19 ideas
| 7396 | Hobbes created English-language philosophy [Hobbes, by Tuck] |
| Full Idea: Hobbes created English-language philosophy. | |
| From: report of Thomas Hobbes (The Elements of Law [1640]) by Richard Tuck - Hobbes Pref | |
| A reaction: Tuck mentions Hooker as a predecessor in jurisprudence. Otherwise, an impressive label. |
| 23367 | Even pointing a finger should only be done for a reason [Epictetus] |
| Full Idea: Philosophy says it is not right even to stretch out a finger without some reason. | |
| From: Epictetus (fragments/reports [c.57], 15) | |
| A reaction: The key point here is that philosophy concerns action, an idea on which Epictetus is very keen. He rather despise theory. This idea perfectly sums up the concept of the wholly rational life (which no rational person would actually want to live!). |
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 16638 | The qualities of the world are mere appearances; reality is the motions which cause them [Hobbes] |
| Full Idea: Whatsoever accidents or qualities our senses make us think there be in the world, they are not there, but are seemings and apparitions only. The things that really are in the world without us are those motions by which these seemings are caused. | |
| From: Thomas Hobbes (The Elements of Law [1640], I.2.10), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 10.2 | |
| A reaction: This seems to count as a sense-datum theory, rather than a representative theory of perception, since it makes no commitment to the qualities containing any accurate information at all. We just start from the qualities and try to work it out. |
| 16688 | Evidence is conception, which is imagination, which proceeds from the senses [Hobbes] |
| Full Idea: All evidence is conception, as it is said, and all conception is imagination and proceeds from sense. And spirits we suppose to be those substances which work not upon the sense, and therefore not conceptible. | |
| From: Thomas Hobbes (The Elements of Law [1640], I.11.5), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 16.2 | |
| A reaction: This is exactly the same as Hume's claim that all ideas are the result of impressions, and is the very essence of empiricism. We see here that such an epistemology can have huge consequences. |
| 7405 | Experience can't prove universal truths [Hobbes] |
| Full Idea: Experience concludeth nothing universally. | |
| From: Thomas Hobbes (The Elements of Law [1640], I.4.10), quoted by Richard Tuck - Hobbes Ch.2 | |
| A reaction: Empiricists seem proud to claim this limitation on human understanding, where rationalists like Leibniz use it as an argument against empiricism. Kripke says (e.g. Idea 4966) they are both wrong! I sympathise with Kripke. |
| 7408 | It is an error that reason should control the passions, which give right guidance on their own [Hobbes, by Tuck] |
| Full Idea: Hobbes (and Descartes, and many contemporaries) argued that the traditional idea that reason should control the passions was an error, and that (properly understood) our emotions would guide us in the right direction. | |
| From: report of Thomas Hobbes (The Elements of Law [1640]) by Richard Tuck - Hobbes Ch.2 | |
| A reaction: I'm an intellectualist on this one. It strikes me as rather naïve and romantic to think that unthinking emotion could ever consistently approach what is right. A recipe for disaster. |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 7407 | Good and evil are what please us; goodness and badness the powers causing them [Hobbes] |
| Full Idea: We call good and evil the things that please and displease us; and so we call goodness and badness, the qualities of powers whereby they do it. | |
| From: Thomas Hobbes (The Elements of Law [1640], I.7.3), quoted by Richard Tuck - Hobbes Ch.2 | |
| A reaction: It is pointed out by Tuck that this is just like his treatment of colour terms (values as secondary qualities). I would have thought it was obvious that I could say 'x pleases me, although I disapprove of it' (e.g. black humour). |
| 7410 | Self-preservation is basic, and people judge differently about that, implying ethical relativism [Hobbes, by Tuck] |
| Full Idea: If men are their own judges of what conduces to their preservation, ..all men make different decisions about what counts as a danger, so (for Hobbes) the grimmest version of ethical relativism seems to be the only possible ethical vision. | |
| From: report of Thomas Hobbes (The Elements of Law [1640]) by Richard Tuck - Hobbes Ch.2 | |
| A reaction: This might depend on self-preservation being the only fundamental value. But if self-preservation is not a pressing issue, presumably other values might come into play, some of them less concerned with the individual's own interests. |
| 7409 | Hobbes shifted from talk of 'the good' to talk of 'rights' [Hobbes, by Tuck] |
| Full Idea: Hobbes (like Grotius) shifted from talking about 'the good', which had been the traditional subject for both ancient and Renaissance moralists, to talking instead about 'rights'. | |
| From: report of Thomas Hobbes (The Elements of Law [1640]) by Richard Tuck - Hobbes Ch.2 | |
| A reaction: This is part of the crucial shift away from the Greek interest in excellence of character, towards the Enlightenment legalistic interest in right actions, as well as social rights. Bad move, well analysed by MacIntyre. |
| 7411 | The attributes of God just show our inability to conceive his nature [Hobbes] |
| Full Idea: All the attributes of God signify our inability and defect of power to conceive any thing concerning his nature. | |
| From: Thomas Hobbes (The Elements of Law [1640], I.10.2), quoted by Richard Tuck - Hobbes Ch.2 | |
| A reaction: Presumably he means that 'omnipotence' should just be translated as 'mind-boggling power'. St Anselm's concept of God (Idea 1405) is helpful here, placing it at the upper limit of what can actually be conceived. |