50 ideas
| 162 | Can we understand an individual soul without knowing the soul in general? [Plato] |
| Full Idea: Do you think it possible to form an adequate conception of the nature of an individual soul without considering the nature of soul in general? | |
| From: Plato (Phaedrus [c.366 BCE], 270c) | |
| A reaction: Do animals understand anything (as opposed to simply being aware of things)? |
| 160 | The highest ability in man is the ability to discuss unity and plurality in the nature of things [Plato] |
| Full Idea: When I believe that I have found in anyone the ability to discuss unity and plurality as they exist in the nature of things, I follow his footsteps as if he was a god. | |
| From: Plato (Phaedrus [c.366 BCE], 266b) | |
| A reaction: This sounds like the problem of identity, which is at the heart of modern metaphysics. |
| 12124 | Metaphysics is the best knowledge, because it is the simplest [Bacon] |
| Full Idea: That knowledge is worthiest which is charged with least multiplicity, which appeareth to be metaphysic | |
| From: Francis Bacon (The Advancement of Learning [1605], II.VII.6) | |
| A reaction: A surprising view, coming from the father of modern science, but essentially correct. Obviously metaphysics aspires to avoid multiplicity, but it is riddled not only with complexity in its researches, but massive uncertainties. |
| 12123 | Natural history supports physical knowledge, which supports metaphysical knowledge [Bacon] |
| Full Idea: Knowledges are as pyramides, whereof history is the basis. So of natural philosophy, the basis is natural history, the stage next the basis is physic; the stage next the vertical point is metaphysic. | |
| From: Francis Bacon (The Advancement of Learning [1605], II.VII.6) | |
| A reaction: The father of modern science keeps a place for metaphysics, as the most abstract level above the physical sciences. I would say he is right. It leads to my own slogan: science is the servant of philosophy. |
| 12119 | Physics studies transitory matter; metaphysics what is abstracted and necessary [Bacon] |
| Full Idea: Physic should contemplate that which is inherent in matter, and therefore transitory; and metaphysic that which is abstracted and fixed | |
| From: Francis Bacon (The Advancement of Learning [1605], II.VII.3) | |
| A reaction: He cites the ancients for this view, with which he agrees. One could do worse than hang onto metaphysics as the study of necessities, but must then face the attacks of the Quineans - that knowledge of necessities is beyond us. |
| 12120 | Physics is of material and efficient causes, metaphysics of formal and final causes [Bacon] |
| Full Idea: Physic inquireth and handleth the material and efficient causes; and metaphysic handleth the formal and final causes. | |
| From: Francis Bacon (The Advancement of Learning [1605], II.VII.3) | |
| A reaction: Compare Idea 12119. This divides up Aristotle's famous Four Causes (or Explanations), outlined in 'Physics' II.3. The concept of 'matter', and the nature of 'cause' seem to me to fall with the purview of metaphysics. Interesting, though. |
| 166 | A speaker should be able to divide a subject, right down to the limits of divisibility [Plato] |
| Full Idea: A speaker must be able to define a subject generically, and then to divide it into its various specific kinds until he reaches the limits of divisibility. | |
| From: Plato (Phaedrus [c.366 BCE], 277b) |
| 7953 | Reasoning needs to cut nature accurately at the joints [Plato] |
| Full Idea: In our reasoning we need a clear view of the ability to divide a genus into species, observing the natural joints, not mangling any of the parts, like an unskilful butcher. | |
| From: Plato (Phaedrus [c.366 BCE], 265d) | |
| A reaction: In modern times this Platonic idea has become the standard metaphor for realism. I endorse it. I think nature has joints, and we should hunt for them. There are natural sets. The joints may exist in abstract concepts, as well as in objects. |
| 16121 | I revere anyone who can discern a single thing that encompasses many things [Plato] |
| Full Idea: If I believe that someone is capable of discerning a single thing that is also by nature capable of encompassing many, I follow 'straight behind, in his footsteps, as if he were a god'. | |
| From: Plato (Phaedrus [c.366 BCE], 266b) | |
| A reaction: [Plato quote Odyssey 2.406] This is the sort of simple but profound general observation which only the early philosophers bothered to make, and no one comments on now. Encompassing many under one is the very essence of thinking. |
