Combining Texts

All the ideas for 'fragments/reports', 'Go Figure: a Path through Fictionalism' and 'Aesthetics: problems in the philosophy of criticism'

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4 ideas

1. Philosophy / D. Nature of Philosophy / 3. Philosophy Defined
Even pointing a finger should only be done for a reason [Epictetus]
     Full Idea: Philosophy says it is not right even to stretch out a finger without some reason.
     From: Epictetus (fragments/reports [c.57], 15)
     A reaction: The key point here is that philosophy concerns action, an idea on which Epictetus is very keen. He rather despise theory. This idea perfectly sums up the concept of the wholly rational life (which no rational person would actually want to live!).
7. Existence / D. Theories of Reality / 7. Fictionalism
Fictionalism allows that simulated beliefs may be tracking real facts [Yablo]
     Full Idea: The fictionalist offers the option that your simulated beliefs and assertions may be tracking a realm of genuine facts, or a realm of what you take to be facts.
     From: Stephen Yablo (Go Figure: a Path through Fictionalism [2001], 13)
     A reaction: This means that fictionalism does not have to be an error theory. That is, we aren't mistakenly believing something that we actually made up. Instead we are sensibly believing something we know to be not literally true. Love it.
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / b. Worlds as fictions
Governing possible worlds theory is the fiction that if something is possible, it happens in a world [Yablo]
     Full Idea: The governing fiction of possible worlds theory says that whenever something is possible, there is a world where it happens.
     From: Stephen Yablo (Go Figure: a Path through Fictionalism [2001], 05)
     A reaction: This sounds like the only sensible attitude to possible worlds I can think of.
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Art leads to mental health, and mental clarity [Beardsley,M, by Carroll,N]
     Full Idea: Beardsley says aesthetic experience relieves tensions and quiet destructive emotions. It also aids us in sorting out the jumble in the flow of consciousness, by virtue of its tendencies toward heightened clarity and coherence.
     From: report of Monroe Beardsley (Aesthetics: problems in the philosophy of criticism [1958]) by Noël Carroll - Monroe Beardsley p.162-3
     A reaction: I find this claim highly implausible. I like art, but I feel neither healthier nor clearer after experiencing it.