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All the ideas for 'fragments/reports', 'Abduction and Induction' and 'The New Institutional Theory of Art'

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4 ideas

1. Philosophy / D. Nature of Philosophy / 3. Philosophy Defined
Even pointing a finger should only be done for a reason [Epictetus]
     Full Idea: Philosophy says it is not right even to stretch out a finger without some reason.
     From: Epictetus (fragments/reports [c.57], 15)
     A reaction: The key point here is that philosophy concerns action, an idea on which Epictetus is very keen. He rather despise theory. This idea perfectly sums up the concept of the wholly rational life (which no rational person would actually want to live!).
14. Science / D. Explanation / 3. Best Explanation / a. Best explanation
'Abduction' is beginning a hypothesis, particularly if it includes preference of one explanation over others [Peirce]
     Full Idea: The first starting of a hypothesis and the entertaining of it …is an inferential step which I propose to call 'abduction'. This will include a preference for any one hypothesis over others which would equally explain the facts.
     From: Charles Sanders Peirce (Abduction and Induction [1901], I)
     A reaction: I take there to be no more important function within human thought than the procedure by which we give preference to one particular explanation. It only makes sense, I think, if we take it as part of a coherence theory of justification.
Abduction involves original suggestions, and not just the testing involved in induction [Peirce]
     Full Idea: It is of the nature of abduction to involve an original suggestion; while typical induction has no originality in it, but only tests a suggestion already made.
     From: Charles Sanders Peirce (Abduction and Induction [1901], I)
     A reaction: Peirce's 'abduction' is not, then, just the choice of a best explanation. He came up with the idea because he was keen to capture the creative and imaginative character of rational thought.
21. Aesthetics / B. Nature of Art / 6. Art as Institution
A work of art is an artifact created for the artworld [Dickie]
     Full Idea: A work of art is an artifact of a kind created to be presented to an artworld public.
     From: George Dickie (The New Institutional Theory of Art [1983], p.53)
     A reaction: This is the culminating definition in his paper, deriving originally from Danto, and an improvement of his earlier more complex definition. Since this definition amounts to 'this is art if I say it is art', it doesn't seem to reveal much.