44 ideas
| 2319 | Metaphysics is the clarification of the ontological relationships between different areas of thought [Kim] |
| Full Idea: Metaphysics is the domain where different languages, theories, explanations, and conceptual systems come together and have their mutual ontological relationships sorted out and clarified. | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §3 p.066) |
| 13917 | Metaphysics aims to identify categories of being, and show their interdependency [Lowe] |
| Full Idea: The central task of metaphysics is to chart the possibilities of existence by identifying the categories of being and the relations of ontological dependency in which beings of different categories stand to one another. | |
| From: E.J. Lowe (Two Notions of Being: Entity and Essence [2008], Intro) | |
| A reaction: I am beginning to think that he is right about the second one, and that dependency and grounding relations are the name of the game. I don't have Lowe's confidence that philosophers can parcel up reality in neat and true ways. |
| 13919 | Philosophy aims not at the 'analysis of concepts', but at understanding the essences of things [Lowe] |
| Full Idea: The central task of philosophy is the cultivation of insights into natures or essences, and not the 'analysis of concepts', with which it is apt to be confused. | |
| From: E.J. Lowe (Two Notions of Being: Entity and Essence [2008], 1) | |
| A reaction: This immediately strikes me as a false dichotomy. I like the idea of trying to understand the true natures of things, but how are we going to do it in our armchairs? |
| 2317 | Reductionism is good on light, genes, temperature and transparency [Kim, by PG] |
| Full Idea: Examples where reductionism seems to give a good account of things are light, genes, temperature and transparency. | |
| From: report of Jaegwon Kim (Mind in a Physical World [1998], §1 p.025) by PG - Db (ideas) | |
| A reaction: This a fairly simple examples, thoroughly confirmed by science a long time ago. Life is a nicer example, because it is more complex and less obvious, but pretty much beyond dispute these days. |
| 2310 | Supervenience is linked to dependence [Kim] |
| Full Idea: It is customary to associate supervenience with the idea of dependence or determination. | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §1 p.011) | |
| A reaction: It is only 'customary' because, in principle, the supervenience might just be a coincidence. I might follow someone everywhere because I love them (dependence) or because they force me to (determination). There's always a reason. |
| 2315 | Mereological supervenience says wholes are fixed by parts [Kim] |
| Full Idea: Mereological supervenience is the doctrine that wholes are fixed by the properties and relations that characterise their parts. | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §1 p.018) | |
| A reaction: Presumably this would be the opposite of 'holism'. Personally I would take mereological supervenience to be not merely correct, but to be metaphysically necessary. Don't ask me to prove it, of course. |
| 2329 | Causal power is a good way of distinguishing the real from the unreal [Kim] |
| Full Idea: A plausible criterion for distinguishing what is real from what is not real is the possession of causal power. | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §4 p.119) |
| 2320 | Properties can have causal powers lacked by their constituents [Kim] |
| Full Idea: Macroproperties can, and in general do, have their own causal powers, powers that go beyond the causal powers of their microconstituents. | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §3 p.085) | |
| A reaction: I don't see why the macro-powers 'go beyond' the sum of the micro-powers. Admittedly one molecule can't be slippery, but slipperiness can be totally reduced to molecule behaviour. |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| Full Idea: Classes can share properties with their members (e.g. the class of big things is big), but this is very rare. ....In the case of both universals and types, there will be shared properties. Red things can be exhilarating, and so can redness. | |
| From: Richard Wollheim (Art and Its Objects [1968], 92) | |
| A reaction: 'Exhilarating' is an extrinsic property, so not the best illustration. This is interesting, but would need checking with a wide range of examples. (Too busy for that right now) |
| 13918 | Holes, shadows and spots of light can coincide without being identical [Lowe] |
| Full Idea: Holes are things of such a kind that they can coincide without being identical - as are, for example, shadows and spots of light. | |
| From: E.J. Lowe (Two Notions of Being: Entity and Essence [2008], 1) | |
| A reaction: His point is that they thereby fail one of the standard tests for being an 'object'. |
| 13921 | All things must have an essence (a 'what it is'), or we would be unable to think about them [Lowe] |
| Full Idea: Things must have an essence, in the sense of 'what it is to be the individual of that kind', or it would make no sense to say we can talk or think comprehendingly about things at all. If we don't know what it is, how can we think about it? | |
| From: E.J. Lowe (Two Notions of Being: Entity and Essence [2008], 2) | |
| A reaction: Lowe presents this as a sort of Master Argument for essences. I think he is working with the wrong notion of essence. All he means is that things must have identities to be objects of thought. Why equate identity with essence, and waste a good concept? |
