Combining Texts

All the ideas for 'Against Coherence', 'Beauty: a very short introduction' and 'works'

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18 ideas

2. Reason / A. Nature of Reason / 7. Status of Reason
Do aesthetic reasons count as reasons, if they are rejectable without contradiction? [Scruton]
     Full Idea: The judgement of beauty makes a claim about its object, and can be supported by reasons. But the reasons do not compel the judgement and can be rejected without contradiction. So are they reasons or aren't they?
     From: Roger Scruton (Beauty: a very short introduction [2011], 1)
     A reaction: I suspect that what he is really referring to is evidence rather than reasons.
3. Truth / A. Truth Problems / 2. Defining Truth
Defining truth presupposes that there can be a true definition [Scruton]
     Full Idea: How can you define truth, without already assuming the distinction between a true definition and a false one?
     From: Roger Scruton (Beauty: a very short introduction [2011], 1)
     A reaction: Don't say we have to accept truth as yet another primitive! Philosophers are out of business if all the basic concepts are primitive. The axiomatic approach to truth is an alternative - by specifying how the primitive should be used.
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / a. Coherence as justification
Incoherence may be more important for enquiry than coherence [Olsson]
     Full Idea: While coherence may lack the positive role many have assigned to it, ...incoherence plays an important negative role in our enquiries.
     From: Erik J. Olsson (Against Coherence [2005], 10.1)
     A reaction: [He cites Peirce as the main source for this idea] We can hardly by deeply impressed by incoherence if we have no sense of coherence. Incoherence is just one of many markers for theory failure. Missing the target, bad concepts...
Coherence is the capacity to answer objections [Olsson]
     Full Idea: According to Lehrer, coherence should be understood in terms of the capacity to answer objections.
     From: Erik J. Olsson (Against Coherence [2005], 9)
     A reaction: [Keith Lehrer 1990] We can connect this with the Greek requirement of being able to give an account [logos], which is the hallmark of understanding. I take coherence to be the best method of achieving understanding. Any understanding meets Lehrer's test.
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / c. Coherentism critique
Mere agreement of testimonies is not enough to make truth very likely [Olsson]
     Full Idea: Far from guaranteeing a high likelihood of truth by itself, testimonial agreement can apparently do so only if the circumstances are favourable as regards independence, prior probability, and individual credibility.
     From: Erik J. Olsson (Against Coherence [2005], 1)
     A reaction: This is Olson's main thesis. His targets are C.I.Lewis and Bonjour, who hoped that a mere consensus of evidence would increase verisimilitude. I don't see a problem for coherence in general, since his favourable circumstances are part of it.
Coherence is only needed if the information sources are not fully reliable [Olsson]
     Full Idea: An enquirer who is fortunate enough to have at his or her disposal fully reliable information sources has no use for coherence, the need for which arises only in the context of less than fully reliable informations sources.
     From: Erik J. Olsson (Against Coherence [2005], 2.6.2)
     A reaction: I take this to be entirely false. How do you assess reliability? 'I've seen it with my own eyes'. Why trust your eyes? In what visibility conditions do you begin to doubt your eyes? Why do rational people mistrust their intuitions?
A purely coherent theory cannot be true of the world without some contact with the world [Olsson]
     Full Idea: The Input Objection says a pure coherence theory would seem to allow that a system of beliefs be justified in spite of being utterly out of contact with the world it purports to describe, so long as it is, to a sufficient extent, coherent.
     From: Erik J. Olsson (Against Coherence [2005], 4.1)
     A reaction: Olson seems impressed by this objection, but I don't see how a system could be coherently about the world if it had no known contact with the world. Olson seems to ignore meta-coherence, which evaluates the status of the system being studied.
Extending a system makes it less probable, so extending coherence can't make it more probable [Olsson]
     Full Idea: Any non-trivial extension of a belief system is less probable than the original system, but there are extensions that are more coherent than the original system. Hence more coherence does not imply a higher probability.
     From: Erik J. Olsson (Against Coherence [2005], 6.4)
     A reaction: [Olson cites Klein and Warfield 1994; compressed] The example rightly says the extension could have high internal coherence, but not whether the extension is coherent with the system being extended.
19. Language / F. Communication / 4. Private Language
Dewey argued long before Wittgenstein that there could not seriously be a private language [Dewey, by Orenstein]
     Full Idea: Dewey argued in the twenties that there could not be, in any serious sense, a private language. Wittgenstein also, years later, came to appreciate this point.
     From: report of John Dewey (works [1926]) by Alex Orenstein - W.V. Quine Ch.6
     A reaction: A nice historical footnote to perhaps the most famous argument in twentieth century philosophy. Can anyone send me the Dewey reference?