| 153 | It takes a person to understand, by using universals, and by using reason to create a unity out of sense-impressions [Plato] |
| Full Idea: It takes a man to understand by the use of universals, and to collect out of the multiplicity of sense-impressions a unity arrived at by a process of reason. | |
| From: Plato (Phaedrus [c.366 BCE], 249b) |
| 154 | We would have an overpowering love of knowledge if we had a pure idea of it - as with the other Forms [Plato] |
| Full Idea: What overpowering love knowledge would inspire if it could bring a clear image of itself before our sight, and the same may be said of the other forms. | |
| From: Plato (Phaedrus [c.366 BCE], 250d) | |
| A reaction: the motivation in Plato's theory |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| Full Idea: Classes can share properties with their members (e.g. the class of big things is big), but this is very rare. ....In the case of both universals and types, there will be shared properties. Red things can be exhilarating, and so can redness. | |
| From: Richard Wollheim (Art and Its Objects [1968], 92) | |
| A reaction: 'Exhilarating' is an extrinsic property, so not the best illustration. This is interesting, but would need checking with a wide range of examples. (Too busy for that right now) |
| 151 | True knowledge is of the reality behind sense experience [Plato] |
| Full Idea: True knowledge is concerned with the abode of true reality, without colour or shape, intangible but utterly real, apprehensible only to the intellect. | |
| From: Plato (Phaedrus [c.366 BCE], 247c) |
| 12121 | We don't assume there is no land, because we can only see sea [Bacon] |
| Full Idea: They are ill discoverers that think there is no land, when they can see nothing but sea. | |
| From: Francis Bacon (The Advancement of Learning [1605], II.VII.5) | |
| A reaction: Just the sort of pithy remark for which Bacon is famous. It is an obvious point, but a nice corrective to anyone who wants to apply empirical principles in a rather gormless way. |
| 12117 | Science moves up and down between inventions of causes, and experiments [Bacon] |
| Full Idea: All true and fruitful natural philosophy hath a double scale or ladder, ascendent and descendent, ascending from experiments to the invention of causes, and descending from causes to the invention of new experiments. | |
| From: Francis Bacon (The Advancement of Learning [1605], II.VII.1) | |
| A reaction: After several hundred years, I doubt whether anyone can come up with a better account of scientific method than Bacon's. |
| 165 | If the apparent facts strongly conflict with probability, it is in everyone's interests to suppress the facts [Plato] |
| Full Idea: There are some occasions when both prosecution and defence should positively suppress the facts in favour of probability, if the facts are improbable. | |
| From: Plato (Phaedrus [c.366 BCE], 272e) |
| 12127 | Many different theories will fit the observed facts [Bacon] |
| Full Idea: The ordinary face and view of experience is many times satisfied by several theories and philosophies. | |
| From: Francis Bacon (The Advancement of Learning [1605], II.VIII.5) | |
| A reaction: He gives as his example that the Copernican system and the Ptolemaic system both seem to satisfy all the facts. He wrote in 1605, just before Galileo's telescope. His point is regularly made in modern discussions. In this case, he was wrong! |
| 9296 | The soul is self-motion [Plato] |
| Full Idea: Self-motion is of the very nature of the soul. | |
| From: Plato (Phaedrus [c.366 BCE], 245e) | |
| A reaction: This culminates a length discussion of the soul. He gives an implausible argument that the soul is immortal, because it could never cease its self-motion. Why are we so unimpressed by motion, when the Greeks were amazed by it? |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| Full Idea: Much of the time we think and talk of a type as though it were itself a kind of token. | |
| From: Richard Wollheim (Art and Its Objects [1968], 35) | |
| A reaction: A helpful way of connecting what I call 'objectification' to the more conventional modern philosophical vocabulary. Thus I might claim that beauty is superior to truth, as if they were two tokens. |
| 12126 | People love (unfortunately) extreme generality, rather than particular knowledge [Bacon] |
| Full Idea: It is the nature of the mind of man (to the extreme prejudice of knowledge) to delight in the spacious liberty of generalities, as in a champaign region, and not in the inclosures of particularity. | |
