32 ideas
| 7578 | I conceived it my task to create difficulties everywhere [Kierkegaard] |
| Full Idea: I conceived it my task to create difficulties everywhere. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846], 'Author') | |
| A reaction: Nice. It is like Socrates's image of himself as the 'gadfly' of Athens. The interesting question is always to see what the rest of society makes of having someone in their midst who sees it as their social role to 'create difficulties'. |
| 22047 | Wherever there is painless contradiction there is also comedy [Kierkegaard] |
| Full Idea: Wherever there is contradiction, the comical is also present. ...The tragic is the suffering contradiction, the comical is the painless contradiction. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846], p.459), quoted by Terry Pinkard - German Philosophy 1760-1860 13 | |
| A reaction: He is not saying that this is the only source of comedy. I once heard an adult say that there is one thing that is always funny, and that is a fart. |
| 13917 | Metaphysics aims to identify categories of being, and show their interdependency [Lowe] |
| Full Idea: The central task of metaphysics is to chart the possibilities of existence by identifying the categories of being and the relations of ontological dependency in which beings of different categories stand to one another. | |
| From: E.J. Lowe (Two Notions of Being: Entity and Essence [2008], Intro) | |
| A reaction: I am beginning to think that he is right about the second one, and that dependency and grounding relations are the name of the game. I don't have Lowe's confidence that philosophers can parcel up reality in neat and true ways. |
| 13919 | Philosophy aims not at the 'analysis of concepts', but at understanding the essences of things [Lowe] |
| Full Idea: The central task of philosophy is the cultivation of insights into natures or essences, and not the 'analysis of concepts', with which it is apt to be confused. | |
| From: E.J. Lowe (Two Notions of Being: Entity and Essence [2008], 1) | |
| A reaction: This immediately strikes me as a false dichotomy. I like the idea of trying to understand the true natures of things, but how are we going to do it in our armchairs? |
| 22092 | Kierkegaard's truth draws on authenticity, fidelity and honesty [Kierkegaard, by Carlisle] |
| Full Idea: Kierkegaard offers a different interpretation of truth, which draws on the notions of authenticity, fidelity and honesty. | |
| From: report of Søren Kierkegaard (Concluding Unscientific Postscript [1846]) by Clare Carlisle - Kierkegaard: a guide for the perplexed 4 | |
| A reaction: This notion of truth, meaning 'the real thing' (as in 'she was a true scholar'), seems to begin with Hegel. I suggest we use the word 'genuine' for that, and save 'truth' for its traditional role. It is disastrous to blur the simple concept of truth. |
| 15999 | Pure truth is for infinite beings only; I prefer endless striving for truth [Kierkegaard] |
| Full Idea: If God held all truth enclosed in his right hand, and in his left hand the ever-striving drive for truth, even if erring forever, and he were to say Choose! I would humbly fall at his left hand and say Father, give! Pure truth is for infinite beings only. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846], p.106) | |
| A reaction: A sobering realistic thought of our own limitations; Kierkegaard allows that there is no limit to how far we can strive for truth. Just that truth is comprehended by infinite beings (if any), not by mere mortals. [SY] |
| 20313 | The highest truth we can get is uncertainty held fast by an inward passion [Kierkegaard] |
| Full Idea: An objective uncertainty held fast in an appropriation-process of the most passionate inwardness is the truth, the highest truth available for an existing individual. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846]) | |
| A reaction: [Bk 711] Offered as a definition of truth, knowing how strange and paradoxical it sounds. If we view all life as subjectivity, then there can of course be nothing more to truth than passionate conviction. Personally I think thought can be objective. |
| 13918 | Holes, shadows and spots of light can coincide without being identical [Lowe] |
| Full Idea: Holes are things of such a kind that they can coincide without being identical - as are, for example, shadows and spots of light. | |
| From: E.J. Lowe (Two Notions of Being: Entity and Essence [2008], 1) | |
| A reaction: His point is that they thereby fail one of the standard tests for being an 'object'. |
| 13921 | All things must have an essence (a 'what it is'), or we would be unable to think about them [Lowe] |
| Full Idea: Things must have an essence, in the sense of 'what it is to be the individual of that kind', or it would make no sense to say we can talk or think comprehendingly about things at all. If we don't know what it is, how can we think about it? | |
| From: E.J. Lowe (Two Notions of Being: Entity and Essence [2008], 2) | |
| A reaction: Lowe presents this as a sort of Master Argument for essences. I think he is working with the wrong notion of essence. All he means is that things must have identities to be objects of thought. Why equate identity with essence, and waste a good concept? |
| 13922 | Knowing an essence is just knowing what the thing is, not knowing some further thing [Lowe] |
| Full Idea: To know something's essence is not to be acquainted with some further thing of a special kind, but simply to understand what exactly that thing is. | |
| From: E.J. Lowe (Two Notions of Being: Entity and Essence [2008], 2) | |
| A reaction: I think he is wrong about this, or at least is working with an unhelpful notion of essence. Identity is one thing, and essence is another. I take essences to be certain selected features of things, which explain their nature. |
| 13920 | Each thing has to be of a general kind, because it belongs to some category [Lowe] |