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The pleasure taken in beauty also aims at understanding and valuing [Scruton]
     Full Idea: Like the pleasure in friendship, the pleasure in beauty is curious: it aims to understand its object, and to value what it finds.
     From: Roger Scruton (Beauty: a very short introduction [2011], 1)
     A reaction: At least he is trying to pin down the way in which aesthetic pleasure is phenomenologically different from other kinds of pleasure.
Art gives us imaginary worlds which we can view impartially [Scruton]
     Full Idea: One aim of art is to present imaginary worlds, towards which we can adopt, as part of the integral aesthetic attitude, a posture of impartial concern.
     From: Roger Scruton (Beauty: a very short introduction [2011], 5)
     A reaction: It connects to the pleasure of watching people when they don't know they are being watched (such as watching the street from a restaurant window). Scruton's suggestion makes art resemble examples in philosophy. Cf the Frege-Geach problem in ethics.
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Maybe 'beauty' is too loaded, and we should talk of fittingness or harmony [Scruton]
     Full Idea: Maybe we can understand the 'beauty' of a building better if we describe it in another and less loaded way, as a form of fittingness or harmony.
     From: Roger Scruton (Beauty: a very short introduction [2011], 1)
     A reaction: Almost everyone accepts the word 'beauty' for some things, such as a beautiful face, or goal, or steak. I remember a female interviewer writing that, reluctantly, the only appropriate word she could find for Nureyev's face was 'beautiful'.
Beauty shows us what we should want in order to achieve human fulfilment [Scruton]
     Full Idea: Beauty speaks to us of human fulfilment: not of things that we want, but of things that we ought to want, because human nature requires them. Such, at least, is my belief.
     From: Roger Scruton (Beauty: a very short introduction [2011], 7)
     A reaction: I'm not sure how this works with a beautiful natural landscape. And what should I see that I ought to desire after viewing a great Rembrandt self-portrait? That I don't want to end up looking as bleak as that? Hm. Lofty words.
Beauty is rationally founded, inviting meaning, comparison and self-reflection [Scruton]
     Full Idea: Beauty is rationally founded; it challenges us to find meaning in its object, to make critical comparisons, and to examine our own lives and emotions in the light of what we find.
     From: Roger Scruton (Beauty: a very short introduction [2011], 9)
     A reaction: This is the Kantian tradition, and I'm not finding it very persuasive. It seems to place the value of beauty in what we do with it afterwards, and he seems to make beauty a necessary stepping stone to virtue. I see beauty as more sui generis.
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Natural beauty reassures us that the world is where we belong [Scruton]
     Full Idea: The experience of natural beauty is not a sense of 'how nice!' or 'how pleasant!' It contains a reassurance that this world is a right and fitting place to be - a home in which our human powers and prospects find confirmation.
     From: Roger Scruton (Beauty: a very short introduction [2011], 2)
     A reaction: To call it a 'reassurance' and 'confirmation' sounds like theism, anthropomorphism, or the pathetic fallacy. That said, this is certainly a heart-warming idea, and hence must contain a grain of truth.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Croce says art makes inarticulate intuitions conscious; rival views say the audience is the main concern [Scruton]
     Full Idea: The Croce model is of an inarticulate inner state (an 'intuition') becoming articulate and conscious through artistic expression. The rival model is fitting thing together so as to create links which resonate in the audience's feelings.
     From: Roger Scruton (Beauty: a very short introduction [2011], 5)
     A reaction: The first model tells you nothing about how the artist imagines the audience reacting. The second model tells you nothing about what matters personally to the artist. A good theory must do both!
22. Metaethics / B. Value / 1. Nature of Value / f. Ultimate value
Beauty (unlike truth and goodness) is questionable as an ultimate value [Scruton]
     Full Idea: The status of beauty as an ultimate value is questionable, in the way that the status of truth and goodness are not.
     From: Roger Scruton (Beauty: a very short introduction [2011], 1)
     A reaction: We suspect that a love of beauty may be a bit parochial, where it is hard to conceive of living creatures anywhere in the cosmos who don't value the other two.
25. Social Practice / F. Life Issues / 5. Sexual Morality
Prostitution is wrong because it hardens the soul, since soul and body are one [Scruton]
     Full Idea: The condemnation of prostitution was not just puritan bigotry; it was a recognition of a profound truth, that you and your body are not two things but one, and by selling the body you harden your soul.
     From: Roger Scruton (Beauty: a very short introduction [2011], 7)
     A reaction: No one, I imagine, who condones or even enthuses about prostitution would hope that their own daughter followed the profession, so there is something wrong with it. But must an enthusiastic and cheerful prostitute necessarily have a hard soul?