8 ideas
| 16639 | Only individual bodies exist [Bacon] |
| Full Idea: Nothing truly exists in nature beyond individual bodies. | |
| From: Francis Bacon (The New Organon [1620]), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 182 | |
| A reaction: [Unusually, Pasnau gives no reference in the text; possibly II:1-2] What this leaves out, from even an auster nominalist ontology, is undifferentiated stuff like water. Even electrons don't seem quite distinct from one another. |
| 16033 | There are only individual bodies containing law-based powers, and the Forms are these laws [Bacon] |
| Full Idea: Though nothing exists in nature except individual bodies which exhibit pure individual acts [powers] in accordance with law…It is this law and its clauses which we understand by the term Forms. | |
| From: Francis Bacon (The New Organon [1620], p.103), quoted by Jan-Erik Jones - Real Essence §3 | |
| A reaction: This isn't far off what Aristotle had in mind, when he talks of forms as being 'principles', though there is more emphasis on mechanisms in the original idea. Note that Bacon takes laws so literally that he refers to their 'clauses'. |
| 21950 | Science must clear away the idols of the mind if they are ever going to find the truth [Bacon] |
| Full Idea: We must clear away the idols and false notions which are now in possession of the human understanding, and have taken deep root therein, and so beset men's minds that truth can hardly find an entrance. | |
| From: Francis Bacon (The New Organon [1620], 38), quoted by Mark Wrathall - Heidegger: how to read 2 | |
| A reaction: [He goes on to list the types of idol] |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr) | |
| A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world. |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro) | |
| A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art. |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating') | |
| A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me. |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency') | |
| A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics. |
| 20716 | False prophets will perform wonders to deceive even the elect [Mark] |
| Full Idea: For false messiahs and false prophets will appear and perform signs and wonders to deceive, if possible, even the elect. | |
| From: St Mark (02: Gospel of St Mark [c.66], 13:22), quoted by Brian Davies - Introduction to the Philosophy of Religion | |
| A reaction: This casts a rather different light on the miracles of Jesus, since they were performed in a context in which even Jesus believed that lots of people (and not just the son of God) could perform miracles. Undermines any Argument from Miracles. |