19 ideas
| 9247 | Life will be lived better if it has no meaning [Camus] |
| Full Idea: Life will be lived all the better if it has no meaning. | |
| From: Albert Camus (The Myth of Sisyphus [1942], 'Abs free') | |
| A reaction: One image of the good life is that of a successful wild animal, for which existence is not a problem, merely a constant activity and pursuit. Maybe life begins to acquire meaning once we realise that meaning should not be sought directly. |
| 6707 | Suicide - whether life is worth living - is the one serious philosophical problem [Camus] |
| Full Idea: There is but one truly serious philosophical problem and that is suicide. Judgine whether life is or is not worth living amounts to answering the fundamental question of philosophy. | |
| From: Albert Camus (The Myth of Sisyphus [1942], p.11) | |
| A reaction: What a wonderful thesis for a book. In Idea 2682 there is the possibility of life being worth living, but not worth a huge amount of effort. It is better to call Camus' question the first question, rather than the only question. |
| 9245 | To an absurd mind reason is useless, and there is nothing beyond reason [Camus] |
| Full Idea: To an absurd mind reason is useless, and there is nothing beyond reason. | |
| From: Albert Camus (The Myth of Sisyphus [1942], 'Phil Suic') | |
| A reaction: But there is, surely, intuition and instinct? Read Keats's Letters. There is good living through upbringing and habit. Read Aristotle. If you like Camus' thought, you will love Chuang Tzu. Personally I am a child of the Enlightenment. |
| 9244 | Logic is easy, but what about logic to the point of death? [Camus] |
| Full Idea: It is always easy to be logical. It is almost impossible to be logical to the bitter end. The only problem that interests me is: is there a logic to the point of death? | |
| From: Albert Camus (The Myth of Sisyphus [1942], 'Abs and Suic') | |
| A reaction: This is a lovely hand grenade to lob into an analytical logic class! It is very hard to get logicians to actually ascribe a clear value to their activity. They tend to present it as a marginal private game, and yet it has high status. |
| 9249 | Whether we are free is uninteresting; we can only experience our freedom [Camus] |
| Full Idea: Knowing whether or not a man is free doesn't interest me. I can only experience my own freedom. | |
| From: Albert Camus (The Myth of Sisyphus [1942], 'Abs free') | |
| A reaction: Camus has the right idea. Personally I think you could drop the word 'freedom', and just say that I am confronted by the need to make decisions. |
| 9253 | The human heart has a tiresome tendency to label as fate only what crushes it [Camus] |
| Full Idea: The human heart has a tiresome tendency to label as fate only what crushes it. | |
| From: Albert Camus (The Myth of Sisyphus [1942], 'Appendix') | |
| A reaction: Nice. It might just as much be fate that you live a happy bourgeois life, as that you inadvertently murder your own father at a crossroads. But you can't avoid the powerful awareness of fate when a road accident occurs. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 9250 | Discussing ethics is pointless; moral people behave badly, and integrity doesn't need rules [Camus] |
| Full Idea: There can be no question of holding forth on ethics. I have seen people behave badly with great morality and I note every day that integrity has no need of rules. | |
| From: Albert Camus (The Myth of Sisyphus [1942], 'Abs Man') | |
| A reaction: I don't agree. If someone 'behaves badly with great morality' there is something wrong with their morality, and I want to know what it is. The last part is more plausible, and could be a motto for Particularism. Rules dangerously over-simplify life. |
| 16764 | The soul conserves the body, as we see by its dissolution when the soul leaves [Toletus] |
| Full Idea: Every accident of a living thing, as well as all its organs and temperaments and its dispositions are conserved by the soul. We see this from experience, since when that soul recedes, all these dissolve and become corrupted. | |
| From: Franciscus Toletus (Commentary on 'De Anima' [1572], II.1.1), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 24.5 | |
| A reaction: A nice example of observing a phenemonon, but not being able to observe the dependence relation the right way round. Compare Descartes in Idea 16763. |
| 9252 | The more one loves the stronger the absurd grows [Camus] |
| Full Idea: The more one loves the stronger the absurd grows. | |
| From: Albert Camus (The Myth of Sisyphus [1942], 'Don Juan') | |
| A reaction: A penetrating remark, to be placed as a contrary to the remarks of Harry Frankfurt on love. But if the absurd increases the intensity of life, as Camus thinks, then they both make love the great life-affirmation, but in different ways. |
| 9251 | One can be virtuous through a whim [Camus] |
| Full Idea: One can be virtuous through a whim. | |
| From: Albert Camus (The Myth of Sisyphus [1942], 'Abs Man') | |
| A reaction: A nice remark. Obviously neither Aristotle nor Kant would be too impressed by someone who did this, and Aristotle would certainly say that it is not really virtue, but merely right behaviour. I agree with Aristotle. |
| 9243 | If we believe existence is absurd, this should dictate our conduct [Camus] |
| Full Idea: What a man believes to be true must determine his action. Belief in the absurdity of existence must then dictate his conduct. | |
| From: Albert Camus (The Myth of Sisyphus [1942], 'Abs and Suic') | |
| A reaction: It is intriguing to speculate what the appropriate conduct is. Presumably it is wild existential gestures, like sticking a knife through your hand. Suicide will be an obvious temptation. But bourgeois life might be equally appropriate. |
| 6708 | Happiness and the absurd go together, each leading to the other [Camus] |
| Full Idea: Happiness and the absurd are two sons of the same earth; they are inseparable; it would be a mistake to say that happiness necessarily springs from the absurd discovery; it happens as well that the feeling of the absurd springs from happiness. | |
| From: Albert Camus (The Myth of Sisyphus [1942], p.110) | |
| A reaction: I'm not sure that I understand this, but I understand the experience of absurdity, and I can see that somehow one feels a bit more alive when one acknowledges the absurdity of it all. Meta-meta-thought is the highest form of human life, I say. |
| 9242 | Essential problems either risk death, or intensify the passion of life [Camus] |
| Full Idea: The essential problems are those that run the risk of leading to death, or those that intensify the passion of living. | |
| From: Albert Camus (The Myth of Sisyphus [1942], 'Abs and Suic') | |
| A reaction: This seems to be distinctively existentialist, in a way that a cool concern for great truths are not ranked as so important. Ranking dangerous problems as crucial seems somehow trivial for a philosopher. Intensity of life is more impressive. |
| 9246 | Danger and integrity are not in the leap of faith, but in remaining poised just before the leap [Camus] |
| Full Idea: The leap of faith does not represent an extreme danger as Kierkegaard would like it to do. The danger, on the contrary, lies in the subtle instant that precedes the leap. Being able to remain on the dizzying crest - that is integrity. | |
| From: Albert Camus (The Myth of Sisyphus [1942], 'Phil Suic') | |
| A reaction: I have always found that a thrilling thought. It perfectly distinguishes atheist existentialism from religious existentialism. It is Camus' best image for how the Absurd can be a life affirming idea, rather than a sort of nihilism. Life gains intensity. |
| 9248 | It is essential to die unreconciled and not of one's own free will [Camus] |
| Full Idea: It is essential to die unreconciled and not of one's own free will. Suicide is a repudiation. | |
| From: Albert Camus (The Myth of Sisyphus [1942], 'Abs free') | |
| A reaction: Camus' whole book addresses the question of suicide. He suggests that life can be redeemed and become livable if you squarely face up to the absurdity of it, and the gap between what we hope for and what we get. |