10 ideas
| 8720 | A logic is 'relevant' if premise and conclusion are connected, and 'paraconsistent' allows contradictions [Priest,G, by Friend] |
| Full Idea: Priest and Routley have developed paraconsistent relevant logic. 'Relevant' logics insist on there being some sort of connection between the premises and the conclusion of an argument. 'Paraconsistent' logics allow contradictions. | |
| From: report of Graham Priest (works [1998]) by Michèle Friend - Introducing the Philosophy of Mathematics 6.8 | |
| A reaction: Relevance blocks the move of saying that a falsehood implies everything, which sounds good. The offer of paraconsistency is very wicked indeed, and they are very naughty boys for even suggesting it. |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr) | |
| A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world. |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro) | |
| A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art. |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating') | |
| A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me. |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency') | |
| A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics. |
| 22410 | Maybe the unthinkable is a moral category, and considering some options is dishonourable or absurd [Williams,B] |
| Full Idea: One might have the idea that the unthinkable was itself a moral category. ...Regarding certain things even as alternatives is itself something to be regarded as dishonourable or morally absurd. | |
| From: Bernard Williams (A Critique of Utilitarianism [1973], 2) | |
| A reaction: He's very tentative about this, but I think it is a powerful moral idea. See Kekes. He is particularly aiming at utilitarians, who happily assess vile possibilities. |
| 22408 | Consequentialism assumes that situations can be compared [Williams,B] |
| Full Idea: The emphasis on the necessary comparability of situations is a peculiar feature of consequentialism in general. | |
| From: Bernard Williams (A Critique of Utilitarianism [1973], 2) | |
| A reaction: A nice point. Utilitarians might achieve comparison by totting up the happiness in each situation, but once you include the consequences of the consequences the problems are obvious. Was 1789 a good thing? Too early to say. |
| 22411 | For a consequentialist massacring 7 million must be better than massacring 7 million and one [Williams,B] |
| Full Idea: Making the best of a bad job is a consequentialist maxim, and it will have something to say even pn the difference between massacring seven million and massacring seven million and one. | |
| From: Bernard Williams (A Critique of Utilitarianism [1973], 2) | |
| A reaction: If every life counts, the consequentialists have got something right here. Not caring exactly how many were massacred is a sort of callousness (even when the number can't be established). |
| 22409 | We don't have a duty to ensure that others do their duty [Williams,B] |
| Full Idea: If the goodness of the world were to consist in people's fulfilling their obligations, it would by no means follow that one of my obligations was to bring it about that other people kept their obligations | |
| From: Bernard Williams (A Critique of Utilitarianism [1973], 2) | |
| A reaction: If the maxim of my action is 'ensure that everyone does their duty', presumably that can be universalised. Nelson thought so. It just sounds like a hideous world of self-righteous interference. |
| 22407 | Utilitarianism cannot make any serious sense of integrity [Williams,B] |
| Full Idea: Utilitarianism cannot hope to make sense, at any serious level, of integrity. | |
| From: Bernard Williams (A Critique of Utilitarianism [1973], 1) | |
| A reaction: There will be obvious problems with this. 'My whole platoon got killed, but looking on the bright side, I preserved my integrity'. Once a theory commits entirely to one value, it then has no way to make sense of rival values. |