| From: Francis Bacon (The Advancement of Learning [1605], II.VIII.1) | |
| A reaction: I have to plead guilty to this myself. He may have pinpointed the key motivation behind philosophy. We all want to know things, as Aristotle said, but some of us want the broad brush, and others want the fine detail. |
| 23997 | Plato saw emotions and appetites as wild horses, in need of taming [Plato, by Goldie] |
| Full Idea: Plato had a conception of the emotions and our bodily appetites as being like wild horses, to be harnassed and controlled by reason. | |
| From: report of Plato (Phaedrus [c.366 BCE]) by Peter Goldie - The Emotions 4 'Education' | |
| A reaction: This seems to make Plato the patriarch of puritanism. See Symposium, as well as Phaedrus. But bringing up children can often seem like taming wild beasts. |
| 159 | Only a good philosopher can be a good speaker [Plato] |
| Full Idea: Unless a man becomes an adequate philosopher he will never be an adequate speaker on any subject. | |
| From: Plato (Phaedrus [c.366 BCE], 261a) | |
| A reaction: Depends. Hitler showed little sign of clear philosophical thinking, but the addition of lights and uniforms seemed to sweep reasonably intelligent people along with him. |
| 5946 | 'Phaedrus' pioneers the notion of philosophical rhetoric [Lawson-Tancred on Plato] |
| Full Idea: The purpose of the 'Phaedrus' is to pioneer the notion of philosophical rhetoric. | |
| From: comment on Plato (Phaedrus [c.366 BCE], Ch.10) by Hugh Lawson-Tancred - Plato's Republic and Greek Enlightenment | |
| A reaction: This is a wonderfully challenging view of what Plato was up to. One might connect it with Rorty's claim that philosophy should move away from epistemology and analysis, towards hermeneutics, which sounds to me like rhetoric. 'Phaedrus' is beautiful. |
| 158 | An excellent speech seems to imply a knowledge of the truth in the mind of the speaker [Plato] |
| Full Idea: If a speech is to be classed as excellent, does that not presuppose knowledge of the truth about the subject of the speech in the mind of the speaker. | |
| From: Plato (Phaedrus [c.366 BCE], 259e) | |
| A reaction: I like the thought that Plato's main interest was rhetoric, but with the view that the only good rhetoric is truth-speaking. It would be hard to admire a speech if you disagreed with it. |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| Full Idea: We could not have a feeling for the beauties of art unless we had been correspondingly moved in front of nature. | |
| From: Richard Wollheim (Art and Its Objects [1968], 43) | |
| A reaction: Wollheim offers this in defence of Kant's view, without necessarily agreeing. Similarly one could hardly care for fictional characters, but not for real people. So the aesthetic attitude may arise from life, rather than from art. Is art hence unimportant? |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| Full Idea: Performative interpretation occurs only with certain arts, but critical intepretation pertains to all. | |
| From: Richard Wollheim (Art and Its Objects [1968], 38) | |
| A reaction: Fairly obvious, but this is the first point to make about the concept of 'interpretation'. Does the word in fact have two meanings? Or do I perform a painting when I look carefully at it? |
| 155 | Beauty is the clearest and most lovely of the Forms [Plato] |
| Full Idea: Only beauty has the privilege of being the most clearly discerned and the most lovely of the forms. | |
| From: Plato (Phaedrus [c.366 BCE], 250e) | |
| A reaction: the motivation in Plato's theory |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| Full Idea: Maybe, rather than defining art, it would be more fruitful, and more realistic, to seek a general method of identifying works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 60) | |
| A reaction: The whole enterprise is ruined by Marcel Duchamp! I'm more interested in identifying or defining good art. |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| Full Idea: It is said that beauty cannot consist in organisation because, if it did, we would not be able to predicate beauty of totally simple objects. | |
| From: Richard Wollheim (Art and Its Objects [1968], 59) | |
| A reaction: [He says this idea originates in Plotinus] I'm struggling to think of an example of something which is 'totally' simple and beautiful. Maybe a patch of colour like the breast of a bullfinch? |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| Full Idea: The view that a work of art expresses nothing if it can't be put into other words ...is reduced by the view that a work of art has no value if what it expresses or says can be put into (other) words. | |
