4 ideas
| 23367 | Even pointing a finger should only be done for a reason [Epictetus] |
| Full Idea: Philosophy says it is not right even to stretch out a finger without some reason. | |
| From: Epictetus (fragments/reports [c.57], 15) | |
| A reaction: The key point here is that philosophy concerns action, an idea on which Epictetus is very keen. He rather despise theory. This idea perfectly sums up the concept of the wholly rational life (which no rational person would actually want to live!). |
| 14286 | In nearby worlds where A is true, 'if A,B' is true or false if B is true or false [Stalnaker] |
| Full Idea: Consider a possible world in which A is true and otherwise differs minimally from the actual world. 'If A, then B' is true (false) just in case B is true (false) in that possible world. | |
| From: Robert C. Stalnaker (A Theory of Conditionals [1968], p.34), quoted by Dorothy Edgington - Conditionals (Stanf) 4.1 | |
| A reaction: This is the first proposal to give a possible worlds semantics for conditional statements. Edgington observes that worlds which are nearby for me may not be nearby for you. |
| 14285 | A possible world is the ontological analogue of hypothetical beliefs [Stalnaker] |
| Full Idea: A possible world is the ontological analogue of a stock of hypothetical beliefs. | |
| From: Robert C. Stalnaker (A Theory of Conditionals [1968], p.34), quoted by Dorothy Edgington - Conditionals (Stanf) 4.1 | |
| A reaction: Sounds neat and persuasive. What is the ontological analogue of a stock of hopes? Heaven! |
| 23898 | Those who say immorality is not an aesthetic criterion must show that all criteria are aesthetic [Weil] |
| Full Idea: Writers and readers who cry out that immorality is not an aesthetic criterion need to prove, which they have never done, that one should apply only aesthetic criteria to literature. | |
| From: Simone Weil (Literature and Morals [1941], p.146) | |
| A reaction: I take the first criterion of literature that it not be boring, and I don't think that is an aesthetic matter. A lot must be achieved before a work can even be considered for aesthetic judgment. Being deeply offensive might rule it out. |