy of mathematics, and especially logicism. Must the sets exist, just as the urelements do? |
| 10175 | Three types of variable in second-order logic, for objects, functions, and predicates/sets [Reck/Price] |
| Full Idea: In second-order logic there are three kinds of variables, for objects, for functions, and for predicates or sets. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §5) | |
| A reaction: It is interesting that a predicate seems to be the same as a set, which begs rather a lot of questions. For those who dislike second-order logic, there seems nothing instrinsically wicked in having variables ranging over innumerable multi-order types. |
| 10165 | 'Analysis' is the theory of the real numbers [Reck/Price] |
| Full Idea: 'Analysis' is the theory of the real numbers. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §2) | |
| A reaction: 'Analysis' began with the infinitesimal calculus, which later built on the concept of 'limit'. A continuum of numbers seems to be required to make that work. |
| 10174 | Mereological arithmetic needs infinite objects, and function definitions [Reck/Price] |
| Full Idea: The difficulties for a nominalistic mereological approach to arithmetic is that an infinity of physical objects are needed (space-time points? strokes?), and it must define functions, such as 'successor'. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §4) | |
| A reaction: Many ontologically austere accounts of arithmetic are faced with the problem of infinity. The obvious non-platonist response seems to be a modal or if-then approach. To postulate infinite abstract or physical entities so that we can add 3 and 2 is mad. |
| 10164 | Peano Arithmetic can have three second-order axioms, plus '1' and 'successor' [Reck/Price] |
| Full Idea: A common formulation of Peano Arithmetic uses 2nd-order logic, the constant '1', and a one-place function 's' ('successor'). Three axioms then give '1 is not a successor', 'different numbers have different successors', and induction. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §2) | |
| A reaction: This is 'second-order' Peano Arithmetic, though it is at least as common to formulate in first-order terms (only quantifying over objects, not over properties - as is done here in the induction axiom). I like the use of '1' as basic instead of '0'! |
| 10172 | Set-theory gives a unified and an explicit basis for mathematics [Reck/Price] |
| Full Idea: The merits of basing an account of mathematics on set theory are that it allows for a comprehensive unified treatment of many otherwise separate branches of mathematics, and that all assumption, including existence, are explicit in the axioms. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §4) | |
| A reaction: I am forming the impression that set-theory provides one rather good model (maybe the best available) for mathematics, but that doesn't mean that mathematics is set-theory. The best map of a landscape isn't a landscape. |
| 10167 | Structuralism emerged from abstract algebra, axioms, and set theory and its structures [Reck/Price] |
| Full Idea: Structuralism has emerged from the development of abstract algebra (such as group theory), the creation of axiom systems, the introduction of set theory, and Bourbaki's encyclopaedic survey of set theoretic structures. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §2) | |
| A reaction: In other words, mathematics has gradually risen from one level of abstraction to the next, so that mathematical entities like points and numbers receive less and less attention, with relationships becoming more prominent. |
| 10169 | Relativist Structuralism just stipulates one successful model as its arithmetic [Reck/Price] |
| Full Idea: Relativist Structuralism simply picks one particular model of axiomatised arithmetic (i.e. one particular interpretation that satisfies the axioms), and then stipulates what the elements, functions and quantifiers refer to. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §4) | |
| A reaction: The point is that a successful model can be offered, and it doesn't matter which one, like having any sort of aeroplane, as long as it flies. I don't find this approach congenial, though having a model is good. What is the essence of flight? |
| 10179 | There are 'particular' structures, and 'universal' structures (what the former have in common) [Reck/Price] |
| Full Idea: The term 'structure' has two uses in the literature, what can be called 'particular structures' (which are particular relational systems), but also what can be called 'universal structures' - what particular systems share, or what they instantiate. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §6) | |
| A reaction: This is a very helpful distinction, because it clarifies why (rather to my surprise) some structuralists turn out to be platonists in a new guise. Personal my interest in structuralism has been anti-platonist from the start. |
| 10181 | Pattern Structuralism studies what isomorphic arithmetic models have in common [Reck/Price] |
| Full Idea: According to 'pattern' structuralism, what we study are not the various particular isomorphic models of arithmetic, but something in addition to them: a corresponding pattern. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §7) | |