| From: Richard Wollheim (Art and Its Objects [1968], 49) | |
| A reaction: I prefer the second view. Poetry is what is lost in translation. Good art actually seems to evoke emotions which one virtually never feels in ordinary life. But how could that be possible? What are those emotions doing there? |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| Full Idea: The argument that works of art have properties that physical objects could not have characteristically concentrates on the expressive properties of works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 10) | |
| A reaction: Since the idea of an object having non-physical properties strikes me as ridiculous, this gets off to a bad start. If artworks are abstract objects, then all of their properties are non-physical. |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| Full Idea: 'Style' would seem to be a concept that cannot be applied to a work solely on the basis of what is represented and yet it is also essential to a proper understanding or appreciation of a work. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Sounds right. One long held musical note creates an expectation which depends on the presumed style of the piece of music. A single bar from a piece may well not exhibit its characteristic style. |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| Full Idea: From Aristotle onwards it has been a tenet of the traditional rhetoric that the proper understanding of a literary work involves the location of it in the correct genre, that is, as drama, epic or lyric. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Walton argues this persuasively. I've seen the climax of a Jacobean tragedy ruined by laughter from the audience. Genre dictates appropriate responses, so it is a communal concept. |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| Full Idea: In denying that works of art are physical objects, one theory (the 'ideal') withdraws them altogether from experience, and a second theory ('phenomenal') pins them too it inescapably and at all points. | |
| From: Richard Wollheim (Art and Its Objects [1968], 21) | |
| A reaction: I incline towards them being transient ideals, created by human minds. As with so much, we idealise and objectify them as 'works', and abstract their image from the instance(s) we encounter. |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| Full Idea: The ideal theory of Croce and Collingwood says art is first an inner intuition or expression of the artist, resulting from a particular process of organisation and unification, which can be externalised in public form. | |
| From: Richard Wollheim (Art and Its Objects [1968], 22) | |
| A reaction: [compressed] As stated this doesn't sound very controversial or 'ideal'. I take it the theory is intended to be more platonist than this expression of it suggests. I think the idea that it is an 'expression' of the artist is wrong. |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| Full Idea: Because the ideal theory makes a work of art inner or mental, the link between the artist and the audience has been severed .....and it also totally ignores the significance of the medium. | |
| From: Richard Wollheim (Art and Its Objects [1968], 23) | |
| A reaction: Emily Dickinson had virtually no audience for her poetry. The medium used to perform Bach's 'Art of Fugue' seems unimportant. For paintings of painterly painters paint matters. For some visual art many different media will suffice. |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| Full Idea: With the usual reservations, there is nothing that can be predicated of a performance of a piece of music that could not also be predicated of that piece of music itself. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: He offers this as evidence that it fits the performance being a token, and music (and all other art) being a type. There are quite a few 'reservations'. Music too difficult to perform. Great music always badly performed. |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| Full Idea: Interpretation may be regarded as the production of a token that has properties in excess of those of the type. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: I suppose so. If you play accurately everything that is written in the score, then anything else has to be an addition. If you play less than the score, you aren't quite playing that piece of music. |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| Full Idea: It is necessary, if a drawing is to represent Napoleon, that the draughtsman should intend it to be Napoleon. | |