| Full Idea: Any individual thing must be a thing of some general kind - because, at the very least, it must belong to some ontological category. | |
| From: E.J. Lowe (Two Notions of Being: Entity and Essence [2008], 2) | |
| A reaction: Where does the law that 'everything must have a category' come from? I'm baffled by remarks of this kind. Where do we get the categories from? From observing the individuals. So which has priority? Not the categories. Is God a kind? |
| 20742 | The real subject is ethical, not cognitive [Kierkegaard] |
| Full Idea: The real subject is not the cognitive subject …the real subject is the ethically existing subject. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846], p.281), quoted by Kevin Aho - Existentialism: an introduction 2 'Subjective' | |
| A reaction: Perhaps we should say the essence of the self is its drive to live, not its drive to know. Just getting through the day is top priority, and ethics don’t figure much for the solitary person. But each activity, such as cooking, has its virtues. |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| Full Idea: The motives we actually experience are too close to us to enable us to feel them clearly. They are in a sense unintelligible. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.30) | |
| A reaction: Fry is defending the role of art in clarifying and highlighting such things, but I am not convinced by his claim. We can grasp most of our motives with a little introspection, and those we can't grasp are probably too subtle for art as well. |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| Full Idea: In the imaginative life no action is necessary, so the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience. Hence we get a different set of values, and a different kind of perception | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.24) | |
| A reaction: Good. A huge range of human activities are like scientific experiments, where you draw on our evolved faculties, but put them in controlled conditions, where the less convenient and stressful parts are absent. War and sport. Real and theatrical tragedy. |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| Full Idea: It is only when an object exists for no other purpose than to be seen that we really look at it, …and then even the most normal person adopts to some extent the artistic attitude of pure vision abstracted from necessity. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A painter of still life looks at things which exist for other purposes, with just the attitude which Fry attributes to the viewers of the paintings. We can encourage a child to look at a flower with just this attitude. |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| Full Idea: There is an apparent contradiction between two distinct uses of the word 'beauty', one for that which has sensuous charm, and one for the aesthetic approval of works of imaginative art where the objects presented to us are often of extreme ugliness. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: The gouging of eyes in 'King Lear' was always the big problem case for aesthetics, just as nowadays it is Marcel Duchamp's wretched 'Fountain'. |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| Full Idea: Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.31) | |
| A reaction: Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I. |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| Full Idea: The first quality that we demand in our [artistic] sensations will be order, without which our sensations will be troubled and perplexed, and the other will be variety, without which they will not be fully stimulated. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.32) | |
| A reaction: He makes good claims, but gives unconvincing reasons for them. Some of us rather like 'troubled and perplexed' sensations. And a very narrow range of sensations could still be highly stimulated. Is Fry a good aesthetician but a modest philosopher? |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| Full Idea: If imitation is the sole purpose of the graphic arts, it is surprising that the works of such arts are ever looked upon as more than curiosities, or ingenious toys, and are ever taken seriously by grown-up people. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.23) | |
| A reaction: But then you might say that same about fine wines. A mere nice taste is hardly worthy of grown ups, and yet lots of grown ups feeling quite passionately about it. What about Fabergé eggs? |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| Full Idea: Ordinary people have almost no idea of what things really look like, so that the one standard that popular criticism applies to painting (whether it is like nature or not) is the one which most people are prevented frm applying properly. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A nice remark, though there is a streak of Bloomsbury artistic snobbery running through Fry. Ordinary people recognise photographic realism, so they can study things closely either in the reality or the picture, should they so choose. |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| Full Idea: In our reaction to a work of art (rather than a flower) there is the consciousness of purpose, of a peculiar relation of sympathy with the man who made this thing in order to arouse precisely the sensations we experience. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: I think this is entirely right. I like the mention of 'sympathy' as well as 'purpose'. |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| Full Idea: One notices in the visions of the cinematograph that whatever emotions are aroused by them, though they are likely to be weaker than those of ordinary life, are presented more clearly to the conscious. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.25) | |
