17 ideas
23367 | Even pointing a finger should only be done for a reason [Epictetus] |
Full Idea: Philosophy says it is not right even to stretch out a finger without some reason. | |
From: Epictetus (fragments/reports [c.57], 15) | |
A reaction: The key point here is that philosophy concerns action, an idea on which Epictetus is very keen. He rather despise theory. This idea perfectly sums up the concept of the wholly rational life (which no rational person would actually want to live!). |
11115 | 'All horses' either picks out the horses, or the things which are horses [Jubien] |
Full Idea: Two ways to see 'all horses are animals' are as picking out all the horses (so that it is a 'horse-quantifier'), ..or as ranging over lots of things in addition to horses, with 'horses' then restricting the things to those that satisfy 'is a horse'. | |
From: Michael Jubien (Analyzing Modality [2007], 2) | |
A reaction: Jubien says this gives you two different metaphysical views, of a world of horses etc., or a world of things which 'are horses'. I vote for the first one, as the second seems to invoke an implausible categorical property ('being a horse'). Cf Idea 11116. |
11116 | Being a physical object is our most fundamental category [Jubien] |
Full Idea: Being a physical object (as opposed to being a horse or a statue) really is our most fundamental category for dealing with the external world. | |
From: Michael Jubien (Analyzing Modality [2007], 2) | |
A reaction: This raises the interesting question of why any categories should be considered to be more 'fundamental' than others. I can only think that we perceive something to be an object fractionally before we (usually) manage to identify it. |
11117 | Haecceities implausibly have no qualities [Jubien] |
Full Idea: Properties of 'being such and such specific entity' are often called 'haecceities', but this term carries the connotation of non-qualitativeness which I don't favour. | |
From: Michael Jubien (Analyzing Modality [2007], 2) | |
A reaction: The way he defines it makes it sound as if it was a category, but I take it to be more like a bare individual essence. If it has not qualities then it has no causal powers, so there could be no evidence for its existence. |
11119 | De re necessity is just de dicto necessity about object-essences [Jubien] |
Full Idea: I suggest that the de re is to be analyzed in terms of the de dicto. ...We have a case of modality de re when (and only when) the appropriate property in the de dicto formulation is an object-essence. | |
From: Michael Jubien (Analyzing Modality [2007], 5) |
23900 | Chance is compatible with necessity, and the two occur together [Weil] |
Full Idea: Chance is not the contrary of necessity; it is not incompatible with necessity. On the contrary, it never appears except at the same time as necessity. | |
From: Simone Weil (The Scientific Image [1941], p.175) | |
A reaction: She illustrates it with the six terminating results of a die throw, and the innumerabe ways the throw can occur. This thought strikes me as relevant to discussions of free will. …But I'm not sure I fully understand it. |
11118 | Modal propositions transcend the concrete, but not the actual [Jubien] |
Full Idea: Where modal propositions may once have seemed to transcend the actual, they now seem only to transcend the concrete. | |
From: Michael Jubien (Analyzing Modality [2007], 4) | |
A reaction: This is because Jubien has defended a form of platonism. Personally I take modal propositions to be perceptible in the concrete world, by recognising the processes involved, not the mere static stuff. |
11108 | Your properties, not some other world, decide your possibilities [Jubien] |
Full Idea: The possibility of your having been a playwright has nothing to do with how people are on other planets, whether in our own or in some other realm. It is only to do with you and the relevant property. | |
From: Michael Jubien (Analyzing Modality [2007], 1) | |
A reaction: I'm inclined to think that this simple point is conclusive disproof of possible worlds as an explanation of modality (apart from Jubien's other nice points). What we need to understand are modal properties, not other worlds. |
11111 | Modal truths are facts about parts of this world, not about remote maximal entities [Jubien] |
Full Idea: Typical modal truths are just facts about our world, and generally facts about very small parts of it, not facts about some infinitude of complex, maximal entities. | |
From: Michael Jubien (Analyzing Modality [2007], 1) | |
A reaction: I think we should embrace this simple fact immediately, and drop all this nonsense about possible worlds, even if they are useful for the semantics of modal logic. |
11105 | We have no idea how many 'possible worlds' there might be [Jubien] |
Full Idea: As soon as we start talking about 'possible world', we beg the question of their relevance to our prior notion of possibility. For all we know, there are just two such realms, or twenty-seven, or uncountably many, or even set-many. | |
From: Michael Jubien (Analyzing Modality [2007], 1) |
11107 | If there are no other possible worlds, do we then exist necessarily? [Jubien] |
Full Idea: Suppose there happen to be no other concrete realms. Would we happily accept the consequence that we exist necessarily? | |
From: Michael Jubien (Analyzing Modality [2007], 1) |
11106 | If all possible worlds just happened to include stars, their existence would be necessary [Jubien] |
Full Idea: If all of the possible worlds happened to include stars, how plausible is it to think that if this is how things really are, then we've just been wrong to regard the existence of stars as contingent? | |
From: Michael Jubien (Analyzing Modality [2007], 1) |
11112 | Possible worlds just give parallel contingencies, with no explanation at all of necessity [Jubien] |
Full Idea: In the world theory, what passes for 'necessity' is just a bunch of parallel 'contingencies'. The theory provides no basis for understanding why these contingencies repeat unremittingly across the board (while others do not). | |
From: Michael Jubien (Analyzing Modality [2007], 1) |
11109 | If other worlds exist, then they are scattered parts of the actual world [Jubien] |
Full Idea: Any other realms that happened to exist would just be scattered parts of the actual world, not entire worlds at all. It would just happen that physical reality was fragmented in this remarkable but modally inconsequential way. | |
From: Michael Jubien (Analyzing Modality [2007], 1) | |
A reaction: This is aimed explicitly at Lewis's modal realism, and strikes me as correct. Jubien's key point here is that they are irrelevant to modality, just as foreign countries are irrelevant to the modality of this one. |
11113 | Worlds don't explain necessity; we use necessity to decide on possible worlds [Jubien] |
Full Idea: The suspicion is that the necessity doesn't arise from how worlds are, but rather that the worlds are taken to be as they are in order to capture the intuitive necessity. | |
From: Michael Jubien (Analyzing Modality [2007], 1) | |
A reaction: It has always seemed to me rather glaring that you need a prior notion of 'possible' before you can start to talk about 'possible worlds', but I have always been too timid to disagree with the combination of Saul Kripke and David Lewis. Thank you, Jubien! |
11110 | We mustn't confuse a similar person with the same person [Jubien] |
Full Idea: If someone similar to Humphrey won the election, that nicely establishes the possibility of someone's winning who is similar to Humphrey. But we mustn't confuse this possibility with the intuitively different possibility of Humphrey himself winning. | |
From: Michael Jubien (Analyzing Modality [2007], 1) |
23899 | The secret of art is that beauty is a just blend of unity and its opposite [Weil] |
Full Idea: A just blend of unity and that which opposes it is the condition of the beautiful, and it is the secret of art. | |
From: Simone Weil (The Scientific Image [1941], p.169) | |
A reaction: Rather sweeping, but the observation strikes me as fairly accurate. It seems to work for most novels, paintings and music, though more recent art may provide counterexamples. |