| From: Richard Wollheim (Art and Its Objects [1968], 13) | |
| A reaction: Does a perfect and intended representation of a person also count as a representation of the person's identical twin? The families of both might well order copies. |
| 143 | The two ruling human principles are the natural desire for pleasure, and an acquired love of virtue [Plato] |
| Full Idea: In each one of us there are two ruling and impelling principles: a desire for pleasure, which is innate, and an acquired conviction which causes us to aim at excellence. | |
| From: Plato (Phaedrus [c.366 BCE], 237d) | |
| A reaction: This division is too neat and simple. An obsession with pleasure I would take to be acquired. If you set out to do something, I think there is an innate desire to do it well. |
| 157 | Most pleasure is release from pain, and is therefore not worthwhile [Plato] |
| Full Idea: Life is not worth living for pleasures whose enjoyment entirely depends on previous sensation of pain, like almost all physical pleasures. | |
| From: Plato (Phaedrus [c.366 BCE], 258e) | |
| A reaction: Eating exotic food which is hard to obtain? (Pay someone to obtain it). Rock climbing. Training for sport. |
| 144 | Reason impels us towards excellence, which teaches us self-control [Plato] |
| Full Idea: The conviction which impels us towards excellence is rational, and the power by which it masters us we call self-control. | |
| From: Plato (Phaedrus [c.366 BCE], 237e) |
| 156 | Bad people are never really friends with one another [Plato] |
| Full Idea: It is not ordained that bad men should be friends with one another. | |
| From: Plato (Phaedrus [c.366 BCE], 255b) |
| 12125 | Teleological accounts are fine in metaphysics, but they stop us from searching for the causes [Bacon] |
| Full Idea: To say 'leaves are for protecting of fruit', or that 'clouds are for watering the earth', is well inquired and collected in metaphysic, but in physic they are impertinent. They are hindrances, and the search of the physical causes hath been neglected. | |
| From: Francis Bacon (The Advancement of Learning [1605], II.VII.7) | |
| A reaction: This is the standard rebellion against Aristotle which gave rise to the birth of modern science. The story has been complicated by natural selection, which bestows a sort of purpose on living things. Nowadays we pursue both paths. |
| 12118 | Essences are part of first philosophy, but as part of nature, not part of logic [Bacon] |
| Full Idea: I assign to summary philosophy the operation of essences (as quantity, similitude, diversity, possibility), with this distinction - that they be handled as they have efficacy in nature, and not logically. | |
| From: Francis Bacon (The Advancement of Learning [1605], II.VII.3) | |
| A reaction: I take this to be a splendid motto for scientific essentialism, in a climate where modal logicians appear to have taken over the driving seat in our understanding of essences. |
| 148 | If the prime origin is destroyed, it will not come into being again out of anything [Plato] |
| Full Idea: If the prime origin is destroyed, it will not come into being again out of anything. | |
| From: Plato (Phaedrus [c.366 BCE], 245d) | |
| A reaction: This is the essence of Aquinas's Third Way of proving God's existence. |
| 152 | The mind of God is fully satisfied and happy with a vision of reality and truth [Plato] |
| Full Idea: The mind of a god, sustained by pure intelligence and knowledge, is satisfied with the vision of reality, and nourished and made happy by the vision of truth. | |
| From: Plato (Phaedrus [c.366 BCE], 247d) |
| 150 | We cannot conceive of God, so we have to think of Him as an immortal version of ourselves [Plato] |
| Full Idea: Because we have never seen or formed an adequate idea of a god, we picture him to ourselves as a being of the same kind as ourselves but immortal. | |
| From: Plato (Phaedrus [c.366 BCE], 246d) |
| 149 | There isn't a single reason for positing the existence of immortal beings [Plato] |
| Full Idea: There is not a single sound reason for positing the existence of such a being who is immortal | |
| From: Plato (Phaedrus [c.366 BCE], 246d) |
| 146 | Soul is always in motion, so it must be self-moving and immortal [Plato] |
| Full Idea: All soul is immortal, for what is always in motion is immortal. Only that which moves itself never ceases to be in motion. | |
| From: Plato (Phaedrus [c.366 BCE], 245c) |