3 ideas
| 23367 | Even pointing a finger should only be done for a reason [Epictetus] |
| Full Idea: Philosophy says it is not right even to stretch out a finger without some reason. | |
| From: Epictetus (fragments/reports [c.57], 15) | |
| A reaction: The key point here is that philosophy concerns action, an idea on which Epictetus is very keen. He rather despise theory. This idea perfectly sums up the concept of the wholly rational life (which no rational person would actually want to live!). |
| 14381 | A statue is essentially the statue, but its lump is not essentially a statue, so statue isn't lump [Yablo, by Rocca] |
| Full Idea: Yablo proposes the argument that Statue A is essentially a statue, and Lump 1 is not essentially a statue, so Statue A is not identical with Lump 1. | |
| From: report of Stephen Yablo (Identity, Essence and Indiscernibility [1987]) by Michael della Rocca - Essentialists and Essentialism I | |
| A reaction: Della Rocca and Yablo unashamedly elide necessary properties with essential properties, so this argument doesn't bother me too much. It concerns the statue and the clay having different modal properties. |
| 7270 | Historical interpretation aims to recapture the author's view of the work [Croce] |
| Full Idea: Historical interpretation enables us to see a work of art as its author saw it in the moment of production. | |
| From: Benedetto Croce (Aesthetic as Science of Expression [1902], §II), quoted by W Wimsatt/W Beardsley - The Intentional Fallacy §II | |
| A reaction: Wimsatt and Beardsley quote this as the romantic antithesis of their own view, but there is a blurring between understanding a work and judging. Personally I consider intentions essential for understanding, and valuable for judgement. |