| 13922 | Knowing an essence is just knowing what the thing is, not knowing some further thing [Lowe] |
| Full Idea: To know something's essence is not to be acquainted with some further thing of a special kind, but simply to understand what exactly that thing is. | |
| From: E.J. Lowe (Two Notions of Being: Entity and Essence [2008], 2) | |
| A reaction: I think he is wrong about this, or at least is working with an unhelpful notion of essence. Identity is one thing, and essence is another. I take essences to be certain selected features of things, which explain their nature. |
| 13920 | Each thing has to be of a general kind, because it belongs to some category [Lowe] |
| Full Idea: Any individual thing must be a thing of some general kind - because, at the very least, it must belong to some ontological category. | |
| From: E.J. Lowe (Two Notions of Being: Entity and Essence [2008], 2) | |
| A reaction: Where does the law that 'everything must have a category' come from? I'm baffled by remarks of this kind. Where do we get the categories from? From observing the individuals. So which has priority? Not the categories. Is God a kind? |
| 530 | There are two contradictory arguments about everything [Kim] |
| Full Idea: There are two contradictory arguments about everything. | |
| From: Jaegwon Kim (Mind in a Physical World [1998], B06a), quoted by (who?) - where? |
| 13314 | Protagoras says arguments on both sides are always equal [Kim, by Seneca] |
| Full Idea: Protagoras declares that it is possible to argue either side of any question with equal force, even the question whether or not one can equally argue either side of any question! | |
| From: report of Jaegwon Kim (Mind in a Physical World [1998]) by Seneca the Younger - Letters from a Stoic 088 | |
| A reaction: This is perhaps the most famous sceptical argument in the ancient world (though, note, Protagoras is most famous for his relativism rather than his scepticism). It is, of course, wrong. The arguments are sometimes equal, but often they are not. |
| 2065 | Not every person is the measure of all things, but only wise people [Plato on Kim] |
| Full Idea: We do not agree that every person is the measure of all things, but only wise people. | |
| From: comment on Jaegwon Kim (Mind in a Physical World [1998], B01) by Plato - Theaetetus 183c | |
| A reaction: I fully agree with this, but only because I have an optimistic view that rational people converge on the truth. |
| 1550 | Why didn't Protagoras begin by saying "a tadpole is the measure of all things"? [Plato on Kim] |
| Full Idea: Why didn't he start 'Truth' off by saying "A pig is the measure of all things", or "a baboon",…or " tadpole"? That would have been a magnificently haughty beginning. | |
| From: comment on Jaegwon Kim (Mind in a Physical World [1998], B01) by Plato - Theaetetus 161d1 |
| 2318 | Agency, knowledge, reason, memory, psychology all need mental causes [Kim, by PG] |
| Full Idea: The following all require a belief in mental causation: agency (mind causes events), knowledge (perception causes beliefs), reasoning (one belief causes another), memory (events cause ideas), psychology (science of mental causes). | |
| From: report of Jaegwon Kim (Mind in a Physical World [1998], §2 p.031) by PG - Db (ideas) | |
| A reaction: A very good list, which I cannot fault, and to which I cannot add. The question is: is there any mental activity left over which does NOT require causation? Candidates are free will, and the contingent character of qualia. I say the answer is, no. |
| 2325 | It seems impossible that an exact physical copy of this world could lack intentionality [Kim] |
| Full Idea: It seems to me inconceivable that a possible world exists that is an exact physical duplicate of this world but lacking wholly in intentionality. | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §4 p.101) | |
| A reaction: Personally I can't conceive of such a world lacking qualia either. The physical entails the mental, say I. |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| Full Idea: Much of the time we think and talk of a type as though it were itself a kind of token. | |
| From: Richard Wollheim (Art and Its Objects [1968], 35) | |
| A reaction: A helpful way of connecting what I call 'objectification' to the more conventional modern philosophical vocabulary. Thus I might claim that beauty is superior to truth, as if they were two tokens. |
| 2324 | Intentionality as function seems possible [Kim] |
| Full Idea: There has been much scepticism about a functionalist account of intentionality, particularly from Putnam (recently) and Searle, but, like many others, I don't see any principled objections to such an account. | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §4 p.101) | |
| A reaction: I agree. I don't believe that intentionality is a candidate for being one of those many 'magic' qualities which are supposed to make the reduction of mind to brain impossible. |
| 2314 | Maybe intentionality is reducible, but qualia aren't [Kim] |
| Full Idea: It is possible to hold that phenomenal properties (qualia) are irreducible, while holding intentional properties, including propositional attitudes, to be reducible (functionally, or biologically). | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §1 p.017) | |
| A reaction: This is the position which Kim has settled for, but I find it baffling. If the universe is full of irreducibles that is one thing, but if everything in the universe is reducible except for one tiny item, that is implausible. |
| 2313 | Emergentism says there is no explanation for a supervenient property [Kim] |
