Combining Texts

All the ideas for 'Ethical Studies', 'What is Art?' and 'Syntagma'

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12 ideas

8. Modes of Existence / B. Properties / 8. Properties as Modes
If matter is entirely atoms, anything else we notice in it can only be modes [Gassendi]
     Full Idea: Since these atoms are the whole of the corporeal matter or substance that exists in bodies, if we conceive or notice anything else to exist in these bodies, that is not a substance but only some kind of mode of the substance.
     From: Pierre Gassendi (Syntagma [1658], II.1.6.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 22.4
     A reaction: If the atoms have a few qualities of their own, are they just modes? If they are genuine powers, then there can be emergent powers, which are rather more than mere 'modes'.
14. Science / D. Explanation / 2. Types of Explanation / j. Explanations by reduction
We observe qualities, and use 'induction' to refer to the substances lying under them [Gassendi]
     Full Idea: Nothing beyond qualities is perceived by the senses. …When we refer to the substance in which the qualities inhere, we do this through induction, by which we reason that some subject lies under the quality.
     From: Pierre Gassendi (Syntagma [1658], II.1.6.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 07.1
     A reaction: He talks of 'induction' (in an older usage), but he seems to mean abduction, since he never makes any observations of the substances being proposed.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
True works of art transmit completely new feelings [Tolstoy]
     Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man.
     From: Leo Tolstoy (What is Art? [1898], Ch.9)
     A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord).
Art is when one man uses external signs to hand on his feelings to another man [Tolstoy]
     Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them.
     From: Leo Tolstoy (What is Art? [1898], Ch.5)
     A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition.
The highest feelings of mankind can only be transmitted by art [Tolstoy]
     Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art.
     From: Leo Tolstoy (What is Art? [1898], Ch.17)
     A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy]
     Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art.
     From: Leo Tolstoy (What is Art? [1898], Ch.16)
     A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!).
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
People estimate art according to their moral values [Tolstoy]
     Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life.
     From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206
     A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel.
The upper classes put beauty first, and thus freed themselves from morality [Tolstoy]
     Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality.
     From: Leo Tolstoy (What is Art? [1898], Ch.17)
     A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art.
We separate the concept of beauty from goodness, unlike the ancients [Tolstoy]
     Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time.
     From: Leo Tolstoy (What is Art? [1898], Ch.3)
     A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible.
22. Metaethics / C. The Good / 2. Happiness / d. Routes to happiness
Happiness is not satisfaction of desires, but fulfilment of values [Bradley, by Scruton]
     Full Idea: For Bradley, the happiness of the individual is not to be understood in terms of his desires and needs, but rather in terms of his values - which is to say, in terms of those of his desires which he incorporates into his self.
     From: report of F.H. Bradley (Ethical Studies [1876]) by Roger Scruton - Short History of Modern Philosophy Ch.16
     A reaction: Good. Bentham will reduce the values to a further set of desires, so that a value is a complex (second-level?) desire. I prefer to think of values as judgements, but I like Scruton's phrase of 'incorporating into his self'. Kant take note (Idea 1452).
26. Natural Theory / A. Speculations on Nature / 6. Early Matter Theories / g. Atomism
Atoms are not points, but hard indivisible things, which no force in nature can divide [Gassendi]
     Full Idea: The vulgar think atoms lack parts and are free of all magnitude, and hence nothing other than a mathematical point, but it is something solid and hard and compact, as to leave no room for division, separation and cutting. No force in nature can divide it.
     From: Pierre Gassendi (Syntagma [1658], II.1.3.5), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 03.2
     A reaction: If you gloatingly think the atom has now been split, ask whether electrons and quarks now fit his description. Pasnau notes that though atoms are indivisible, they are not incorruptible, and could go out of existence, or be squashed.
How do mere atoms produce qualities like colour, flavour and odour? [Gassendi]
     Full Idea: If the only material principles of things are atoms, having only size, shape, and weight, or motion, then why are so many additional qualities created and existing within the things: color, heat, flavor, odor, and innumerable others?
     From: Pierre Gassendi (Syntagma [1658], II.1.5.7), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 22.4
     A reaction: This is pretty much the 'hard question' about the mind-body relation. Bacon said that heat was just motion of matter. I would say that this problem is gradually being solved in my lifetime.