Combining Texts

All the ideas for 'fragments/reports', 'Introductions to 'Aesthetics and the Phil of Art'' and 'Mad Pain and Martian Pain'

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7 ideas

1. Philosophy / D. Nature of Philosophy / 3. Philosophy Defined
23367 Even pointing a finger should only be done for a reason [Epictetus]
     Full Idea: Philosophy says it is not right even to stretch out a finger without some reason.
     From: Epictetus (fragments/reports [c.57], 15)
     A reaction: The key point here is that philosophy concerns action, an idea on which Epictetus is very keen. He rather despise theory. This idea perfectly sums up the concept of the wholly rational life (which no rational person would actually want to live!).
17. Mind and Body / C. Functionalism / 4. Causal Functionalism
7444 Type-type psychophysical identity is combined with a functional characterisation of pain [Lewis]
     Full Idea: The materialist theory Armstrong and I proposed joins claims of type-type psychophysical identity with a behaviourist or functionalist way of characterising mental states such as pain.
     From: David Lewis (Mad Pain and Martian Pain [1980], §III)
     A reaction: Armstrong has backed off from 'type-type' identity, because the realisations of a given mental state might be too diverse to be considered of the same type. Putnam's machine functionalism allows the possibility of dualism.
17. Mind and Body / E. Mind as Physical / 1. Physical Mind
7445 The application of 'pain' to physical states is non-rigid and contingent [Lewis]
     Full Idea: The word 'pain' is a non-rigid designator; it is a contingent matter what state the concept and the word apply to. (Note: so the sort of theory Kripke argues against is not what we propose).
     From: David Lewis (Mad Pain and Martian Pain [1980], §III)
     A reaction: I like the view that a given quale is necessarily identical to a given mental state, but that many mental states might occupy a given behavioural role. The smell of roses might occupy the behavioural role of pain. Frog pain isn't quite like ours.
17. Mind and Body / E. Mind as Physical / 7. Anti-Physicalism / b. Multiple realisability
7443 A theory must be mixed, to cover qualia without behaviour, and behaviour without qualia [Lewis, by PG]
     Full Idea: To pass our test it seems that our theory will have to be a 'mixed' theory, to account for the Madman (whose pain has odd causes, and odd effects) and also for the Martian (who has normal causes and effects, but an odd physical state).
     From: report of David Lewis (Mad Pain and Martian Pain [1980], §II) by PG - Db (ideas)
     A reaction: A statement that 'pain' is ambiguous (qualia/causal role) would help a lot here. Martians have the causal role but no qualia, and the madman has the qualia but lacks the causal role. I say lots of different qualia might have the same causal role.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20327 Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
     Full Idea: In modern discussions, rather than look for intrinsic properties of objects, including aesthetic or formal properties, attention has turned to extrinsic or relational properties, notably of a social, historical, or 'institutional' nature.
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
     A reaction: Lots of modern branches of philosophy have made this move, which seems to me like a defeat. We want to know why things have the relations they do. Just mapping the relations is superficial Humeanism.
21. Aesthetics / B. Nature of Art / 1. Defining Art
20326 Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
     Full Idea: In the early twentieth century there were numerous attempts at defining the essence art. Significant form, intuition, the expression of emotion, organic unity, and other notions, were offered to this end.
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
     A reaction: As far as I can see the whole of aesthetics was demolished in one blow by Marcel Duchamp's urinal. Artists announce: we will tell you what art is; you should just sit and listen. Compare the invention of an anarchic sport.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20330 The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
     Full Idea: The dualistic view of the arts holds that works of art come in two fundamentally different kinds: those that are abstract entities, i.e. types, and those that are physical objects (tokens).
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 2)
     A reaction: Paintings are the main reason for retaining physical objects. Strawson 1974 argues that paintings are only physical because we cannot yet perfectly reproduce them. I agree. Works of art are types, not tokens.