| Full Idea: The emergentism (of Searle), like ethical intuitionism, views mind-body supervenience as something that admits no explanation - it is a brute fact. | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §1 p.013) | |
| A reaction: This is why 'emergence' is no sort of theory, and is really old-fashioned dualism in a dubious naturalistic disguise. If mind 'emerges', there is presumably a causal mechanism for that. |
| 2328 | The only mental property that might be emergent is that of qualia [Kim] |
| Full Idea: If emergentism is correct about anything, it is more likely to be correct about qualia than about anything else. | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §4 p.103) | |
| A reaction: I'm puzzled by a view that says that nearly all of the mind is reducible, but one tiny aspect of it is 'emergent'. What sort of ontology is envisaged by that? |
| 2309 | Non-Reductive Physicalism relies on supervenience [Kim] |
| Full Idea: Many philosophers saw in mind-body supervenience a satisfying metaphysical statement of physicalism without reductionism. This widely influential position is now known as "nonreductive physicalism". | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §1 p.008) | |
| A reaction: If two things supervene on one another, then we should be asking why. Occasionalism and Parallelism are presumably not the answer. Coldness supervenes on ice. |
| 2311 | Maybe strong supervenience implies reduction [Kim] |
| Full Idea: Maybe strong supervenience is inconsistent with the irreducibility of the supervenient properties to their subvenient bases. | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §1 p.012) | |
| A reaction: If two things are really very very supervenient on one another (superdupervenient?), then you have to ask WHY? If there isn't identity, then there is surely a highly lawlike connection? |
| 2308 | Identity theory was overthrown by multiple realisations and causal anomalies [Kim] |
| Full Idea: The two principle arguments which overthrew the mind-brain identity theory were the multiple realization argument of Hilary Putnam, and the anomalist argument of Davidson, which contained the seeds of functionalism and anomalous monism. | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §1 p.002) | |
| A reaction: The first argument strikes me as significant and interesting, but Davidson seems weak. It makes the unsubstantiated claim that mind is outside the laws of physics, and irreducible. |
| 2322 | Multiple realisation applies to other species, and even one individual over time [Kim] |
| Full Idea: Multiple realization goes deeper and wider than biological species, and even in the same individual the neural realizer, or correlate, of a given mental state or function may change over time through maturation and brain injuries. | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §4 p.095) | |
| A reaction: The tricky question here is what you mean by 'change'. How different must a pattern of neurons be before you say it is of a different type? How do you individuate a type? |
| 2327 | Knowledge and inversion make functionalism about qualia doubtful [Kim] |
| Full Idea: My doubts about functionalist accounts of qualia are based on the much discussed arguments from qualia inversions, and from epistemic considerations. | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §4 p.102) | |
| A reaction: With a colour inversion experience changes but function doesn't. But maybe function does change if you ask the right questions. 'Is this a warm colour?' It certainly strikes me that qualia contain useful (epistemic) information. |
| 2323 | Emotions have both intentionality and qualia [Kim] |
| Full Idea: It has been customary to distinguish between two broad categories of mental phenomena, the intentional and the phenomenal, without excluding those that have both (e.g. emotions). | |
| From: Jaegwon Kim (Mind in a Physical World [1998], §4 p.101) | |
| A reaction: This has become the conventional modern account of the mind. It seems a little too simple to say that the mind is characterised by two clearcut phenomena like this. I suspect that his picture will be modified in time. |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| Full Idea: Performative interpretation occurs only with certain arts, but critical intepretation pertains to all. | |
| From: Richard Wollheim (Art and Its Objects [1968], 38) | |
| A reaction: Fairly obvious, but this is the first point to make about the concept of 'interpretation'. Does the word in fact have two meanings? Or do I perform a painting when I look carefully at it? |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| Full Idea: We could not have a feeling for the beauties of art unless we had been correspondingly moved in front of nature. | |
| From: Richard Wollheim (Art and Its Objects [1968], 43) | |
| A reaction: Wollheim offers this in defence of Kant's view, without necessarily agreeing. Similarly one could hardly care for fictional characters, but not for real people. So the aesthetic attitude may arise from life, rather than from art. Is art hence unimportant? |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| Full Idea: Maybe, rather than defining art, it would be more fruitful, and more realistic, to seek a general method of identifying works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 60) | |