| A reaction: Put like that, we have to feel a temptation to wield Ockham's Razor. It's bad enough trying to give the structure of all the isomorphic models, without seeking an even more abstract account of underlying patterns. But patterns connect to minds.. |
| 10182 | There are Formalist, Relativist, Universalist and Pattern structuralism [Reck/Price] |
| Full Idea: There are four main variants of structuralism in the philosophy of mathematics - formalist structuralism, relativist structuralism, universalist structuralism (with modal variants), and pattern structuralism. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §9) | |
| A reaction: I'm not sure where Chihara's later book fits into this, though it is at the nominalist end of the spectrum. Shapiro and Resnik do patterns (the latter more loosely); Hellman does modal universalism; Quine does the relativist version. Dedekind? |
| 10168 | Formalist Structuralism says the ontology is vacuous, or formal, or inference relations [Reck/Price] |
| Full Idea: Formalist Structuralism endorses structural methodology in mathematics, but rejects semantic and metaphysical problems as either meaningless, or purely formal, or as inference relations. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §3) | |
| A reaction: [very compressed] I find the third option fairly congenial, certainly in preference to rather platonist accounts of structuralism. One still needs to distinguish the mathematical from the non-mathematical in the inference relations. |
| 10178 | Maybe we should talk of an infinity of 'possible' objects, to avoid arithmetic being vacuous [Reck/Price] |
| Full Idea: It is tempting to take a modal turn, and quantify over all possible objects, because if there are only a finite number of actual objects, then there are no models (of the right sort) for Peano Arithmetic, and arithmetic is vacuously true. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §5) | |
| A reaction: [compressed; Geoffrey Hellman is the chief champion of this view] The article asks whether we are not still left with the puzzle of whether infinitely many objects are possible, instead of existent. |
| 10176 | Universalist Structuralism is based on generalised if-then claims, not one particular model [Reck/Price] |
| Full Idea: Universalist Structuralism is a semantic thesis, that an arithmetical statement asserts a universal if-then statement. We build an if-then statement (using quantifiers) into the structure, and we generalise away from any one particular model. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §5) | |
| A reaction: There remains the question of what is distinctively mathematical about the highly generalised network of inferences that is being described. Presumable the axioms capture that, but why those particular axioms? Russell is cited as an originator. |
| 10177 | Universalist Structuralism eliminates the base element, as a variable, which is then quantified out [Reck/Price] |
| Full Idea: Universalist Structuralism is eliminativist about abstract objects, in a distinctive form. Instead of treating the base element (say '1') as an ambiguous referring expression (the Relativist approach), it is a variable which is quantified out. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §5) | |
| A reaction: I am a temperamental eliminativist on this front (and most others) so this is tempting. I am also in love with the concept of a 'variable', which I take to be utterly fundamental to all conceptual thought, even in animals, and not just a trick of algebra. |
| 10171 | The existence of an infinite set is assumed by Relativist Structuralism [Reck/Price] |
| Full Idea: Relativist Structuralism must first assume the existence of an infinite set, otherwise there would be no model to pick, and arithmetical terms would have no reference. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §4) | |
| A reaction: See Idea 10169 for Relativist Structuralism. They point out that ZFC has an Axiom of Infinity. |
| 10173 | A nominalist might avoid abstract objects by just appealing to mereological sums [Reck/Price] |
| Full Idea: One way for a nominalist to reject appeal to all abstract objects, including sets, is to only appeal to nominalistically acceptable objects, including mereological sums. | |
| From: E Reck / M Price (Structures and Structuralism in Phil of Maths [2000], §4) | |
| A reaction: I'm suddenly thinking that this looks very interesting and might be the way to go. The issue seems to be whether mereological sums should be seen as constrained by nature, or whether they are unrestricted. See Mereology in Ontology...|Intrinsic Identity. |
| 18278 | Kant showed that our perceptions are partly constructed from our concepts [Reichenbach] |
| Full Idea: It was Kant's great discovery that the object of knowledge is not simply given but constructed, and that it contains conceptual elements not contained in pure perception. | |
| From: Hans Reichenbach (The Theory of Relativity and A Priori Knowledge [1965], p.49), quoted by J. Alberto Coffa - The Semantic Tradition from Kant to Carnap |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |