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13453
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Perhaps second-order quantifications cover concepts of objects, rather than plain objects [Rayo/Uzquiano]
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Full Idea:
If one thought of second-order quantification as quantification over first-level Fregean concepts [note: one under which only objects fall], talk of domains might be regimented as talk of first-level concepts, which are not objects.
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From:
Rayo,A/Uzquiasno,G (Introduction to 'Absolute Generality' [2006], 1.2.2)
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A reaction:
That is (I take it), don't quantify over objects, but quantify over concepts, but only those under which known objects fall. One might thus achieve naïve comprehension without paradoxes. Sound like fun.
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13448
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The domain of an assertion is restricted by context, either semantically or pragmatically [Rayo/Uzquiano]
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Full Idea:
We generally take an assertion's domain of discourse to be implicitly restricted by context. [Note: the standard approach is that this restriction is a semantic phenomenon, but Kent Bach (2000) argues that it is a pragmatic phenomenon]
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From:
Rayo,A/Uzquiasno,G (Introduction to 'Absolute Generality' [2006], 1.1)
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A reaction:
I think Kent Bach is very very right about this. Follow any conversation, and ask what the domain is at any moment. The reference of a word like 'they' can drift across things, with no semantics to guide us, but only clues from context and common sense.
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20420
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The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
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Full Idea:
The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased.
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From:
R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1
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A reaction:
It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling.
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20421
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Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
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Full Idea:
For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available.
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From:
report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2
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A reaction:
This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong).
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