Combining Texts

All the ideas for 'Ethical Studies', 'Letters to Remond de Montmort' and 'The Artworld'

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6 ideas

10. Modality / C. Sources of Modality / 2. Necessity as Primitive
Some necessary truths are brute, and others derive from final causes [Leibniz]
     Full Idea: There is a difference between truths whose necessity is brute and geometric and those truths which have their source in fitness and final causes.
     From: Gottfried Leibniz (Letters to Remond de Montmort [1715], 1715.06.22/G III 645), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 6
     A reaction: The second one is a necessity deriving from God's wisdom. Strictly it could have been otherwise, unlike 'geometrical' necessity, which is utterly fixed.
15. Nature of Minds / B. Features of Minds / 1. Consciousness / c. Parts of consciousness
Our large perceptions and appetites are made up tiny unconscious fragments [Leibniz]
     Full Idea: Our great perceptions and our great appetites of which we are conscious, are composed of innumerable little perceptions and little inclinations of which we cannot be conscious.
     From: Gottfried Leibniz (Letters to Remond de Montmort [1715], 1715 §2)
     A reaction: I think this is a wonderfully accurate report of how the mind is, in comparison with the much more simplistic views presented by most philosophers of that era. And so much understanding flows from Leibniz's account.
18. Thought / A. Modes of Thought / 3. Emotions / c. Role of emotions
Passions reside in confused perceptions [Leibniz]
     Full Idea: The passions of monads reside in their confused perceptions.
     From: Gottfried Leibniz (Letters to Remond de Montmort [1715], 1715)
     A reaction: He thinks perceptions come in degrees of confusion, all the way up to God, who alone has fully clear perceptions. He blames in on these confused perceptions.
21. Aesthetics / B. Nature of Art / 6. Art as Institution
An ordinary object can be a work of art, but only if some theory of art supports it [Danto]
     Full Idea: What in the end makes the difference between a Brillo box and a work of art consisting of a Brillo box is a certain theory of art. It is the theory that takes it up into the world of art, and keeps it from collapsing into the real object which it is.
     From: Arthur C. Danto (The Artworld [1964], p.581), quoted by Sondra Bacharach - Arthur C. Danto
     A reaction: It is hard to describe Duchamp's original claim that the urinal was an artwork as a 'theory'. It is a mere rebellious assertion.
22. Metaethics / C. The Good / 2. Happiness / d. Routes to happiness
Happiness is not satisfaction of desires, but fulfilment of values [Bradley, by Scruton]
     Full Idea: For Bradley, the happiness of the individual is not to be understood in terms of his desires and needs, but rather in terms of his values - which is to say, in terms of those of his desires which he incorporates into his self.
     From: report of F.H. Bradley (Ethical Studies [1876]) by Roger Scruton - Short History of Modern Philosophy Ch.16
     A reaction: Good. Bentham will reduce the values to a further set of desires, so that a value is a complex (second-level?) desire. I prefer to think of values as judgements, but I like Scruton's phrase of 'incorporating into his self'. Kant take note (Idea 1452).
28. God / A. Divine Nature / 2. Divine Nature
God produces possibilities, and thus ideas [Leibniz]
     Full Idea: God is the source of possibilities and consequently of ideas.
     From: Gottfried Leibniz (Letters to Remond de Montmort [1715], 1715 §8)
     A reaction: A wonderfully individual conception of the nature of God. He produces the possibilities from which creation is chosen, and ideas and concepts are of everything which is non-contradictory, and thus possible. It all makes lovely sense!