| A reaction: Fry had probably only seen very simple melodramas, but the general idea that artistic emotions are weaker than real life, but much clearer, is quite plausible. |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| Full Idea: To the pure moralist, accepting nothing but ethical values, to be justified, the life of the imagination must be shown not only not to hinder but actually to forward right action, otherwise it is not only useless but, by absorbing energies, harmful. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.26) | |
| A reaction: I think this is the sort of attitude you find in Samuel Johnson. Puritans even reject light music, which seems pleasantly harmless to the rest of us. 'Absorbing energies' doesn't sound much of an objection, and may not be the actual objection. |
| 7579 | While big metaphysics is complete without ethics, personal philosophy emphasises ethics [Kierkegaard] |
| Full Idea: While the Hegelian philosophy goes on and is finished without having an Ethics, the more simple philosophy which is propounded by an existing individual for existing individuals, will more especially emphasis the ethical. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846], 'Lessing') | |
| A reaction: This is reminiscent of the Socratic revolution, which shifted philosophy from the study of nature to the study of personal virtue. However, if we look for ethical teachings in existentialism, there often seems to be a black hole in the middle. |
| 7581 | Speculative philosophy loses the individual in a vast vision of humanity [Kierkegaard] |
| Full Idea: Being an individual man is a thing that has been abolished, and every speculative philosopher confuses himself with humanity at large, whereby he becomes infinitely great - and at the same time nothing at all. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846], 'Lessing') | |
| A reaction: Compare Idea 4840. This is a beautiful statement of the motivation for existentialism. The sort of philosophers who love mathematics (Plato, Descartes, Leibniz, Russell) love losing themselves in abstractions. This is the rebellion. |
| 20314 | People want to lose themselves in movements and history, instead of being individuals [Kierkegaard] |
| Full Idea: Everything must attach itself so as to be part of some movement; men are determined to lose themselves in the totality of things, in world-history, fascinated and deceived by a magic witchery; no one wants to be an individual human being. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846]) | |
| A reaction: [Bk 711] I presume 'world-history' refers to the exhilerating ideas of Hegel. Right now [2017] I would say we have far too much of people only wanting to be individuals, with insufficient attention to our social nature. |
| 7582 | Becoming what one is is a huge difficulty, because we strongly aspire to be something else [Kierkegaard] |
| Full Idea: Striving to become what one already is is a very difficult task, the most difficult of all, because every human being has a strong natural bent and passion to become something more and different. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846], 'Subjective') | |
| A reaction: Presumably most people continually drift between vanity and low self-esteem, and between unattainable daydreams and powerless immediate reality. That creates the stage on which Kierkegaard's interesting battle would have to be fought. |
| 7586 | God does not think or exist; God creates, and is eternal [Kierkegaard] |
| Full Idea: God does not think, He creates; God does not exist, he is eternal. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846], 'Thinker') | |
| A reaction: The sort of nicely challenging remarks we pay philosophers to come up with. I don't understand the second claim, but the first one certainly avoids all paradoxes that arise if God experiences all the intrinsic problems of thinking. |
| 20312 | God cannot be demonstrated objectively, because God is a subject, only existing inwardly [Kierkegaard] |
| Full Idea: Choosing the objective way enters upon the entire approximation-process by which it is proposed to bring God to light objectively. But this is in all eternity impossible, because God is a subject, and therefore exist only for subjectivity in inwardness. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846]) | |
| A reaction: [pg in 711] This seems to have something like Wittgenstein's problem with a private language - that with no external peer-review it is unclear what the commitment is. |
| 7580 | Pantheism destroys the distinction between good and evil [Kierkegaard] |
| Full Idea: So called pantheistic systems have often been characterised and challenged by the assertion that they abrogate the distinction between good and evil. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846], 'Lessing') | |
| A reaction: He will have Spinoza in mind. Interesting. Obviously this criticism would come from someone who thought that the traditional deity was the only source of goodness. Good/evil isn't all-or-nothing. A monistic system could contain them. |
| 7583 | Faith is the highest passion in the sphere of human subjectivity [Kierkegaard] |
| Full Idea: Faith is the highest passion in the sphere of human subjectivity. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846], 'Subjective') | |
| A reaction: The word 'highest' should always ring alarm bells. The worst sort of religious fanatics seem to be in the grip of this 'high' passion. The early twenty-first century is an echo of eighteenth century England, with its dislike of religious 'enthusiasm'. |
| 7584 | Without risk there is no faith [Kierkegaard] |
| Full Idea: Without risk there is no faith. | |
| From: Søren Kierkegaard (Concluding Unscientific Postscript [1846], 'Inwardness') | |
| A reaction: Remarks like this make you realise that Kierkegaard is just as much of a romantic as most of the other nineteenth century philosophers. Plunge into the dark unknown of the human psyche, in order to intensify and heighten human life. |