| A reaction: The whole enterprise is ruined by Marcel Duchamp! I'm more interested in identifying or defining good art. |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| Full Idea: It is said that beauty cannot consist in organisation because, if it did, we would not be able to predicate beauty of totally simple objects. | |
| From: Richard Wollheim (Art and Its Objects [1968], 59) | |
| A reaction: [He says this idea originates in Plotinus] I'm struggling to think of an example of something which is 'totally' simple and beautiful. Maybe a patch of colour like the breast of a bullfinch? |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| Full Idea: The view that a work of art expresses nothing if it can't be put into other words ...is reduced by the view that a work of art has no value if what it expresses or says can be put into (other) words. | |
| From: Richard Wollheim (Art and Its Objects [1968], 49) | |
| A reaction: I prefer the second view. Poetry is what is lost in translation. Good art actually seems to evoke emotions which one virtually never feels in ordinary life. But how could that be possible? What are those emotions doing there? |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| Full Idea: The argument that works of art have properties that physical objects could not have characteristically concentrates on the expressive properties of works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 10) | |
| A reaction: Since the idea of an object having non-physical properties strikes me as ridiculous, this gets off to a bad start. If artworks are abstract objects, then all of their properties are non-physical. |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| Full Idea: 'Style' would seem to be a concept that cannot be applied to a work solely on the basis of what is represented and yet it is also essential to a proper understanding or appreciation of a work. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Sounds right. One long held musical note creates an expectation which depends on the presumed style of the piece of music. A single bar from a piece may well not exhibit its characteristic style. |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| Full Idea: From Aristotle onwards it has been a tenet of the traditional rhetoric that the proper understanding of a literary work involves the location of it in the correct genre, that is, as drama, epic or lyric. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Walton argues this persuasively. I've seen the climax of a Jacobean tragedy ruined by laughter from the audience. Genre dictates appropriate responses, so it is a communal concept. |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| Full Idea: In denying that works of art are physical objects, one theory (the 'ideal') withdraws them altogether from experience, and a second theory ('phenomenal') pins them too it inescapably and at all points. | |
| From: Richard Wollheim (Art and Its Objects [1968], 21) | |
| A reaction: I incline towards them being transient ideals, created by human minds. As with so much, we idealise and objectify them as 'works', and abstract their image from the instance(s) we encounter. |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| Full Idea: The ideal theory of Croce and Collingwood says art is first an inner intuition or expression of the artist, resulting from a particular process of organisation and unification, which can be externalised in public form. | |
| From: Richard Wollheim (Art and Its Objects [1968], 22) | |
| A reaction: [compressed] As stated this doesn't sound very controversial or 'ideal'. I take it the theory is intended to be more platonist than this expression of it suggests. I think the idea that it is an 'expression' of the artist is wrong. |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| Full Idea: Because the ideal theory makes a work of art inner or mental, the link between the artist and the audience has been severed .....and it also totally ignores the significance of the medium. | |
| From: Richard Wollheim (Art and Its Objects [1968], 23) | |
| A reaction: Emily Dickinson had virtually no audience for her poetry. The medium used to perform Bach's 'Art of Fugue' seems unimportant. For paintings of painterly painters paint matters. For some visual art many different media will suffice. |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| Full Idea: With the usual reservations, there is nothing that can be predicated of a performance of a piece of music that could not also be predicated of that piece of music itself. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: He offers this as evidence that it fits the performance being a token, and music (and all other art) being a type. There are quite a few 'reservations'. Music too difficult to perform. Great music always badly performed. |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| Full Idea: Interpretation may be regarded as the production of a token that has properties in excess of those of the type. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: I suppose so. If you play accurately everything that is written in the score, then anything else has to be an addition. If you play less than the score, you aren't quite playing that piece of music. |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| Full Idea: It is necessary, if a drawing is to represent Napoleon, that the draughtsman should intend it to be Napoleon. | |
| From: Richard Wollheim (Art and Its Objects [1968], 13) | |
| A reaction: Does a perfect and intended representation of a person also count as a representation of the person's identical twin? The families of both might well order copies. |